Through the comparative study of John Donne's poetry and Margaret Edson's play W;t we are shown the individual context of both writers and their perspectives on relationships and death. Donne represents his assurance of life after death in his Holy Sonnets. Additional to this in his earlier poetry, his valuing of deep relationship being critical to the human experience is reflected by his renaissance belief. Edson's individual post-modern context is apparent in the appropriation and rewriting of Donne's ideas to reflect her own perspective. This is further emphasized in the choices made by each composer to represent their ideas in different textual forms.…
A text is essentially a product of its context, as its prevailing values are inherently derived by the author from society. However, the emergence of post-modern theories allows for audience interpretation, thus it must be recognised that meaning in texts can be shaped and reshaped. Significantly, this may occur as connections between texts are explored. These notions are reflected in the compostion of Edson’s W;t and Donne’s poetry as their relationship is established through intertextual references, corresponding values and ideas and the use of language features. Edson particularly portrays key values surrounding the notions of the importance of loved based relationships, and death and resurrection: central themes of Donne’s Holy Sonnets and Divine Poems. The purpose of these authors distinctly correlate as each has attempted to provide fresh insight into the human condition by challenging prevalent ideals. Thus, Edson incorporates Donne’s work to illuminate both explicit and implicit themes, creating an undeniable condition.…
Consider the ways in which Donne and Jennings use form, structure and language to present their thoughts and ideas. You should make relevant references to your wider reading in the poetry of love.…
Donne’s poems are interesting in the way they often present an ongoing thought process, rather than a story with a distinct beginning and end. Donne being from the literary culture; many of his poems reflect this mid-way change of heart, as he is comfortable dealing in ongoing reflection and experience, rather than static facts. One of Donne’s love poems, ‘The Sunne Rising’ centres around Donne, in bed with his lover, annoyed at the sun for disturbing their slumber. “Busie old foole, unruly Sunne” he writes. Donne, in personifying the sun, and describing such a thing in paradox (“unruly sun”), supports the idea that literary culture places more emphasis on emotion and description than logical fact. The structure of ideas throughout the poem thereafter is fluid. Donne is initially annoyed at the sun for its punctuality, saying that a love like his knows no time, and the sun would be better off chastising late schoolboys. As the poem progresses, Donne goes from annoyance, to mocking the sun's supposed power (“Thy beames, so reverend… I could eclipse then with a winke”), to then feeling content, and almost bad for the sun. Donne writes “Thou sunne are halfe as happy’as wee, in that the world’s contracted thus”, in which he is stating that the poor, old sun must have an easier job shining down on him and his lover, as their entire world is confined to each other. It is this notion of fluidity of ideas that further reflects the literary culture of Donne’s poems. He uses his writings, not to record tangible fact and feeling, but to support the idea that both his thoughts, and the subjects of his writing, can easily be written flexibly, as they are both…
Introduction: Love is often regarded as an emotion that invokes extreme joy, hope and excitement. For example, Romeo and Juliet were a young couple who were so excited and hopeful about their love that they were willing to do anything to be together. However, there is another side to the feeling we call love that isn't so joyous. The other, darker side of love is expressed by three Langston Hughes poem which show us the heart-break, the abandonment and the desperation associated with falling in love.…
Donne’s poetry attempt to answer the mere impossible questions of life, death and love in eccentric and unexpected chains of reasoning, his complex figure of speech, elaborate imagery and bizarre metaphors creates a sense of vibrancy for the reader as they become enthralled in the emotions and meanings behind his poems.…
To me. Donne is trying to tell death that no matter what is thrown at him, Donne will stand tall and fight whatever he has to. This poem might be a way to tell people that they shouldn’t fear it, they should stand together. If we all stand together on this, we as a community would be able to stand up to anything that comes at…
In the first poem, “Death, Be Not Proud,” Donne describes death as a lowly figure that deserves no respect at all. That no one is afraid of death, but welcomes it as it brings us a satisfying state of everlasting sleep. It is just one aspect of life and something that everyone must experience. Donne even goes so far as to say that there are things other than death that make us sleep just as well, if not better, as stated in the line “And poppy, or charms can make us sleep as well.” In the end we will actually defeat death itself when we pass over into eternal life and there will be no more death, “And death shall be no more: Death, thou shalt die!” He feels sorry for death because it will be what is ultimately dead and not us. The overall theme of this poem is to embrace death and not be afraid of it.…
Edson uses many different characters, in particular the protagonist, Vivian Bearing, to conceptualise ideas of Donne poems. This is by drawing relations from Donne’s poetry and Vivian’s life events such as through job prospects as well as relational and death issues encountered. This is then use in order to trivalise the study of Donne but drawing different meanings from the initial intended notions. Donne uses poems such as Death Be Not Proud, Hymne to my God, my God in my Sicknesse (Hymn to God), The Valediction: Forbidding Mourning (The Valediction), If Poysonous Mineralls and My Playes Last Scene in order to portray his views upon the themes of death and relational values as well as the significance of religion. The manipulation of meaning in different contexts is prominently showcased in W;t in various ways.…
