Preview

The Black-Figure Vase: Ancient Greece, Archaic Period

Good Essays
Open Document
Open Document
840 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Black-Figure Vase: Ancient Greece, Archaic Period
The Greek Vases are the one of the most eminent art creations during the beginning of the 6th centuries and the end of the 4th centuries, the gallery of early European art / ancient Greece & Rome art from the museum, the Iris and B. Gerald Cantor Center for the Visual Arts, have included and introduced several red and black figure vases from Greek. The one that appeals to me from a multitude of art pieces is the “Neck Amphora, 575-550 BCE, Black-figure terra cotta”, which was the vase created by the Castellani Painter in Greece, Archaic period. The vase not only shows the how great the technique that Greek ceramists have, the decorative paintings and images on the sides of the vase also have the symbolic or representative meaning in their life, …show more content…
Greece, ca. 625-600 BCE.” and the “Neck Amphora, 575-550 BCE ”, according to the “Fred S. Kleiner, Gardner’s Art Through the Ages, Western Perspective”, “ By the mid-sixth century BCE, the Athenian, having learned the black-figure technique from the Corinthians, had taken over the export market for fine painted ceramics.” The "Castellani Painter" inherited the skill of the black- figure vase painting invented by the Corinthians, and his “Neck Amphora” was the one of the great outcomes in that period. The comparisons will be discussed in the followings. First of all, both verses are two handled jar and have identical shape, the “Neck Amphora” is about 14 inches high, and the “Corinthian black-figure amphora” is 1’ 2”inch. They both show many series of registers, animals were included such as lion. However the “Corinthian amphora” has more types of creatures than “Neck Amphora”. Besides that, it has the “siren”, half bird and half woman mythical creatures, which we don’t see on the “Neck Amphora”. In addition, even thought they shared the same Greek ceramists and vase painting techniques, there still have differences between the two. First, the appearance of the “Corinthian amphora” is darker than the “Neck Amphora”, which was covered with more vegetal images in the spaces between images if the creatures, on the other hand, the “Neck Amphora” turned out to the cleaner, with more blank spaces. There was a most important evolving feature between the two, the “Corinthian amphora” from the earlier period are more geometric design, the characters are more stiffness. However, moved to the “Neck Amphora” there is tends to be more naturalistic in the details, such as the facial expression and the posture of the human and animals. Furthermore, rather than having images continuously repeat around the vase, Athenians often have two different scenes on the opposite side to show different

You May Also Find These Documents Helpful

  • Good Essays

    By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…

    • 391 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The amphora was commonly found in kitchens to store perishable items like grains, wines, and oils. This vase in particular however, has a newfound attention to detail and luxury that places it above such storage containers. As a result of this, the vase was rather used as a grave marker because it was more so a status symbol because of its elegance and size considering it was around three and a half feet tall. This is one of many similarities that the Terracotta Neck Amphora with the Battle between Herakles and the Centaur Nessos shares with the Eleusis Vase which was also created circa 675-650 B.C. The Eleusis Vase was also of funerary purpose and also shared the value of elegance and intricate design. Additionally, this vase exhibits conceptual catalogs of the human body. This is depicted through the profile legs, arms, and head contrasted by the frontal…

    • 648 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The Harvest Vase, Hanga Triada, Crete, New palace Period, c. 1950- 1450 BCE steatite diameter 4 ½” the lower half is missing so it was reconstructed. It was carved of steatite witch is a brown and greenish soapstone.…

    • 408 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Successful sculptural forms are created through careful attention to common artistic elements and techniques. In order to discover an artist’s intentions while looking at a sculptural piece, it is vital to note the artist’s visual cues. Such visual cues may include form, shape, texture, material, lighting, space, and dynamism. In addition, classical sculpture is commonly comprised of well-balanced idealized forms, with a sense of naturalistic beauty and elegance in mind. Great sculpture also must convey a strong sense of gracefulness and stability. The Lansdowne Bust of Athena of Velletri very successfully exhibits artistic qualities and sculptural…

    • 951 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    intro art

    • 644 Words
    • 3 Pages

    Chapter 5 Greek Art (1) Name:___________________________ Matching a. main chamber of a temple holding a cult statue b. fifth century Athenian statesman c. half man half horse d. god of wine e. grooved member of Doric Frieze alternating with metopes f. black figure vase painter g. triangular space formed by roof and cornice h. warrior goddess, protectress of Athens i. slight convex curve of a column j. lowest division of the entablature of a temple k. architects of the Parthenon l. entrance gateway m. sculptor of the Discobolos n. female figure used as column o. storage jar with and egg shaped body p. sculptor of Hermes and Dionysus q. ornament from Ionic capital resembling a rolled scroll r. painting method using melted wax 1. ______ triglyph 2. ______ Polykleitos 3.…

    • 644 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    The Octopus Flask

    • 342 Words
    • 2 Pages

    The Octopus Flask is noted as one of the most popular recorded painting that dates back to 1500-1450 BCE. The art piece is a painting on a ceramic vessel, what people referred to as “bottle”, it came from the east Cretan site of Palaikastro and is now displayed at the Archeological Museum at Iraklion, Crete.…

    • 342 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Amphora With Lid

    • 670 Words
    • 3 Pages

    These types of vases were used in Greece around the 500 B.C.E. Andokides wanted to change the painting technique. The earlier technique was black figure painting. Everything stayed the same in the work process but what was done differently is the painting of the figures on the vase. “The artist used the same black glaze for the figures, but instead of using the glaze to create silhouettes, the painted outlined the figures and then colored the background black.”…

