AN ESSAY ON – YOUTH AND CINEMA Cinema nowadays leaves a great impact (effect) on the minds of people. Its effect can be seen not only on the elders of rural and urban areas but on the children as well. Going to the pictures has now become a craze with young people‚ both boys and girls‚ and it has been noticed that they often economize (save) on other items of expenditure but they must see films every week. This fast growing habit is not only expensive (costly)‚ but also results in considerable (great)
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IMPACT OF CINEMA ON THE INDIAN SOCIETY Cinema has become the most powerful form of Mass Media since the day it was introduced to the world. The Lumiere Brothers who invented the ‘ Cinematograph’ ( a compact and portable device which with a few adjustments could be used as a projector ‚ camera or a printing machine) declared that the cinema is an invention without a future. The primitive form of cinema were ‘ living photographic pictures’ which attempted to produce reality. If Cinema in reality
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Cinema has always been a world of fantasy and grandeur. What a common man cannot do in the real world is done by the star in the reel world. The artistic eyes of the filmmaker always wants the frame to be outstanding or beyond normal. How do you get it? The film is shot in exotic locations. Indian cinema has always fantasized about shooting in foreign locales. It was in the late 1970’s Indian cinema industry went abroad to film. They mostly frequented U.S.A‚ Singapore or the United Kingdom. In
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00 Years O ndian Cine 100 Years Of D. G. Phalke Films PIFF 2013 Raja Harischandra 1913-DVD-15-Silent-India Direction: D.G. Phalke Cast: D.D.Dabke‚ Salunke‚ Babaraya Phalke Screenplay: D.G. Phalke Cinematography: D.G. Phalke Production: Phalke Films The narrative is drawn from the Indian epic Mahabharata where the King sacrifices his kingdom to uphold his ideals of truth. The king accidentally blunders into the religious ceremonies being performed by Sage Vishwamitra and incurs the
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Portrayal of Muslims in Indian Cinema By Taqdees Babar To Abbass Rashid Butt (Assignment for M.phil) “Cinema is the great interpreter of the past and constantly programs the memory of its audience‚” Abstract: Ever since the partition of the sub-continent in 1947‚ when Britain took apart its Indian domain‚ India and Pakistan have been arch rivals. Bollywood is one of the famous and the strongest industry among the film industries around the world‚ even before the incident of 9/11 happened
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Humanizing Terrorism in Indian Cinema A closer look at Mani Ratnam’s Roja and Dil Se Nationalism‚ as professor Sumita Chakravarty describes it‚ is the “integrity of the nation-state and the imagined belongingness of its citizens (Chakravarty‚ 2000).” This notion of nationalism and nationwide unity has been a recurrent theme in the films explored in the course South Asian Cinema. Many of the films have been interpreted as national
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model who ought to be emulated. While in India legendary figures like Sita and Savitri are considered just that. The Indian woman has long been an object of fascination both to westerners and to Indians themselves. She has been the subject of countless works of art and literature‚ from the ancient epics and cave paintings and voluptuous statuary of the Ajanta and Ellora caves and the temple art of Khajuraho to the modern day novels‚ calendars and cinema. Whether bejeweled and ornamented or concealed
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Jan 11 2004 Hyderbad‚ India Sex and violence in films is no child’s play. Actress Raveena Tandon realised that to her discomfort at the inaugural function of the 13th International Children’s Film Festival recently. There were reportedly a lot of red faces in Hyderabad when some children sang and danced to the tune of raunchy film numbers during the opening festivities. While both Andhra Pradesh chief minister Chandrababu Naidu and Union I&B Minister Ravi Shankar Prasad expressed
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MODERNITY AND NATIONHOOD IN INDIAN CINEMA MODERNITY‚ NATIONHOOD AND NEHRUVIAN IDEOLOGY AFTER INDEPENDENCE B.A FILM PRODUCTION TERM PAPER SUBMITTED TO ASC-UCLAN SEMESTER- 1 COURSE: REVIEW: READING FILMS COURSE CODE: SUBMIT BY: BHAVNEET SIROHI DATE: 28 JANUARY 2013 INTRODUCTION In this paper I address some of the ways in which ideas of modernity and nationhood is tackled in Hindi films after independence .My primary interest is to understand how modernity and Nationhood was
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100 YEARS OF INDIAN CINEMA Indian Cinema has now completed 100 years on April 21‚ 2012‚ a country where over 1‚000 films are made every year‚ in several languages. During these long years Indian cinema has broken many new grounds and established several milestones. The Times of India‚ India’s major newspaper then‚ hailed it as "the marvel of the century". As writer and essayist Mukul Kesavan wrote‚ "The art of the cinema was fashioned in India at the same time as it was developed in the West". The
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