Preview

Wayang Kulit

Good Essays
Open Document
Open Document
799 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Wayang Kulit
FACULTY OF COMPUTER AND MATHEMATICAL SCIENCES

CSC 401
FUNDAMENTALS OF COMPUTER SCIENCE

EXERCISE 2: FORMATTING ARTICLE
TITLE: NATIONAL SPORT HERITAGE – ‘WAYANG KULIT’

SITI NURUL WAHIDA BINTI IDRIS
2010927943
CS 220
PN NOR AZYLIA BT AHMAD AZAM

Contents 1. INTRODUCTION 3 1.1. HISTORY OF WAYANG KULIT 3 2. HOW TO PLAY WAYANG KULIT 4

WAYANG KULIT

1. INTRODUCTION

2.1. HISTORY OF WAYANG KULIT

The Indonesian word 'wayang' is derived from a word meaning 'shadow' or 'ghost'. These intricately cut and perforated shadow puppets are made from buffalo hide. 'Kulit' means 'leather' or 'skin'. Today, it is spread out, in various forms and guises, across Asia - from Turkey and China to Indonesia and of course, Malaysia.
Wayang Kulit is a traditional theater art-form using puppets and shadow-play to tell the epic tales of the ancient classical Hindu legends, Mahabharata and Ramayana. The puppets are made of buffalo hide and mounted on bamboo sticks. There may be as many as 45 puppets - handled entirely by a single master puppeteer, known as the Tok Dalang.
There are four main varieties of the form in this country: the Wayang Kulit Siam of Kelantan; the Wayang Gedek, performed by the Thai communities of Kedah and Perlis; the Wayang Kulit Jawa, performed by the Javanese communities in Selangor and Johor; and the Wayang Kulit Melayu, performed by the Javanese communities of Terengganu. Today, only the first two are performed.
In Malaysia, the most well-known style of wayang kulit is the Wayang Kulit Siam, practiced principally in the north-eastern state of Kelantan as well as in the Patani region of southern Thailand. Wayang Kulit Siam is performed in the Kelantanese-Patani dialect of Malay. Repertoire is largely based on Malay oral and literary versions of the ancient Hindu epic, the Ramayana, which tell of the adventures of Seri Rama and his consort Siti Dewi. 2. HOW TO PLAY WAYANG KULIT

This was an open air performance

You May Also Find These Documents Helpful

  • Powerful Essays

    Kelsey, W. Michael "Untitled", Asian Folklore Studies Vol 42, No 1 (1983), pp. 142–3. Web. 13 Feb. 2013.…

    • 1300 Words
    • 6 Pages
    Powerful Essays
  • Satisfactory Essays

    Certain gestures and moves assist to gain a sure intention and get a sure message throughout to the spectators. At one-point puppetry is used to show the grasses of the savanna flow because the wind blows growing a mystical effect. Shadows that can make an object seem large than it actually is and make something scarier than it virtually is are a prime part of this musical. Originated both in Greece or China this now Indonesian shape of puppetry is called the manner ang ku lit and makes use of flat puppets made of timber and animal conceal in opposition to a muslin display…

    • 637 Words
    • 3 Pages
    Satisfactory Essays
  • Satisfactory Essays

    Jadual Exam

    • 691 Words
    • 3 Pages

    SMK TAMAN DAYA JADUAL PEPERIKSAAN AKHIR TAHUN 2012 TINGKATAN 4 |TARIKH |WAKTU |MATA PELAJARAN |TEMPOH |CATATAN | |RABU |7.30-10.00 |SEJARAH K2 |2 ½ JAM | | |17 OKT 2012 |10.25-10.45 |REHAT | | | | |10.45-12.00 |TASSAWWUR K1 |1 ¼ JAM | | |KHAMIS |7.30-9.45 |BAHASA MELAYU K1 |2 ¼ JAM |GURU MASA 4 | |18 OKT 2012 |9.45-10.05 |REHAT | |10.05-10.10 | | |10.10-11.00 |PEND SIVIK |50 MINIT |GURU MASA 5 | | |11.00-1.30 |BAHASA MELAYU K2 |2 ½ JAM |10.10-10.45 | |JUMAAT |7.45-9.00 |MATEMATIK K1 |1 ¼ JAM |GURU MASA 5 | |19 OKT 2012 |9.00-9.20 |REHAT | |9.50-10.00 | | |9.30-12.00 |MATEMATIK K2 |2 ½ JAM |10.20-10.45 | |ISNIN |7.30-10.30…

    • 691 Words
    • 3 Pages
    Satisfactory Essays
  • Satisfactory Essays

    RJ Ahmed

    • 446 Words
    • 2 Pages

    in Banda Aceh, Indonesia”, Doug Clark talks about what different styles of headscarves or jilbab…

    • 446 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Kachina/Katsina Doll

    • 799 Words
    • 4 Pages

    We believe they (Kachina Dolls) are personifications of the katsina spirits, originally created by the katsinam in their physical embodiment. ..."…

    • 799 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    Transformative Religion

    • 5467 Words
    • 22 Pages

    Putu Wijaya, owning of spiritual strong tying with Bali local tradition. Though, most process of his drama creativity is yielded in Jakarta-a secular landscape, where religious values become formally, at the same time marginal-but, traditional wisdom of Hindu-Bali, remain to colour Putu’s artistic contemplation.…

