Preview

This Sculpture Titled: Head of an Akkadian Ruler

Good Essays
Open Document
Open Document
390 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
This Sculpture Titled: Head of an Akkadian Ruler
This sculpture titled “Head of an Akkadian Ruler” was found at Nineveh somewhere between 2250 and 2200 BCB. Although, there is no evidence or proof that says the head was a particular king, most believe the head was indeed a powerful ruler. This twelve inch copper head is currently at the Iraq Museum, Baghdad. This piece has significant damage which is assumed to be caused during the Medes’ invasion on Nineveh in 612 BCE. There is no absolute proof this was a purposeful act. This sculpture is life-sized of an unknown Akkadian ruler. Some research says it is Sargon, but there is no proof. The head is bronze and appears to be one of the most powerful sculptors in Ancient Eastern art. There is much detail in the face with sharp clarity and an unrealistic beard. By seeing how specific the facial features are it seems like it would have been a ruler from that time. The eyes appear to be knocked out on purpose as said in the textbook as an act of ritualized destruction. This work of art is a commentary about the rulers and power in Nineveh. Through the deep, sharp, and large beard, the artist focused on important details of who once could have been Sargon, The True King. Because Akkadian art seems to be mainly about showing how dominate and influential the rulers were, their enemies devoured a lot of Akkadian art after the kings lost battles. Despite the fact the beard is not an average looking hairy beard, it doesn't take away from the image. Hair doesn't lay the way is shows in the sculpture, but more of a stylized texture.
Although there are many missing parts of the sculpture, the head remains a powerful piece of art history. I feel the damage of the ears and eyes does not take the strength away in this particular piece. In the book it was mentioned the hole on one of the eyes was purposeful. That it was an attempt to belittle the power of the king, or perhaps when the king lost their power. I would of hoped there was more information on if this was proven

You May Also Find These Documents Helpful

  • Good Essays

    Alacahoyuk Summary

    • 1481 Words
    • 6 Pages

    Piotr Taracha. “THE SCULPTURES OF ALACAHÖYÜK: A Key to Religious Symbolism in Hittite Representational Art”. Near Eastern Archaeology 75.2 (2012): 108–115. Web...…

    • 1481 Words
    • 6 Pages
    Good Essays
  • Good Essays

    The Statue of the Goddess Sakhmet is a sculpture made out of granodiorite. The dimensions are h. 210 cm, w. 47.5 cm and d. 95.5 cm. There was made around six hundred statues of the goddess during this period. It represents the forces of disaster, violence and illness. The…

    • 2089 Words
    • 9 Pages
    Good Essays
  • Good Essays

    For example, the statue of Khafre sits lifeless and majestic on his throne “flanked by lions” (3), which stabilizes and connects him to the original stone, out of which it is carved. He is eternally unmoving and has an expressionless face. This statue of Khafre was created as a vessel for his Ka and presents…

    • 391 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The piece has been kept up well besides the minor deterioration. There are no drastic signs of damage or mistreatment. The bottom crown is broken in half on the left side and the left eye is missing the pupil. Asides from minor crack throughout the entire face it looks smooth.The piece is realistic…

    • 1396 Words
    • 6 Pages
    Good Essays
  • Good Essays

    Archaeologist discovered a hollow cast head made out of bronze, it is to be believed that it is a Head of an Akkadian Ruler. It originated from Nineveh Iraq…

    • 830 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Puabi’s golden headdress, from Ur, Iraq and made around 2550-2450 B.C.E., has political significance. The elaborate piece is comprised of a wreath, earrings, coiffed hair, necklaces, and body jewelry. Puabi was a queen in her own right and this object has political significance because it demonstrates the importance of hierarchy in early Mesopotamia. The decadence of the headdress shows that it was meant to display dominance. This object is art because people can appreciate it visually and aesthetically. It does not have much practical use since it is very ornate and hard to wear. The headdress was presented in the middle of the gallery and was a definite focal point of the exhibit. Therefore, it was meant to be a piece that was admired for its beauty and grandeur.…

    • 494 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Like many other ancient sculptures of pharaohs, the face of King Senwosret III in this sculpture is quite stoic; he is showing no emotion. His calm eyes are looking towards his audience and his mouth is closed. There are realistic features to his face. He has eyelids above and under his eyes that lay over his eyeballs. At the outer corners of his eyes, there are slight folds that indicate flesh.…

