Among all of the devices beautifully used in this poem by Frost, personification is the one I want to focus on in this essay. My little horse must think it queer (Stanza 2, Line 1)
The idea of the horse thinking about the rider's intentions and the fact that rider pays attention to what his little horse must think, shows the relationship between the rider and his only alive companion he has in this journey. Although we can consider the whole poem as an interior monologue, this relationship between the rider and the horse is the only bond there is between the man and his surroundings. He gives his harness bells a shake
To ask if there is some mistake. (Stanza 3, Lines 1,2)
It is noteworthy that the poet has chosen the pronouns "He" and "His" for the horse indicating the role that rider considers for it apart from being only a vehicle. Upon consideration, the horse becomes a means to an end for the speaker. The horse is essentially the rider’s means for attaining his promises which he has miles and miles to get to them. With this in mind, the horse becomes an extension of the speaker’s own thoughts in the anticipation of moving forward. The horse never really asks or wonders about any of the things mentioned; it is only the speaker’s own thoughts projected onto the horse. This personification and projection of thought magnify the separation between the speaker and his surrounding natural environment. He, with his horse, or rather vehicle of progress, appears to be the only living things around. It seems throughout the poem his horse is the only thing, which tries to keep him attached to the environment and his surroundings. The horse like any practical being, wants to get on down the road to food and shelter. The narrator himself, however, continues to get fascinated by the mysteries of the forest, the otherness, sleep and death. At some point, it seems like he has given up the rationality and responsibility of his actions to the horse...