The Importance of Being Earnest

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The Importance of Being Earnest, by Oscar

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The Importance of Being Earnest, by Oscar
The Project Gutenberg eBook, The Importance of Being Earnest, by Oscar Wilde This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org

Title: The Importance of Being Earnest A Trivial Comedy for Serious People Author: Oscar Wilde
Release Date: August 29, 2006 [eBook #844]
Language: English
Character set encoding: ISO-646-US (US-ASCII)
***START OF THE PROJECT GUTENBERG EBOOK THE IMPORTANCE OF BEING EARNEST*** Transcribed from the 1915 Methuen & Co. Ltd. edition by David Price, email ccx074@pglaf.org The Importance of Being Earnest A Trivial Comedy for Serious People THE PERSONS IN THE PLAY

The Importance of Being Earnest, by Oscar

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John Worthing, J.P. Algernon Moncrieff Rev. Canon Chasuble, D.D. Merriman, Butler Lane, Manservant Lady Bracknell Hon. Gwendolen Fairfax Cecily Cardew Miss Prism, Governess THE SCENES OF THE PLAY
ACT I. Algernon Moncrieff's Flat in Half-Moon Street, W.
ACT II. The Garden at the Manor House, Woolton.
ACT III. Drawing-Room at the Manor House, Woolton.
TIME: The Present.
LONDON: ST. JAMES'S THEATRE
Lessee and Manager: Mr. George Alexander
February 14th, 1895
*****
John Worthing, J.P.: Mr. George Alexander. Algernon Moncrieff: Mr. Allen Aynesworth. Rev. Canon Chasuble, D.D.: Mr. H. H. Vincent. Merriman: Mr. Frank Dyall. Lane: Mr. F. Kinsey Peile. Lady Bracknell: Miss Rose Leclercq. Hon. Gwendolen Fairfax: Miss Irene Vanbrugh. Cecily Cardew: Miss Evelyn Millard. Miss Prism: Mrs. George Canninge.

FIRST ACT
SCENE
Morning-room in Algernon's flat in Half-Moon Street. The room is luxuriously and artistically furnished. The sound of a piano is heard in the adjoining room.
[Lane is arranging afternoon tea on the table, and after the music has ceased, Algernon enters.] Algernon. Did you hear what I was playing, Lane?
Lane. I didn't think it polite to listen, sir.
Algernon. I'm sorry for that, for your sake. I don't play accurately--any one can play accurately--but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life. Lane. Yes, sir.

Algernon. And, speaking of the science of Life, have you got the cucumber sandwiches cut for Lady Bracknell?
Lane. Yes, sir. [Hands them on a salver.]
Algernon. [Inspects them, takes two, and sits down on the sofa.] Oh! . . . by the way, Lane, I see from your book that on Thursday night, when Lord Shoreman and Mr. Worthing were dining with me, eight bottles of champagne are entered as having been consumed.

The Importance of Being Earnest, by Oscar

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Lane. Yes, sir; eight bottles and a pint.
Algernon. Why is it that at a bachelor's establishment the servants invariably drink the champagne? I ask merely for information.
Lane. I attribute it to the superior quality of the wine, sir. I have often observed that in married households the champagne is rarely of a first-rate brand.
Algernon. Good heavens! Is marriage so demoralising as that? Lane. I believe it is a very pleasant state, sir. I have had very little experience of it myself up to the present. I have only been married once. That was in consequence of a misunderstanding between myself and a young person.

Algernon. [Languidly.] I don't know that I am much interested in your family life, Lane. Lane. No, sir; it is not a very interesting subject. I never think of it myself. Algernon. Very natural, I am sure. That will do, Lane, thank you. Lane. Thank you, sir. [Lane goes out.]

Algernon. Lane's views on marriage seem somewhat lax. Really, if the lower orders don't set us a good example, what on earth is the use of them? They seem, as a class, to have absolutely no sense of moral responsibility.

[Enter Lane.]
Lane. Mr. Ernest Worthing.
[Enter...
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