operating in Boston‚ a local person with strong ties to the community would be better. To measure involvement the easiest way is to look the member’s activity‚ how many times they’ve been in meetings and how they’ve acted to build strategy. For example number of new initiatives. Also hours spent educating the board members about strategy and vision could be one measurement. Building an artistic reputation is hard and so is measuring it. Reviews on papers give a sight how the opera is doing‚ but
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Case xx - Boston Lyric Opera Depended on digh donations from board members Opera is very expensive to produce Founded in 1976 Mission statement BLO BLO has 46 doard of directors and 51 board of overseers 1998 expanded moved theatre. From 890 -> 1500 seats BLO is the fastest growning firm BLO challenges: More subcribers to doners Attact more funding Contemplate a 2200 seat facility Participants of the BSC process Janice (general director‚ driving force) Sue (introduced the BSC to
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GRADUATION: 2011 � CONTENTS 3LITTERATURE REVIEW Introduction 3 The Cause and Effect Relationship 3 LITTERATURE REVIEW 4 Criticism 4 Modified Balanced Scorecards 4 BOSTON LYRIC OPERA CASE STUDY 5 Limitations (first draft‚ only bullet points for the moment) 5 CRITICISM OF THE BALANCE SCORECARD 6 _Top-down implementation 6_ _Managers responsibility in the implementation 6_ _The BSC fails to capture complexity 6_ _Adaptability 7_ _Time factor 7_ _Cost and efficiency 7_ _Conclusion 7_
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Business Negotiations Summary of My negotiation from the Opera-case and how I think it was different from other cases The Opera case was a case about relationship and reputation‚ it made the negotiation a little bit different. We discussed the case in a more open way and were really honest to each other‚ we also applied many of the things we had learnt from the book and classes. When I compared with other cases I could see how we negotiated in a less stressful way and did focus on the problem
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products reached the Boston market around 1985&1986 and Mayor Flynn make curtailing drug abuse a top priority. They had limited the scope of the study and use a methodology within their budget of $20‚000 and with appropriate research questions for study. Based on the findings‚ all Harvard business school students agreed to use storytelling and use realistic‚ local characters in their ads. Also Community Programs are crucial in decreasing demand for drugs. RESEARCH/ CASE QEUSTIONS: What‚ actually
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*ΔLyric: Originally a lyric signified a song sung to the accompaniment of a lyre. Thus lyric still carries the sense of a poem written to be set to music. A lyric is a common short poem uttered by a single speaker who is expressing his state of mind very often in solitude. In dramatic lyric the speaker is represented as addressing another person in a specific situation like the poem Canonization by John Donne. The genre comprehends a great variety of utterances from say the Dramatic Monologues of
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Brittany Pacheco Writing 3: Opera Opera‚ starting out the Baroque period‚ stemmed from Humanism in the Renaissance era. Opera went back to wanting to make people have a emotional response to the music they were listening to through the musical devices that they used to write the music. They were becoming obsessed again with the Greek style of music however‚ they wanted to make it better and so they came up with some of their own new developments for example‚ one device they used was the stile
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"Just Give Me A Reason" (feat. Nate Ruess) Right from the start You were a thief You stole my heart And I your willing victim I let you see the parts of me That weren’t all that pretty And with every touch you fixed them Now you’ve been talking in your sleep‚ oh‚ oh Things you never say to me‚ oh‚ oh Tell me that you’ve had enough Of our love‚ our love Just give me a reason Just a little bit’s enough Just a second we’re not broken just bent And we can learn to love again It’s
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You‚ You‚ You You‚ You‚ You You can trust God You can take Him at His Word and give him your heart You‚ You‚ You You can trust God It doesn’t matter who you are you can trust God You don’t have to be the fastest‚ strongest You don’t have to hold your breath the longest You don’t have to be a star It doesn’t matter who you are Raise your hands and repeat after me You can trust God definitely! You can trust God definitely! Royalty God made me who I’m meant to be
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LYRIC DINNER THEATER CASE STUDY Contents 1. Do you think Deborah made a good career decision to take the job of general manager at Lyric? 3 2. Can this business be profitable? If not‚ why not? If yes‚ what needs to be done to achieve profitability? 5 3. What specific actions should Deborah take? 9 1. Do you think Deborah made a good career decision to take the job of general manager at Lyric? In my opinion‚ from a career point of view Deborah made a high risk decision by joining
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