Subha Baniya‚ Date: 9/9/2013 The day of 24 November‚ 2001 We have an amazing mind‚ don’t we? No matter how long it has been‚ if something really means to you‚ the memory never fades away‚ and I am no exception. It’s been almost twelve years since that day‚ yet I vividly remember every single moment of it‚ for this day not only changed my perceptions‚ but also made me who I am today. I was a child then. A child dissatisfied with everything she had. A child whose grumbling seemed to have no end
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The paper looks at how Stanley Kubrick’s 2001: A Space Odyssey (1968) and Andre Tarkovsky’s Solaris (1972) make art cinema out of the popular genre of science fiction. Further‚ it focuses on the specific ways the two directors deploy to construct extraterrestrial space to explore key concerns of science fiction‚ including the relation of humans to technology‚ human to the alien or non-human‚ as well as the relationship of the present to the future. The specific constructions of those films shape
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2001: A Space Odyssey (1968) by Stanley Kubrick is a classic movie that combines nearly every cinematic element imaginable into a single movie that was revolutionary for its time. Right off the bat‚ the movies captures your emotions with an iconic score‚ and strong‚ vibrant visuals. At the very beginning of the movie‚ the watcher is given a pitch-black scene‚ while music plays in the background for several minutes‚ gradually intensifying until it builds to a climax. The music itself takes the watcher
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Thomas Warren Research and discuss the family photograph album. How and why is the family album used to construct notions of identity? Introduction Family photo albums have existed in many different forms. Not only as a personal flick book documentation containing “the chronicles of a family’s private story” (Fong‚ 2004‚ p.86) capturing special moments and events of the past; but the idea of documenting one’s past through images has been in existence since humans roamed the earth. Through
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2013 Album Review “Loud” No words can describe Rihanna’s albums‚ especially her album “loud.” One of the best albums of Rihanna is the album “loud” because in this album Rihanna is combining more than one kind of music. Loud is Rihanna fifth album.2010. From the beginning to the end‚ each and every song in this album is an outstanding example of Rihanna’s talent with music. Expression and emotion explode through this album from where it starts to the end. This is an extraordinary album which
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2001: A Space Odyssey The following paper will analyze the movie‚ "2001: A Space Odyssey" by Stanley Kubrick" and "The Centinel" by Arthur C. Clarke. Although there are many themes present between the story and the film‚ the following are the most dominant. I will be discussing Scientific themes‚ Religious and Moral Themes‚ and Clarke’s development of the short story into a full-length film. The first issue‚ I will be discussing the scientific themes of the movie. The movie‚ "2001: A Space
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Stanley Kubrick’s 2001: A Space Odyssey is considered one of the most impressive science fiction films in the modern era and is a critically acclaimed masterpiece. To begin this analysis I will first give a synopsis of the films plot and key points to help lay a foundation for the film. The movie is broken into 4 acts‚ each focusing on a different event and time in the story. We first start with “The Dawn of Man”; we are greeted by what appears to be a tribe of early hominids foraging for food in
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ALBUM COVER DESIGN CONCEPT SYNOPSIS: “It’s the dream‚ the passion‚ the success that makes the paper worthy of chasing…” “Melien paper chase” is an album designed for those Hip Hop fans that are willing to adapt to a new style of rap music performance‚ DJ cross MC performed by the one artist/DJ. Hence the space theme that portrays the style and technique possessed by the artist differing from other artists. The space theme concept was chosen for this album in order to signify the “out of this
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Album Analysis [Basic information] Album title: “Sweeter” Artist: Gavin DeGraw Composer and lyricists: Gavin DeGraw‚ Ryan Tedder‚ and Andrew Frampton Collaborating musicians: Art designer: Unknown Producer(s): Ron Aniello‚ Jerrod Bettis‚ Ryan Tedder‚ Andrew Frampton‚ Eric Rosse‚ Butch Walker‚ and Noel Zancanella. Audio mixer: Serban Ghenea Photographer: Patrick Frasier Studio(s): 2011; The Blackbird Studio in Nashville and the Hensen Recording Studios in Hollywood Released -> September
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