The purity of love appears as pure as the actors that are required to perform it. Donne borrows inspiration from the Homeric epic The Odyssey and patterns of Ovidian lyric to express both disappointment and frustration due to its impurity, stemming from the goal accomplished through bodily reality. While Donne is able to attain love through its consummation, he expresses conflict in attempting to avoid deviation from the pursuit of love caused by a woman’s features in Love’s Progress, which draw men to the circular love in Love’s Growth unable to transform from the physical to the transcendent metaphysical. Both poems express a progression towards Donne’s idealised love as a religious experience, transcendent of the physical realm, which I…
He continually elaborates that his mistress has disallowed something that the flea has acquired, this being the union of their bodily fluids. This central statement, that is frequently mentioned, demonstrates the value of rationalism, a feature poems of the Metaphysical Era have inside of them. Donne embellishes the value of the flea’s life by saying to his mistress that this flea represents their connection, and killing the flea will be killing them, “O stay, three lives in one flea spare, where we almost, yea, more than married are”. He says to his mistress that the flea also…
First of all, the two poems deal with the same topic which is love but of course from very different views. The Flea speaks about pure physical love and how does the poet can convince his beloved to do what he wants. He uses the flea as a symbol of their love where in it their blood are mingled. For Donne, it is their 'marriage temple' in which they become one 'one blood made of two'. By that way, he attempts to convince her of what he wants her to do. Donne does not used love as something spiritual or related to feelings or emotion, but it is concerned of the outside, it is just physically. On the other hand, in A Fever, love is more than a feeling based on outside beauty or the physical appearance of the beloved. It deals with a pure and spiritual senses. That is clear in the affection that the poem has and the reader can…
In John Donne's poem "Love's Deity", the speaker presents the argument that love can not be true love unless both members of the relationship love each other equally. The speaker wishes that he could return to a time before the god of love was born so that he would not be forced to love a woman that does not love him back. The speaker describes the god of love, or Eros, as an immature tyrant who does not consider the other persons feelings when he is coupling two people together. Donne reveals the importance of this argument or idea through the repetition of similar lines at the end of each stanza. While these lines are not identical and could not be considered a refrain, they do bring the subject of each stanza back to the idea that he is forced by the god of love to love one that does not love him. Donne also uses meter to stress important stanzas within the poem. The opening foot of each stanza alternates between an iamb and a trochee. The first and third stanzas begin with iambs while the second and fourth stanzas open with trochees. This change in meter forces the reader to stress the first syllables of the second and third stanzas. Thus the change in meter from unstressed to stressed reveals a harsh tone to the reader. This harsh tone is reinforced with the diction from the two stanzas which include words such as "flame", "plague", "indulgently" and "falsehood". The alternate meter to begin each stanza, coupled with the harsh diction in those stanzas, reveal the negative tone of the speaker and reinforce the argument of the…
Love is often described as blind or selfish and it seems as though Love obtains other characteristics through those around himself. Love is proud and cruel, because the narrator’s lover is proud and cruel. In contrast, Love takes ‘sighs and tears’ from the narrator, because at this point, it is all she has left to offer. She is still mourning the loss of her lover, or perhaps just the relationship, but it is made clear that the lover is not. Humanity raises Love up to the level of a god. Love is the be-all, end-all of life, it is the ultimate goal, it is the closest thing we have to magic. We talk of true love, how a single kiss can break any curse. The narrator has come to the realisation that this isn’t the case. The winners of life are those who escape love, unscathed. The lover has won, because she is the only one who is broken…
Donne incorporates the Renaissance notion of the human body as a microcosm into his love poetry. During the Renaissance, many people believed that the microcosmic human body mirrored the macrocosmic physical world. According to this belief, the intellect governs the body, much like a king or queen governs the land. Many of Donne’s poems—most notably “The Sun Rising” (1633), “The Good-Morrow” (1633), and “A Valediction: Of Weeping” (1633)—envision a lover or pair of lovers as being entire worlds unto themselves. But rather than use the analogy to imply that the whole world can be compressed into a small space, Donne uses it to show how lovers become so enraptured with each other that they believe they are the only beings in existence. The lovers are so in love that nothing else matters. For example, in “The Sun Rising,” the speaker concludes the poem by telling the sun to shine exclusively on himself and his beloved. By doing so, he says, the sun will be shining on the entire world.…