MACBETH ACT 2 SCENE 1… Section A 1. The clues at the beginning of this scene to indicate that the castle is in darkness are that the servant carries a burning torch to light their way and Macbeth is also carrying a torch-bearer. 2. Banquo’s state of mind at the beginning of this scene is that he is scared to go to sleep because he doesn’t want to see nightmares. 3. We know that Banquo is nervous because he cannot sleep and is wide awake. He can hear noises very clearly like when Macbeth
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How is language used to persuade the viewer in Act 3 Scene 3 of Othello? This scene is the most important within Shakespeare’s “Othello‚” as it Iago’s plan finally becomes fully known‚ and the effect that it has upon Othello himself begins to suggest that he is not the “noble savage‚” that has been thus far portrayed. Language is used to both hint at further developments within the plot and also to expand upon characters’ personalities. This essay shall examine in turn how both of these aspects
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Throughout act 3 scene 3 Iago’s manipulation through the power of language gradually destroys Othello’s sanity and takes control over his full mental and emotional state. He does this by using his skills an orator to create an illusion that Desdemona is ‘directly in love’ with Cassio‚ thus attacking his emotional vulnerability. Iago advances his attack on Othello due to his opportunistic behaviour and gradually destroys his dignity‚ putting him into an uncontrollable rage. At the beginning‚ we
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situated in Act 1 Scene 5 of the play. In this scene‚ Lady Macbeth reads to herself a letter she has received from Macbeth. She resolves to convince her husband to do what is required to seize the crown. A messenger informs Lady Macbeth about the king’s forthcoming arrival and Macbeth’s too. As she awaits their arrival‚ she delivers a soliloquy after which she resolves to put her natural femininity aside and do the soiled deeds to seize that crown she eagerly wants. Towards the end of the scene‚ Macbeth
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The opening scene in Hamlet Act I‚ Scene I‚ sets the tone for the story. The story begins with two soldiers (Bernardo and Francisco) on guard meeting in the darkness. Both soldiers are on edge and seem fearful‚ which leads the reader to believe that the characters are under a state of stress. The author uses imagery to present the main symbol of fear in the opening act‚ by presenting a ghost. The ghost of King Hamlet represents the fear and tragedy of the unknown shift of power following his death
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The first scene begins in the forest with Rosalind and Jaques. He tells Rosalind the he prefers to be sad because that’s how he views the world. Rosalind tells him she rather be with someone that’s happy then travel and be depressed. Orlando shows up an hour late to meet with Rosalind who is still disguised as Ganymede. She tells him he isn’t in love with Rosalind if not he wouldn’t have been late. Orlando says if Rosalind rejects his love then he would most likely die. Rosalind and Orlando then
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Enter Sampson and Gregory: Sampson and Gregory‚ servants of the house of Capulet‚ go out looking for trouble. Enter Abraham and Balthasar: Sampson and Gregory almost pick a fight with Abraham and Balthasar‚ servants of the house of Montague. Enter Benvolio:Seeing a Capulet kinsman‚ Sampson and Gregory start to fight with Abraham and Balthasar. Benvolio tries to stop the fight‚ but Tybalt enters and attacks Benvolio. The citizens of Verona attack both the Capulets and Montagues. Capulet and Montague
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Scene 1.1 In the beginning of this scene it starts off with Orsino who is Duke of Illyria‚ and he listening to music‚ he then talks about how the music gets him in the mood for love. Right after he is saying how music gets him in the mood‚ he tells the musicians to stop playing and to get lost. Curio who is a gentleman attending to Orsino asks him if he wants to go hunting for deer‚ but Orsino explains to Curio that the thought of killing a deer reminds him of the time he first met Olivia. Valentine
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Shoshana Ginsbury Act Four Scene One: Explore the significance of this extract in relation to the tragedy of the play as a whole This extract is from Act Four‚ Scene One of William Shakespeare’s tragic play‚ Othello. In terms of the five-act tragic structure‚ it is part of the fourth act- the ‘falling action’‚ during which the conflict of the play unravels‚ and the direction of the ending is made clear. In this extract‚ an arguable turning point is reached when Othello slaps Desdemona‚ and his hatred
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Romeo’s use of dramatic irony in Act III‚ Scene I develops conflict and builds Romeo’s character. When Tybalt seeks out Romeo in order to quarrel with him‚ Romeo is unwilling to fight the man who has recently become his relative‚ even though Tybalt is unaware of this relationship. Romeo apprises Tybalt that he loves him “better than [he] canst devise”‚ and says he cherishes the Capulet name‚ but also acknowledges that Tybalt does not know the reason for this love (3.1.64). Tybalt assumes that Romeo
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