MODERN ARCHITECTURE: MOMO TO POMO ESSAY Topic 14: How was modern architecture regarded by the Nazi regime in Germany in the 1930s? What effect did their attitude have on the development of modern architecture? NAME: ZHIHENG YANG STUDENT NUMBER: 351874 SUBJECT: ABPL 30050_MODERN ARCHITECTURE: MOMO TO POMO 1 Modern architecture plays a very significant role in the world architecture history. This new architectural style affected the most western countries in 20 th century after the World
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Andrew Selivjorstovs 20047803 | Being Modern | Design‚ 2nd year‚ 1st semester. Dr. Cordula Hansen | 8/31/2012 | | | Word count 2560 Modernism in Design | Modernism as Culture | Modernist Architect | Modernism Today | Modernism in Design. Modernism is a break away from nature‚ harmony and order. Many modernists believed that if they can separate themselves from the usual way of creating art‚ they will discover new amazing ways to create new art. They try to embrace discontinuity
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its open plan. The Bauhaus Walter Gropius developed a particular vision of “total architecture”. He made this concept the key to his work and the work of others who studied under him at a school called‚ The Bauhaus. It taught that all art forms‚ from simple to complex should be designed as a unit. WALTER GROPIUS‚ Shop Block‚ the Bauhaus‚ Dessau‚ Germany‚ 1925-1926. In 1924 a new government was elected who forced the Bauhaus to move north to Dessau. When the Bauhaus program had matured‚ Gropius
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Reading 2 || Josef Albers‚ To Open Eyes Extract on The Vorkurs : Design at the Bauhaus In this reading‚ we are exposed to some of Alber’s design pedagogy at the Bauhaus. He was without a doubt a progressive educator‚ having introduced the concepts of constructivism and de stijl. Although the works produced as a result of his classroom methodologies seemed more like works of engineering and art‚ his careful training allowed his students to develop a design process which was not merely
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World War I and the Visual Arts Events such as World War I (1914-1918) were the cause for some artists from various groups‚ painters‚ writers‚ and sculptors to gather in places to write to escape from the crisis of violence of war. Many artists were influenced to translate their works as paintings‚ sculptures‚ portraits‚ photographs‚ novels‚ movies‚ etc. Among others; Constructivism which was the inspiration for the ideas of well advanced Russian artists‚ the making of a new world in Art and Architecture
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Aesthetics and Architecture of 1929 - 1949 Design is not always about aesthetic values anymore‚ but rather the orchestra of how the buildings and environments fit into the city fabric‚ how they achieve goals in terms of city regulations and how the numbers work to fulfill the developments of the project. Architects and urban designers are in the side that should satisfy these whole aspects - so not only the buildings are beautiful in the drawing plans or in the computer screen‚
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When Paul Rand died at age 82‚ his career had spanned six decades and numerous chapters of design history. His efforts to elevate graphic design from craft to profession began as early as 1932‚ when he was still in his teens. By the early 1940s‚ he had influenced the practice of advertising‚ book‚ magazine‚ and package design. By the late 1940s‚ he had developed a design language based purely on form where once only style and technique prevailed (Heller). Rand did not set out to be a radical
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The history of graphic art and the cycle of politicization‚ depoliticization and then repoliticization span the late 19th century through and into the 21st century. Evolving from humble beginnings into the commercial behemoth it’s become to today this essay will explore graphic design’s evolution and the politics that affected this growing art movement during this influential timeline. Graphic design set its first roots in Germany in 1455 with the introduction of the Blackletter typeface and Johannes
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Further reading 7 External links Education Rudolph earned his bachelor ’s degree in architecture at Auburn University (then known as Alabama Polytechnic Institute) in 1940 and then moved on to the Harvard Graduate School of Design to study with Bauhaus founder Walter Gropius. After three years‚ he left to serve in the Navy for another three years‚ returning to Harvard to receive his master ’s in 1947. [edit]Work Wisma Dharmala Sakti office tower‚ Jakarta He moved to Sarasota‚ Florida and
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Industrial Research. His early projects for the ATRIA (Ahmadabad Textiles Industries Research Association) and the headquarters for the Council of Scientific and Industrial Research‚ New Delhi (both 1954)‚ demonstrate the austere simplicity of the Bauhaus style. Kanvinde set up a private practice with the architect Shaukat Rai (b 1922) in 1955 and designed numerous institutional buildings‚ housing and industrial complexes for both the government and private clients. Most of these are facilities for
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