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    "I Am Sam" Film Response

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    themes and ideas many film techniques are used to help the viewer interpret different scenes in a manner that the director wants. Some techniques include camera angles‚ music‚ colour‚ lighting and characterisation. Characterisation uses a variety of other film techniques‚ such as camera angles‚ music and lighting‚ to help the viewer empathise‚ sympathise and understand different characters. It is used widely throughout I Am Sam‚ mainly to characterise the main character of the film‚ Sam. Everyone has

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    captures events as they happen‚ similar to how a person would view the events in real life. The portrayal should be depicted with a minimum of distortion. Realism attempts to preserve the idea that the world of film is unaltered‚ as if viewing the world through a window. A documentary film is an example of extreme realism. The style of formalism shows scenes as they can be imagined. They’re deliberately stylized and / or distorted using methods such as slow motion or adding colors into scenes

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    Frankenheimer. Brief Plot Summary The central concept of the film is that the son of a prominent‚ right-wing political family has been brainwashed as an unwitting assassin for an international Communist conspiracy Thesis Statement The Manchurian Candidate was noted for its breakthrough in cinematography‚ as the scenes were shot in a creative manner that was new and different in that era. It also made use of different editing techniques to seamlessly piece the story together‚ along with the use

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    Film Response to Avatar

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    Avatar is perhaps one of the most hyped movies of all time. This is because it came into the market when the revolutionary 3 dimension television was entering the world market. Even more hype was drawn to it due its characters in that are lifelike and the special effects that channel through the viewer’s mind as the plot unfolds. James Cameron the director places the storyline in a convincing manner fusing the main parts of the movie namely‚ the plot‚ the dialogue‚ the characters‚ settings and the

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    Atonement- Analysis of Scenes The scene starts with a long shot of the three characters walking on a path in the reeds towards the camera. The reason a long shot is used is to establish the setting of the characters. It cuts in to a close up of Robbie to show his emotion as he realises they have made it to the sea. It cuts to an medium high angle aerial long shot as the characters are running through the reeds to show the true desperation of the men. While they are running the music playing is

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    angles‚ music and symbolism. The direction is tight and crisp‚ but never reveals itself. The music by Mark Knopfler was a little annoying at first‚ but quickly it took ahold of my attention and gave the film an added bonus. It’s really a catchy soundtrack. However‚ there are some minor flaws in the film. The cinematography occasionally draws attention to itself with strange camera movements‚ and the ending is a little depressing. I question whether or not the screenplay ended correctly‚ but it ends with

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    Assignment 2 Film Form Analysis Meshes of the Afternoon: The first scene I chose to analyze is the scene where the woman‚ who is the only person in the film‚ is falling out of the bedroom window. We come to realize that she is‚ in fact‚ falling inside of the house rather than outside of the window‚ causing confusion for the viewer. The camera is out of focus for a moment and is used at a Dutch Angle or Dutch Tilt Shot‚ giving the impression that the world in frame is out of balance‚ which

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    Hollywood films and cinema‚ which one vital value is the dichotomy of outlaw hero versus official hero. Official hero tends to be an idealogy of the law and society values‚ represented through characters such as police officers and lawyers‚ whereas outlaw hero tends to be more of an individual with own marks of traits‚ and own marks of actions. Ray discusses that in traditional films‚ how a single character can hold completely different traits ‚ giving examples such as Terry‚ in the film On the Waterfront

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    The biographical drama film 127 hours‚ composed by Danny Boyle‚ is the true story of canyoneer Aaron Ralston’s remarkable journey to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next 127 hours‚ Ralston examines his life and explores both a physical and inner journey when deciding whether he will die or fight for survival. The exploration of Ralston’s physical journey and the obstacles and challenges he must overcome are effectively

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    The Start of the Film The film begins with background information‚ powerful music and what appear to be abstract images. The vastness of the outback and the girls’ daunting trip is highlighted by the opening aerial shots‚ and additional overhead shots confirm their tininess against the fence. Name a recurring theme throughout the film. Throughout the film‚ the girls are pictured as frightened rabbits trapped on the wrong side of the fence - wide-eyed as if caught in headlights‚ caged

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