Waiting for Godot

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‘Ces’t la Vie: Shit happens’, blends political satire with philosophical discussion. It sets out to explore the existing dichotomy between the religious belief of a predestined fate and the existentialist observation of random consequence. The primary purpose of the text is to entertain my audience and to position them to empathise with the plight of my protagonist, who himself is an allegory for an individual caught in the Cold War climate. The secondary purpose of my major work is to challenge my audience on a philosophical level by communicating concepts and ways of thinking that will hopefully be new to them. Although, many complex issues are examined, the universal theme of loss of faith that accompanies oppression is elucidated by the Cold War setting. These themes will resonate amongst a diverse and mature audience. I chose the short story medium as it provided the best platform in which I could develop the narrative and focus on the elements of the plot, Grough my mentioning of Golden gs.ce to r Seuss in 'ther composers managed to communicate similar ideas in their texts. I was in as I didn’t want the distraction brought on by the structural limitations of other textual forms. Wanting to focus on the philosophical discussion without compromising the narrative plot, I researched the ways in which other composers managed to communicate similar ideas in their texts. I was influenced by the satirical works of Doctor Seuss in ‘The Butter Batter Book’ where he used basic rhyme to subtly communicate his criticisms. Grough my mentioning of Golden gs.ce to r Seuss in 'ther composers managed to communicate similar ideas in their texts. I was inThe concept captivated me and although he was targeting a much younger audience, I expanded on his concept and gave my antagonist, specific speech intonations with a key focus on his use of basic rhyme, exaggeration and sibilance evident where I write “She was no more than a sinister serpent that spat lies, and sputtered prose so sickeningly sweet…” which would disturb my audience and create a greater empathy for the society under his control. Extensive independent research has been of the utmost importance in both the conceptual and stylistic development of my major work. My initial inspiration for my concept came from my studies of absurdist and existentialist ways of thinking in the ‘After the Bomb’ module of my Extension English course. I was intrigued by the existentialist observations put forth by Samuel Beckett in his play ‘Waiting for Godot’, namely the existentialist notion of random consequence. The post-modern and absurdist techniques used by Beckett have shaped the way I manipulate form. This is evident in my use of a fragmented non linear structure to the text, as well as my initial setting of a distant afterlife which allowed me to gain the audiences intrigue without having to abide by the limitations of the corporeal world. Furthermore the retrospective style of the narrative allows the audience to ponder the consequence of actions. It was a literary convention I adopted after reading Audrey Niffenegger’s novel ‘The Time Traveller’s Wife’ which utilised a similar structure, To extend my knowledge on this topic I studied two essays by Albert Camus, who was renowned as one of the greatest thinkers of the twentieth century and one of the most influential individuals involved in the existentialist movement. The essay ‘The Myth of Sisyphus’, examined the concept of absurdism and explained it as the pointless search for meaning in a meaningless life. It explored the monotony of life and the cruelty of the ‘Gods’ It is from this way of thinking that I developed my working title of ‘Cest la vie: Shit Happens’ as it denotes the way in which there is no universal sanction for an action, only personal retaliation and consequence. As a result of my reading of this text I decided I wanted to pen a political satire that involved the idea of an internal struggle of attempting to...
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