    • 555 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Pueblo Maiden Essay

    • 1076 Words
    • 5 Pages

    The body of the figure is long and oval shaped. The body of the sculpture is the largest part of the figure. The shoulders are rounded and there is a long oval indentation that resembles a neckline for a dress. Where the neckline is exposed, there is a layer that covers the figures breasts and appears to be similar to an undergarment for the dress that the sculpture is wearing. On the right side of the…

    • 1076 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    The first sculpture or carved figure I am explaining, comparing, and contrasting is the Spirit Spouse. The Spirit Spouse is used to decorate with jewelry, take care with oil, and pray to. This particular African culture believes that you were in past life before the one we are currently living in. This culture believed that everyone had a spirt spouse. This replica is supposed to represent the spirt spouse in our previous lives. The better the figure looks is a indication that the owner takes care of the figure and praises it as well.…

    • 996 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Throughout history there have been rulers that have come and gone, with this alone, it sets up a challenge for the artist of the time to create a lasting piece of the ruler in a way that would stand out from all the rest. This is seen with The Head of a Ruler from 2300 to 2000 BC and The Marble Portrait of the Emperor Carcalla from 212 to 217 CE, they both were at one time a public figure of royal status, but they have their own individuality in the way these artists made them for their time and way of remembering them by. The Head of a Ruler represents a classic way of how rulers are remembered whereas The Marble Portrait of the Emperor Carcalla appears more casual and sets up a new way of portraiture, expression wise, for years to come.…

    • 912 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Stele of Hammurabi

    • 409 Words
    • 2 Pages

    The lower 3/4 of the stone was smoothed to allow the punishments and the laws set by Hammurabi to be engraved on it. While the top 1/4 of the sculpture, is basically a relief that depicts Hammurabi while receiving the code verbally from Shamash, the god of justice.…

    • 409 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Kritios Boy Analysis

    • 1836 Words
    • 8 Pages

    This old kingdom statuette is called The Standing Man and stand about three feet tall. As you can see his body is connected to a block of stone to give the piece stability, and reduce the risk of his limbs cracking off. They also probably did this because artists weren't as skilled to create free-standing sculptures without anything supporting parts of it. One of the most promenade factors that is shown in this is the stance. His body is made with less anatomical mistakes than previous arts, but at the same time is still a bit ridged in the upper half. His legs show a large stride and this was done with many other works of Egyptian art. His proportions are out of scale in some parts such as his feet and neck but improvement is definitely being used.…

    • 1836 Words
    • 8 Pages
    Good Essays
  • Good Essays

    Senusret III head statue is made out of a yellow-brown rock by the name of yellow quartzite. Khafre is more intact and detailed than the Head of Senusret III. Reason being because the features on Senusret are destroyed like his chin, nose, and ears. It appeared to be that Senusret III might have had a beard on his statue but could have been removed. The only things that was removed from Khafre was the lion’s head and paws. The facial expressions on Khafre calm, pleasant, permanence while Senusret facial expression is saddening by the wrinkles on his forehead from hardship and fragility of human existence. Khafre statue is more idealistic, rigidly frontal, and cubic conception where as the Head of Senusret III than Senusret III Khafre sculpture had more meaning than Senusret III head sculpture. In the class lecture video, Khafre wore the traditional costume, the lions throne represented authority, the papyrus and lotus represented his power over upper and lower Egypt, his headdress had a cobra on the back that signifies the God Ra, Horus is on the back of the throne, and he wear a fake beard that symbolizes…

    • 389 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The main figures take up almost entirely the whole piece and their whole bodies are shown. Menkaure and His Queen is a three-dimensional image due to the fact that it is a sculpture and not a flat painting and makes the people seem as though they are realistic. The texture of the of the sculpture has a very smooth and polished. The faces of the figures and most of Menkaure is polished, but it appears that not all of the queen’s body has been polished indicating that this work may not have been…

    • 777 Words
    • 4 Pages
    Good Essays
  • Good Essays

    museum paper

    • 547 Words
    • 2 Pages

    Just like many other pieces of art, this sculpture has many symbols. King Senwosret III is shown with a very firm body, this symbolizes that he is powerful. He is wearing a head cloth called a nemes. Pharaohs in ancient Egypt wore Nemes. The nemes is another symbol to show the kings power. On the front of the nemes there is a cobra. The cobra represents that he is royalty. King Senwosret III is wearing a short kilt, which was traditional Egyptian royal clothing so that is also used to show he is royalty. If you look down at his feet, under them you see nine bows. These nine bows are also symbolic. They…

    • 547 Words
    • 2 Pages
    Good Essays