Lysistrata is a comedic play written by Aristophanes, the ancient Greek playwright who is well known for his political satire. Lysistrata, was first performed in 411 BCE a time when women were rarely seen and certainly had no political voice. Aristophanes gives life to women in his humorous portrayal of a Lysistrata’s extraordinary mission to end the 20 year long Peloponnesian War. Lysistrata right from the start is a noticeable atypical woman as she is rallying women in the town market place which in that time was never seen. Lysistrata is distinctly different, and separate from, the other women, as she challenges the male authorities throughout and creates civil disobedience.…
Lysistrata is a play that was set in Athens between 410 and 412 BC. At the time the play was set, women were expected to have no rights in society, and were not allowed/expected to discuss their opinions in matters subjective to men only. Women also had to obey their husbands at all time, and accept any demands made by their husband. The Importance of Being Ernest (TIOBE) was set during the Victorian Era, and at this time, the way women were expected to behave was similar to that of Lysistrata. And men were expected to be committed, and had a strict set of rules to follow when trying to address a woman. However, in Lysistrata, the female characters (mainly Lysistrata and Myrrhine) are seen to break all the rules and norms expected of a woman as they rebel against the men by refusing to have sex with them in order to stop the civil war in Greece. In TIOBE, the female characters show glimpse of following the Victorian ideals of womanhood; whilst the male characters are seen to not follow the rules as much. Both the plays involve characters of the upper middle class and upper class; therefore the targeted audience will also be of upper and middle class people.…
A big part of democracy is the freedom of speech and at this point in time of history, women stand in the shadows of their husbands especially when political discussions arise. In Lysistrata the main character, Lysistrata is all for democracy and the defense of democracy. The Greek culture was very focused on war and a lot of the economy was focused solely on producing resources for the war, all the revenue it would receive from the war and many even many of the Greek gods were related to war. Soldiers would pray to their gods during, before, and after and a victory was a gift from the gods and a loss was a punishment from the gods. War seemed to be the only thing that had any intention of the husbands and men of Greece, and Lysistrata along with her colleagues had enough of that. Although Aristophanes was secretly undermining the minds of high officials in Greece, he got away with it by incorporating his ideas for change with short…
In most Greek mythology there is a general hostility towards the female sex, which relays that most poets and writers themselves were sexist. Throughout Hesiod’s Theogony and Works and Days, women are portrayed in a very subservient manner, placing them far below men and are almost despised. However, in more than one instance, manipulation, women’s true power, is shown. They are constantly described as beautiful temptresses, which could be thought of as the weakness of many men. When Theogony and Works and Days are looked at as a whole it is obvious that Hesiod’s opinion of women, most likely shared by the Greeks themselves, is that they are inferior and subordinate to men.…
It is important to note the lack of feminism in Lysistrata because it can alter the entire meaning of the book. Instead of empowering women, Aristophanes probably used women as characters in a degrading way. Lysistrata was written as a satirical response to the war. He obviously opposed it was trying to convince others to also oppose it. He used women protagonists to show that even uneducated inferior people can see that the war needs to be…
During Greek Rule hundreds of years ago women were put to a standard and expected to maintain it through everything that they do. When any woman did anything out of the norm then they were most likely ridiculed for what they had done. In his play, Oresteia, Aeschylus highlights the implications of gender roles in Greek society with the foiling of Clytemnestra by Electra to illustrate the Greek ideals and views of woman in contrast to their men, the juxtaposition of Orestes and Clytemnestra as equal in their crime yet differing in justification and reaction by the chorus, and significance of male progression in justice as carried out through the victory of Apollo over the Euminides despite justice being carried out by a female goddess, Athena.…
Aristophanes, whom is a comedic writer, wrote Lysistrata during the Greek civil war. This unstoppable combat was between Athenians and Spartans, whom believed that the only way to prove anything was through war. The theme of Lysistrata revolves around gender, sex, and also politics. Its reasons for development were that if men were not able to fix the problems occurring, women would then take the initiative and do so. The women then came together and decided to withhold sexual pleasure from their husbands in order to expedite a negotiation to end the war. On the contrary to their principal motive, this act made by the women then resulted in a confrontation between the sexes interfering with the political and also social aspect of their lives.…
An ordinary everyday woman leading a group of women to protest against the highly anticipated Peloponnesian war by refusing sexual contact with their partner is considered implausible, especially considering the period of time in which the play was based in. It was not until the end of the play where Lysistrata, the leader of the revolt is finally able to pitch her idea in forming a peace treaty between Sparta and Athens. The play suggests that Lysistrata’s reasoning of wanting the war to end was for the wives to be kept company at home by their husband, an idea she sells to the group of women. It may seem as though the war coming to an end has brought improvements to gender issues, but reading deeper into the context suggests otherwise. Throughout countless times in the play, the idea of listening to ideas or suggestions by women would be considered rather absurd, and even more common to ignore them completely. To add on with the ideas of women being overlooked, war has no correlation in regards to improving gender inequalities. Ending the war and having their husbands return home simply means that they are back to square one when there was no war. The ending of the…
The play Lysistrata is a feminist tale that takes place in a time before there was a term and definition for feminism. It is a story in which women come and stand together for one common cause and belief and do what it takes to achieve peace and…
The play Lysistrata is a feminist tale that takes place in a time before there was a term and definition for feminism. It is a story in which women come and stand together for one common cause and belief and do what it takes to achieve peace and stability; a common cause anyone would be in…
Although it is good to laugh at oneself, the way women were portrayed in Lysistrata was reminiscent of the 20th century minstrel shows. Their characteristics were blown out of proportion. So Lysistrata did serve another more insidious purpose: subjugation.…
By exploring the role of woman in Othello and other Shakespeare’s plays, this essay has demonstrated literature is most successful in dealing with a worldwide issue like gender role. A memorable play is a successful play. Gender inequality, a current critical subject, is an important theme found throughout the play. It has powerfully developed the readers’ feelings towards the subject and the play, making it unforgettable. Shakespeare’s plays are truly…
In Lysistrata, the main character channels the modern woman in many ways. Like the modern woman, Lysistrata exuded confidence, courage and leadership. Confidence, by having the audacity to organize a sex strike in a time when men ruled. Like a confident modern woman, she says, “Our country’s fortunes depend on us-it is with us to undo utterly the Peloponnesians.” Knowing the possible obstacles that lay ahead, she still pushed forward.…
Just as the language mirrors the theme of the play, so does character progression support the action that occurs within it. The main character, Lysistrata, shows concern: “Sorry, Calonice, but I’m furious. I’m really dis- / appointed in womankind. All our husbands think we’re such / clever villians ---” (10-12). These lines, spoken by Lysistrata is to her friend Calonice who responds “Well, aren’t we?” (13) at the beginning of the play, set the scene for the action that trails. Women, as represented by Calonice, have cunning debauchee-type personalities in need of firm leadership and course. Lysistrata; however, has a large sense of individual and social accountability and this is shown when she “called a meeting to discuss a / very major matter, and they’re [the women] all still fast asleep!” (14-15). After she confides into Calonice, the women begin to arrive. Due to her lines and the way that her followers believe in, and attend to her orders, the reader is fully aware of her witty and charismatic personality. Furthermore, she always keeps her final goal in mind, going so far as to test the Magistrate: “Listen, then - and try and keep those hands of / yours under control” (503-04). Still, Lysistrata does not exists as the only well-developed character. The choruses of men and women also serve an important purpose as they function as symbols of their…
Culpepper Stroup, S., Designing Women: Aristophanes’ Lysistrata and the “Hetairization” of the Greek Wife, Arethusa 37 (2004), 37-73…