By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…
The Mycenaean Warrior vase was found by Heinrich Schliemann on the Acropolis of Mycenae. It was dated to 12th century BCE. It is the best known peace from the late Helladic pottery. It was used to mix wine and water. Made from ceramic and are 16 in height the images are painted on. The art on it is six warriors each armed with a small shield, spear, short breastplate and helmet also a clad in chiton.…
The original Peplos Kore was dedicated to the goddess Athena on the Acropolis in Athens c.530 BCE and now stands in the Acropolis Museum. Aphrodite de Milos air of aloofness, the harmony of her face and her impassivity are stamped with the aesthetics of the Hellenistic period, between the 3rd and 1st centuries BC. The spiral composition, the positioning of the figure in three-dimensional space, and the small-breasted, elongated body are characteristic of this…
Chapter 5 Greek Art (1) Name:___________________________ Matching a. main chamber of a temple holding a cult statue b. fifth century Athenian statesman c. half man half horse d. god of wine e. grooved member of Doric Frieze alternating with metopes f. black figure vase painter g. triangular space formed by roof and cornice h. warrior goddess, protectress of Athens i. slight convex curve of a column j. lowest division of the entablature of a temple k. architects of the Parthenon l. entrance gateway m. sculptor of the Discobolos n. female figure used as column o. storage jar with and egg shaped body p. sculptor of Hermes and Dionysus q. ornament from Ionic capital resembling a rolled scroll r. painting method using melted wax 1. ______ triglyph 2. ______ Polykleitos 3.…
Walking through LACMA there was a section that caught my eye and found it to be of interest to me. That section was the Greek, Roman, and Etruscan Art which was located on the Ahmanson Building, Level 3. There were various unique pieces such as vases, jewelry and sculptures. I chose the sculpture of Hope Athena to do my visual analysis because I found it to be beautiful. Athena was a Greek goddess of wisdom and war. The sculpture at LACMA is a Roman, 2nd century copy after a Greek original of the late 5th century BC School of Pheidias. The sculpture was made out of marble with neutral colors. In parts the color was dull with hues of ivory and golden brown. The shape of the body was rectangular with broad shoulders. The sculpture had her arms missing. Her head was round with hair coming down in vertical waves. She was wearing a warrior helmet from my view point I could not tell what the helmet had on it. The helmet gave her a powerful look. Her facial expression seemed reflective with facial features being symmetrical and smooth. The eye sockets were hollow and dark. Her nose was chipped and her upper and lower lips were thin. One of the focal points for me was how her robe or drapery had such detail throughout the sculpture. It wrapped around her body with great detail with vertical creases and folds giving the sculpture a realistic look. The vertical lines toward the bottom of robe had great detail and were distributed equally and her feet and toes…
The two art works that I’m going to be talking about are Statue of Venus (the Mazarin Venus), and Gravestone with a Woman and Her Attendant. The Statue of Venus is from the Roman culture, it’s located in the room called The Art of the Trojan War. It’s located in the center of the room is the first thing you see once you enter the room, on the left side of the statue in the left corner you see The Relief with Achilles, Thetis, and Worshippers. Gravestone with a Woman and Her Attendant is from the Greek culture, it’s located in the room called Women and Children in Antiquity. In the same room you will see in the center the statue of Faustina the Elder and in front of the Gravestone with a Woman and Her Attendant you can see the Head of Julia Titi.…
Among the many subjects they painted and sculpted between the Archaic Period and the Hellenistic Period, Athenians had a fondness for the Amazonomachies, battles between Greeks and the mythical Amazonites, a race of warrior women from the north and east. Such is the focus of the Terracotta volute-krater, a red-figure battlefield baked and painted in approximately 450 BCE, at the shift between the Early and High Classical Periods of Greece. Curiously however, the painter, dubbed the Painter of the Woolly Satyrs. painted the the battle as an even match between the Amazons and the Greeks, despite having the opportunity to paint the Greeks the victors, as was so often the case in many works of art depicting the militaries of the work's’ origin…
