There are two ways I can see to approach this question. The first the opinion of the chorus about the specific character of Creon and the second is the more general observation that the chorus makes concerning the abstract "man" at the start of the play. Both are simple enough to answer‚ but I will begin with the general. First‚ I should note that Creon is an excellent representation of a symbolic man. He holds power‚ acts with distinct awareness of his masculinity‚ and is otherwise free. While
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character. In Antigone‚ both Creon and Antigone share some tragic elements: tragic hero‚ hamartia‚ hubris‚ and nemesis. However‚ Creon is a more tragic hero than Antigone because his character has tragic elements that are absent from the character of Antigone: anagnorisis‚ peripeteia‚ and catharsis. There are many tragic elements that both Creon and Antigone share. According to Aristotle‚ the hero must be a character of high birth or national prominence. Since Antigone is royalty and Creon is the present
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Both Antigone and The Odyssey contain plots driven by justice and revenge and both of these stories uniquely display that the cycle of revenge cannot be stopped. These
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has some sort of self-discovery; they learn something from their own mistake. I believe that Creon is the tragic hero in Antigone he shows all of the same characteristics of a tragic hero from beginning to end.
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speculation as to whether the punishments delivered are reasonable. In this essay I intend‚ through an analysis of the two works (focusing especially on the characters Creon and Antigone)‚ to emphasise how both playwrights address similar themes and concerns on the subject‚ yet arrive at different conclusions. Sophocles’ Antigone concludes on a note of hope‚ demonstrating some belief in the existence of a definitive‚ at least partially rational (if mysterious) system of justice and punishment. Conversely
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Was Antigone right to defy Creon? Throughout the history of mankind‚ people have had to make choices on whether to follow the law of the state or God’s laws. God’s laws or divine laws are any laws (or rules) that in the opinion of believers‚ comes directly from the will of God. These laws are independent of the will of man‚ who cannot change it. However it may be revealed or not‚ so it may change in human perception in time through new revelation. In the play Antigone by Sophocles‚ there is a conflict
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a Tragic Hero‚ Creon Antigone was written by Sophocles. While some people say Antigone is the tragic heroine in the play‚ I believe Creon is our protagonist and he is the most tragic character in Sophocles’ play. Because Antigone was killed by her uncle Creon tyrannically‚ it is difficult to remember that Creon is the one who lost everything he held the spirit of his age. Audience can ffffeel compassion for Creon if you think of his poor situation. That is to say‚ although Creon was a king‚ he actually
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concept of a tragic hero‚ introduced by the Greek philosopher‚ Aristotle. In Antigone by the Greek playwright Sophocles‚ it is established that Creon is not a tragic hero of the play. Creon was shown to blame others for the outcome of his own mistakes‚
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Creon as the True Tragic Hero of Antigone “But now at last our new king is coming: Creon of Thebes” (Sophocles 1.1). This quote is found in Sophocles’ play Antigone. The main characters from Antigone‚ Creon and Antigone‚ are often confused as to who is the true tragic hero. Aristotle’s theory as to what a true tragic hero is includes one who starts the play in a noble stature‚ one whose tragic flaw leads them to a downfall‚ one who receives a punishment that exceeds the crime‚ and one who learns
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their own flaws. Antigone and King Creon’s flaws‚ for example‚ cannot be hidden because their flaws are what make them up as a person. They both share more than one fault; one of many faults is hubris. Antigone had another flaw that could be considered either good or bad‚ depending on the situation; that flaw was bravery. King Creon is very close-minded‚ and that’s one of the many flaws the king has. Hubris‚ bravery and close-mindedness — the tragic flaws that Antigone‚ King Creon‚ and possibly other
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