    • 670 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Red Figure Lekythos Essay

    • 379 Words
    • 2 Pages

    Making out of terra-cotta, the most common forms of pottery made in the ancient Greece, the vase is painted using “the red-figure style” . It was made in a specific shape for particular use such as pouring librations (lekythos). I like how this vase shows only a few figures, maintaining the right balance between the vase and the picture. The graphic decorations provide insights into the ancient Greek…

    • 379 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The amphora is highly decorated with two scenes of Greek life, as well as different decorations. Starting from the top, the upper lip of the amphora is painted solid all the way around the top and completely encompasses the upper lip of the amphora. Directly under that are decorations that seem to resemble leaves on a branch. These things are divided into several groups that have 7-9 leaves in it per group. Next we see the handles which are also paint solid black, however there under side is plain terracotta. At the point where the neck and the body meet is a circle the goes around the base of the neck that has red and black vertical lines about half an inch long. Some of these lines are interrupted by the portraits that are painted on the side. After that we get to the main portion of the amphora and the portraits. On one side is a picture of two soldiers play a game in front of Athena and the other side has an old man with to soldiers as the soldiers as they depart. I will elaborate on these later. In between the two pictures is so line work that fills the space and separates the two pictures. Under the pictures appears three tribal designs that go all around the base of…

    • 1049 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Herakles And Kykno

    • 574 Words
    • 3 Pages

    One of the first pieces we observed was the black figure, red storage jar dated 515-500 BC from Athens. The shape was an amphora with a lid, and the size was comparable to a large vase. The subject matter on the front side depicted a fight scene between Herakles and Kyknos, with Herakles bearing over Kyknos and Ares, the God of War, standing on the outside ready to defend his son. What appears to be a woman (Athena?), as she is the only white-skinned figure in the scene, stands on the other side of the battle, directly behind Herakles and looking as though she is either solemnly watching as he bears over Kyknos, or as though she could possibly be guiding him or holding him back, concerning her very close proximity to Herakles. The figures are very detailed—very defined lines for the muscular figures of Herakles, Kyknos, and Ares, and the armor (such as Herakle’s lion skin) and weaponry are precise in design. For instance, Ares is holding what looks like a hoplite shield, and it contains patterns of white perhaps made with an incision tool. The patterns surrounding the scene look almost oriental in style—flower like patterns align the neck of the amphora, and leaf-like designs wrap around the bottom.…

    • 574 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Etruscan Art Research Paper

    • 4950 Words
    • 20 Pages

    There are two types of amphora: the neck amphora, in which the neck meets the body at a sharp angle; and the one-piece amphora, in which the neck and body form a continuous curve. The first is common from the Geometric period to the decline of Greek pottery; the second appeared in the 7th century BCE. Amphorae have varied in size from the 1.5 metre aphora of the Greek Geometric period down to the miniature " amphoriskoi" which stood less than…

    • 4950 Words
    • 20 Pages
    Powerful Essays
  • Good Essays

    In this article, Ruth Glynn sets out to explore the mysterious and oft misunderstood iconography of a select group of images. Specifically those depicting the hero Herakles as he grapples with the sea god Nereus who was later replaced with images of Triton. Her goal, is to explain why this change took place as well as the significance. This she does though a study of the iconographical significance of the figures and their attributes. She then moves on the a detailed study of Attic era vases, marking out three different groups based on the imagery.…

    • 571 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Euthymides' Three Revelers is a Greek red-figure vase painting which dates back to about 510 BC. It was found in an Etruscan tomb in Vulci, Italy, where it had probably been imported from Athens. This is proof of the virtuosity of ancient Greek artists, and is quite ironic since the Greeks learned vase painting from the Corinthians.…

    • 913 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    humanities terms

    • 634 Words
    • 3 Pages

    Red Figure Pottery- is one of the most important styles of figural Greek vase painting…

    • 634 Words
    • 3 Pages
    Satisfactory Essays
  • Powerful Essays

    Ancient Greek Art Analysis

    • 2376 Words
    • 10 Pages

    However, the volume of vases similar in subject and tone suggests that they were popular among ancient Greek homes. From this, we can gather that the ancient Greeks were not only tolerant of this crass humor, but even had an appreciation for it that modern societies would not have. This idea is proven by Greek vase paintings showing mocking scenes of their own heroes and gods. In David Walsh’s book, “Distorted Ideals in Greek Vase-Painting: The World of Mythological Burlesque” , he examines vase painting scenes depicting the parodying of Gods and Heroes, attempting to understand the social and cultural significance of this trend. In a review of Walsh’s book for the journal Phoenix, Robert F. Sutton describes “the willingness of Greek vase painters to caricature and ridicule gods and heroes in ways that would seem unthinkably blasphemous today if applied to Christian or Moslem figures.” We can see this in a black figure amphora from c. 520-530 B.C. (Figure 3), which depicts the scene of Herakles’ task to capture the Erymanthian boar and return it to the king of Mycenae, Eurystheus. The scene shows Herakles hauling the boar over his shoulder, as is common for depictions of this scene. However, while the Eurystheus typically is shown standing with his arms waving, this painter makes one particular change to this scene. Instead,…

    • 2376 Words
    • 10 Pages
    Powerful Essays