The artwork I chose for the Greeks is called the Hydria. This vase contains the artwork of Hercules and Athena. The vase art relates with Athena coming from Mount Olympus to bring Hercules to live among the other gods. In the myth it is hard to show who is who, because the Greeks see their gods as walking among humans. In the vase we can tell Athena by her armor, because she is the warrior goddess. We can see Hercules by the messenger god Hermes. We see the chariot and helpers, helping harness the horses for Athena and Hercules to ride to Mount Hercules. The vase reflects the story of how the Greeks view the gods and the heroes.…
In this article, Ruth Glynn sets out to explore the mysterious and oft misunderstood iconography of a select group of images. Specifically those depicting the hero Herakles as he grapples with the sea god Nereus who was later replaced with images of Triton. Her goal, is to explain why this change took place as well as the significance. This she does though a study of the iconographical significance of the figures and their attributes. She then moves on the a detailed study of Attic era vases, marking out three different groups based on the imagery.…
The Greek Archaic period art started around 700 BC and ended around 480 BC. Common elements is Archaic art consist of animated faces, motion, long hair, and arms down with hands in a fist. There was great attention to the human anatomy during this time. A good example of this is the statue Kroisos, a grave marker for a fallen warrior. The statue is dated from about 540 to 515 BC and is now in the Archaeological Museum of Athens. This freestanding statue has many Archaic elements from his striding stance to his expressive face. Notably, the sculpture has what is called an “Archaic smile,” which is used to described the over animated face that was common in the Archaic period. It is also seen that he is standing in a striding position indicating the he is walking. This along with his clenched fists, long hair, and detailed anatomy makes it clear that he originates from the Archaic period. However, this sculpture in not overtly realistic but rather more idealistic of what a warrior should look like.…
During this time period, there was something called tetrarchy which means rule by four. This is a form of government, however, it is heavily impact how art appear to be during this time. Tetrarch often appear on both coins and statues. Just like this sarcophagus appear to be, there are four sides predicting the battle’s outcomes. Specifically, on each side of the sarcophagus is representing a different scenario, gives the audiences a better understanding/visuals. The standing figures on the side of the sarcophagus are the soldiers, they are well-equipped with various weapon in order to strike the battle. Most of them have helmet, short tunics, and cuirass (plates of body armor). The mark of high ranking officers are knotted on their belts. Most of these soldiers are equipped with swords on their right hand to strike/attack, and their left hand is equipped with a round shield to defend themselves. On the other hand, the Amazons are equipped oppositely. Most of them are on their horses, dressed in light robe, and equipped either with axes or spears on their right hand to strike/attack and a crescent-shaped shield on their left hand to protect…
The Parthenon sculptures typically “alluded to the Greeks' struggle against the Persians, for instance, through famous mythological contests...” (Destruction and Memory...) While the metopes of the Parthenon show…
In these Greek and Roman buildings or temples, there would be sculptures of famous gods and warriors. The Greek sculptures were also different than the Romans’. The Roman sculptures had more “life” in it. In other words, it was more realistic. Greek sculptures looked stiff and didn’t show much character as the Romans’ sculptures did. Roman civilization seemed more developed than the Greeks’. They had many positives and also negatives, but they both were great ancient…
Throughout Egypt, during the middle empire art evolved as a symbol for power and permanence featuring straight lines and powerful figures; as time passed art evolved again morphing from simply representational images of man to the more idealized and anatomically correct style of Roman art. As art became more and more prevalent through the late 3rd and early 4th century’s artists began to focus more on anatomical perfection and realism borrowing artistic elements from other cultures such as the Greeks. Though the artistic styles of ancient Egypt and early Roman art vary widely, the underlying symbolism remains the same. This is clear in both the Egyptian Sculpture Vizier (Figure 1) and the Roman sculpture Bust of and Unknown Man (Figure 2). Where the ideas and concepts of both sculptures are essentially the same, their vastly different styles are evident of the time periods in which they were made.…
a particular ability or skill; originally the display of martial prowess on the battlefield (Homer); ability displayed in athletic competition (Myron); skill as a citizen displayed through active participation in the activities of the state (Pericles, Parthenon); virtue in a general sense, such as in Aristotle’s doctrine of the mean…