A Comparative Study of the Influence of the Pinoy Rap Battle “Fliptop” and Balagtasan to High School Students

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A Comparative Study of the Influence of the Pinoy Rap Battle “Fliptop” and Balagtasan to High School Students of xxxxxxxxxxxx xxxxxxx

A Research Work

Presented to:
The Faculty of High School Department
(xxxxxxxxxxxxxxx)

In Partial Fulfillment of the requirements for the
Secondary Academic Course

Presented by:
xxxxxxxxxxxxx
X – Aristotle

xxxxxxxx, Philippines
March, 2012
Chapter I

Introduction

Fliptop is a rap battle league that puts two people in a match to have them insult each other with the cleverest punch lines and sharpest rhymes. Hip hop in the Philippines takes on many faces: from the plush and exclusive clubs in Makati to the slums of Tondo, and everywhere in between. A crowd dotted with Pinoys rocking gear ranging from grills to backpacks, FlipTop represents a space for the raw and grime of Philippine hip hop. There is no material gain at stake here. The winners take with them the pride in their skill. There are no flashy commercial sponsors. Just two emcees, the host, the judges, and the crowd. There isn’t even a microphone. This is on some guerilla-style, for real.

The battle reminds me of Balagtasan, the Filipino poetic debates. Balagtasan is probably the last poetic form which was thoroughly enjoyed by the Filipino people. As a literary form, the Balagtasan is essentially traditional; it contains elements which explain why the traditional remains contemporary and popular. The debate proper can move from one topic to another. The poets are expected to argue logically and exhaust every imaginable source of reason to defend their side. FlipTop doesn’t utilize a beat. It’s completely a cappella and it doesn’t have to conform to a strict rhythm. It’s like Balagtasan ciphering with joke sessions and, like any other dozens, toasting, or ciphering session, this space is not immune to homophobic, sexist, or racial punch lines. The cadence and alliteration of the Tagalog language all the more enhances the poetic versatility of the battle.

All in all, FlipTop offers a space for emcees to build skills, build community, and define themselves. Furthermore, it’s a place from hip hop fans to geek out. Between battles, local emcees performed songs, many which the crowd knew. One group, Squatter House, commanded the crowd with very-familiar lyrics. FlipTop proves that Philippine hip hop heads are tight fans of one another and offer each other the respect and loyalty needed for a community to grow. Background of the Study

The development of poetry in the Philippines parallels the history of our culture and it is one art form Filipinos excel in. The balagtasan and pinoy rap battle in the Philippines are of profound significance. They furnish the student of history, sociology, psychology, religion and others with a rare and living documentary making recognizable various strata of cultural development. It reflects the country’s diverse influences and the many sided character of the people. It also demonstrates the Filipinos proclivity for expressing joys, sorrows, labors, and celebrations. The function of this research study is to find out the comparison between the pinoy rap battle or fliptop and balagtasan. The researcher wants to know the influence it to the high school students. This research study aims to promote and remind us of the role of culture and the arts of society. As observed by the researcher poetry is on the way to oblivion. It seems to have lost its rhythmic appeal to the youth. Lack of media support, only a few listeners are left to appreciate the poetic banter of balagtasan until the pinoy rap battle or “fliptop” came. Statement of the Problem

This study was conducted to know the influence of the Pinoy rap battle or “Fliptop” and Balagtasan to the selected high school students of the International School for Better Beginnings S. Y. (2011-2012). Specifically, this study...
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