    • 5467 Words
    • 22 Pages
    Powerful Essays
  • Good Essays

    The Rusembilan differs from the rest of Thailand by their cultural and religious beliefs. Mostly all of Thailand practices the religion of Buddhist, whereas, the people of Rusembilan, and most of South Thailand, are Muslims. Located in the South Thailand area, Rusembilan people are culturally oriented towards Malaysia, where they speak the Malay language. Since the entire Rusembilan village is Malay Muslim, and little to none of the villagers speak the Thailand national language, there is hardly, if any, contact with the nearby Thais or Chinese.…

    • 2011 Words
    • 9 Pages
    Good Essays
  • Powerful Essays

    kak lang

    • 2371 Words
    • 10 Pages

    The following passage comes from the 1845 autobiography Narrative of the Life of Frederick Douglass, an American slave. Read the passage carefully, noting such elements as syntax, figurative language, and selection of detail. Then write an essay in which you identify the stylistic elements in the third paragraph that distinguish it from the rest of the passage and show how this difference reinforces Douglass’ rhetorical purpose in the passage as a whole.…

    • 2371 Words
    • 10 Pages
    Powerful Essays
  • Best Essays

    East Asian Horror Comedy

    • 3972 Words
    • 10 Pages

    Nathalang, Siraporn. "Thai Folklore: Insights Into Thai Culture." Chulalongkorn University, ISBN 978-974-346-046-3., n.d. Web. 12 Aug. 2013.This is the book that i read when i went back to Thailand for a while last summer, Unfortunately they don 't have electronic copy of this book, but majority of my explanation of the Thai culture and belief system will come out of this book concerning the movie Pee Mak Phra Khanong…

    • 3972 Words
    • 10 Pages
    Best Essays
  • Good Essays

    It is in this temple that we find depictions of panakawan (see Fig.1), the dwarf-like figures which still today are characteristic and much-beloved features of wayang performances. They accompany the heroes of the story and caricature their behaviour in comical and ironical ways. The best known of these figures is Semar. In Old Javanese texts the panakawan do, however, not appear; they seem to be a specific creation of the performance art of wayang; only the Sudamala story features the panakawan Semar. Candi Jago has depictions of seven different narratives, not all of them showing panakawan figures. Another characteristic wayang feature is the depiction of the hairdo of the heroes, i.e. the crab-claw like supit urang. We find it in the depictions of Arjuna in the Parthayajna (see Fig.2) and the Arjunawiwaha reliefs. This supit urang is maintained in Balinese wayang for the depictions of heroes, such as the Pandawa-brothers Arjuna (see Fig.3) and Bhima, or Rama and the monkey general Hanuman from the Ramayana. In Javanese wayang this hairstyle developed to the gelung, a kind of up-turned hair plait. The fact that earlier temple reliefs of the Central Javanese period and of the early East Javanese period do not display elements of wayang, may be an indicator that wayang had not been popular or well-known to a broader audience before c. 1300,…

    • 921 Words
    • 4 Pages
    Good Essays
  • Good Essays

    HOSPITALITY The Maranao

    • 1340 Words
    • 4 Pages

    One of their performances in their musical tradition is the playing of kulintang ensemble. This kulintang performance varies according to the occasion and location. A Maranao gathering with kulintang is also known as kalilang. Generally, where there is a kalilang, there is a kulintang performance. Kalilang may occur to occasions such as the annual welcoming of the pilgrims returning from Mecca, the different stages of a marriage ceremony, the enthroning of a new leader the entertaining of visiting friends or relatives who live in distant lands, court ceremonies, or self-amusement. Kulintang music is not expected to be heard during planting and harvest season, and never during fasting month, or when important people die.…

    • 1340 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Omnita Speech

    • 627 Words
    • 3 Pages

    Our next presentation with a quick overview of Indonesian Batik, from its role as cultural arts, how it become national identity and an overview of Batik industry in Indonesia. A short clip of a Batik workshop in Yogyakarta, our source of Batik fabric, will end our presentation tonight.…

    • 627 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Phil

    • 542 Words
    • 3 Pages

    According to history, Caklempong was brought to Malaysia by the Minangkabau citizens from West Sumatera and settled down in Negeri Sembilan around the 14th century. It is really amazing to see how they could play it with such enthusiasm and hitting the Caklempong like hitting the drums and you could see how happy they look when they play it. During the Citra Budaya Pepatih festival in Negeri Sembilan, this traditional instrument was played not to provide music but to provide rhythms for the dancers of Tarian Zapin and Tarian Piring. The main thing I love about this particular performance is that they use the rhythm very well and displays the uniqueness of their culture with all the beautiful clothes and the different kinds of rhythms.…

    • 542 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    The best expression of the Thai literary genius is found in poetry. Thai verse contains a great variety of meters, and the tonal quality of the language provides an additional metrical device not available in non-tonal languages. Tonal measure usually takes the place of rhyme, although in at least one form, the Kap, both are employed. Thai poetry is unlimited with regard to subject, but perhaps the best known and most numerous poems are the elegantly expressed and very musical love songs known as Klon'pet ton. The Klon'pet ton are very brief, eight- line verses in two stanzas. Each line contains eight syllables and the whole piece is perfectly balanced. Other forms include longer narrative love verse and the Ramakien epic, which is written in lyrical verse intended to be sung to the accompaniment of dancing.…

    • 502 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Indoor Games

    • 490 Words
    • 2 Pages

    Sungka is similar to many other Southern Asian mancala games such as naranj (Maldives), dakon (Java), congkak (Malaysia, Singapore,…

    • 490 Words
    • 2 Pages
    Good Essays