Destruction: Yoko Ono’s Performance Art‚” intersections 10‚ no. 1 (2009): 571-607. ABSTRACT What is currently known as “destruction art” originated in the artistic and cultural work of avantgarde art groups during the 1960s. In the aftermath of World War Two‚ the threat of annihilation through nuclear conflict and the Vietnam War drastically changed the cultural landscapes and everyday life in the United States‚ Asia‚ and Europe. In this context‚ “destruction art” has been situated as the “discourse
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math is a science‚ an art‚ or a philosophy. I thought to myself‚ well of course all three. Mathematics is for the most part (at least what people see) is a science; adding‚ subtracting‚ multiplying‚ dividing‚ differentiating‚ integrating‚ etc. These are all very well defined operations which‚ for the most part‚ have very algorithmic solution methods. The art comes in the proofs. Typically‚ when formulating a proof you’re not given anywhere to start and so‚ just like in art‚ practice makes perfect
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that of himself from/as being art? 2. Breton wrote in 1929 ’The problem of women is the most marvellous and disturbing problem in the world’. Explain the place of woman in the surrealist movement. The place of woman in the surrealist movement is divided in two. On one hand the woman are used as muses for artists and is also a subject of desire. On the other hand 3. What were the ideas of Cubism‚ Futurism and Dada? Cubism An early-20th-century avant-garde art movement pioneered by Georges
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Art History One Travelers among Mountains and Streams is comprised of several design elements. Form‚ leading lines‚ and shape. These design elements move the eye throughout the painting in a continuous interaction between the elements. Each section is well balanced and rich in content. The large mountain in the foreground sets the foundation for the painting by serving as a barrier‚ keeping the viewers eyes from leaving the page. The area showing the travelers moving in the stream sets a sense of motion
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within society.’’ Signs include‚ among others‚ sounds‚ images‚ words‚ odors‚ objects; they are concepts that stand for something else in a system of signification. They allow us to communicate a concept or an idea while it is physically absent. In art history‚ the simplest description of semiology consists of the translation of an image into words. Two prominent founders of the contemporary sign theories are Peirce and Saussure. Although they focus on the same methodology‚ both philosophers explain the
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starting Art History course‚ frankly speaking‚ the impression I have about the ancient Greece and Roma art culture was not mature because of my inability to read in-depth about both Greece and Rome art. But I do know that both ancient Greece and Rome has a rich and sophisticated culture when it comes to art and classical architecture‚ the Greek peoples has at once a romantic and spiritual energy to it that was copied by the Roman‚ however‚ the Roman blended the Greek style with Rome unique art culture
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History of Japanese Art The history of Japanese art is extensive enough to form an encyclopedia in its own right. We find that the Japanese have had a long and rich history of art that stretches back to ancient times. In fact some of the oldest artifacts known to man belong to the Japanese. The different eras of art have been given names according to the places where the government was located. Historians claim that the earliest inhibitors of Japan was a tribe called Ainu. They were the ones responsible
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Art Shapes History | | | | | | | Leila Hinton HIS 122-02 PR Dr. Howlett 11-15-2012 Outline I. Introduction * Thesis * Location of monuments was important * Art and architecture from foreign nations to the United States * African Americans were treated as second class citizens * Hostility from white Americans II. Statue of Liberty * Gifted by the French * Multiple layers of inspiration * Rejection
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depended on the writing of art critics such as Clement Greenberg‚ Harold Rosenberg‚ and Rosalind Krauss‚ to name a few‚ to teach us about art. Their writing has been so influential in the history of art that we have forgotten that they are opinion writers and not of fact; we have many times taken their opinions too literal‚ taken specifics for granted‚ when in reality we should be questioning their reflections. They have manipulated our opinion‚ reactions‚ and even likeness of art. They defined who the
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Japanese Images Arts all over the world are appreciated not only in their beauty but also in their significance to history since most arts‚ if not all‚ tells the story of a nation in the period by which they were made. Through these arts historians can compare the civilization of nations‚ they can tell which of them developed first and they can tell which nations interacted with each other .The purpose of this paper is to compare and contrast Chinese and Japanese art in the period of 1650 A
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