The British Invasion
There were plenty of music coming out and showing up in the 1960’s. It was time; time for a new form of music, a new sound, it was time for a revolution. There was all types of music being played and new music being formed. There were all sorts of bands playing different kinds of music and playing with their own styles while taking over the airwaves. Whether it be rock, soul, or any other type of music, it was a revolution. This also led to new bands forming and breaking into the industry.
In the sixties rock music comes of age and dominates the popular music charts. Elvis Presley continued to score hits in the early part of the decade, but the music continued to diversify with the folk revival, the Brill Building sound, Phil Spector's wall …show more content…
One thing that helped along and start it all was the British Invasion. The British Invasion was a musical movement of the mid-1960s composed of British rock-and-roll (“beat”) groups whose popularity spread rapidly to the United States.The Beatles’ triumphant arrival in New York City on February 7, 1964, opened America’s doors to a wealth of British musical talent. What followed would be called—with historical condescension by the willingly reconquered colony—the British Invasion. Like their transatlantic counterparts in the 1950s, British youth heard their future in …show more content…
Motown started as a Detroit-based record label in the late fifties and early sixties, but it quickly turned into much more as the acts gained popularity worldwide. Motown records consisted mainly of African-American groups, singers, songwriters and management and their musical and business success proved in breaking down the barriers of segregation and granted African-American performers and musicians a chance to appropriate much of the success that had been credited to white rock 'n' rollers and pop artists who had success in singing "black music" during the previous decade. Two of the most influential groups to come out of the Motown sound were Smokey Robinson and the Miracles and Diana Ross and the Supremes, both of which had as much chart success as any of the rock groups that dominated the airwaves during the sixties. The success of Motown also paved the way for R&B singers and groups who were not necessarily a part of the movement to also enjoy mainstream
In the sixties rock music comes of age and dominates the popular music charts. Elvis Presley continued to score hits in the early part of the decade, but the music continued to diversify with the folk revival, the Brill Building sound, Phil Spector's wall …show more content…
One thing that helped along and start it all was the British Invasion. The British Invasion was a musical movement of the mid-1960s composed of British rock-and-roll (“beat”) groups whose popularity spread rapidly to the United States.The Beatles’ triumphant arrival in New York City on February 7, 1964, opened America’s doors to a wealth of British musical talent. What followed would be called—with historical condescension by the willingly reconquered colony—the British Invasion. Like their transatlantic counterparts in the 1950s, British youth heard their future in …show more content…
Motown started as a Detroit-based record label in the late fifties and early sixties, but it quickly turned into much more as the acts gained popularity worldwide. Motown records consisted mainly of African-American groups, singers, songwriters and management and their musical and business success proved in breaking down the barriers of segregation and granted African-American performers and musicians a chance to appropriate much of the success that had been credited to white rock 'n' rollers and pop artists who had success in singing "black music" during the previous decade. Two of the most influential groups to come out of the Motown sound were Smokey Robinson and the Miracles and Diana Ross and the Supremes, both of which had as much chart success as any of the rock groups that dominated the airwaves during the sixties. The success of Motown also paved the way for R&B singers and groups who were not necessarily a part of the movement to also enjoy mainstream