When you first look at the painting your eye is drawn to a distinct horizontal line that depicts the horizon over the water. There are also curved lines throughout the piece where the waves are located, many of which make up either the ripples over the sand or waves breaking on the shore. These curved lines are what move your eye from the horizon towards the water moving forward as the wave breaks and moves along the sand.…
A spiralateral is a series of line segments that form a shape that resembles a spiral. You make spiralaterals by picking a spot on a piece of graph paper to be the starting point of the spiralateral. Then take a set of three numbers and using that point go up the first number of squares on the graph paper, go right the second number of squares, down the third number of squares and left the first number of squares going in that pattern until the line meets the starting point. So if you were using the numbers 1, 2, and 3 you would do what is shown in the diagram below. You go up one square, then you go right two squares, next you go down three squares and start the sequence again but while going in that direction. So after you go down three you will go left one and then up two and you just keep going in that same pattern.…
This grid is referred to as the “Hermann Grid” and is somewhat of an unsettling optical illusion.…
One motif frequently shown throughout the piece is the use of curved lines. This is shown in the opening silence section as…
Tessellation is everywhere in our world. Its on the bees honeycombs. On our floors. Mosaics are tessellations. On the quilts we curl up under on movie night. Often times, tessellations are just such a natural part of our lives that we don’t even notice the tessellations. A brick wall is a tessellation. Corn on the cob tessellates. Just look around- tessellations are everywhere!…
In reality, this rectangular appearance is a trick of perspective. The true shape of the room is trapezoidal: the walls are slanted and the ceiling and floor are at an incline, and the right corner is much closer to the front-positioned observer than the left corner (or vice versa). Observers look through a peephole into the room to create the best viewpoint and remove any sense of depth created by viewing the room with both eyes. The illusion is often enhanced by adding additional visual perspective clues, such as a checkered floor and “rectangular” windows on the back…
Alec Soth used a very direct approach when taking this picture, as the viewers cannot see any abstract lines or shapes, but the image is full of recognizable objects…
It may at first glance appear that this painting is all jumbled up but you would be wrong. Reuben precisely placed each item in this painting. This style of painting is called Baroque. Baroque basically means elaborate and extensive detail used in a painting. Reubens avoids stiff lines and boring geometric forms to create life and motion in his painting. His flowing lines create movement in the painting. It is as if…
For example, I am observing the above listed painting through a formal analysis of it, and interpretations of my understandings and concluded with the observations. The artist has portrayed an image of girls in the midst. Second, an artists working on a painting that reflects the painting background, while the image on the mirror on the very back wall depicts what appears to be the King and Queen. Just as the mirror used to attract the viewer’s visibility and many illusionistic effects is the formal qualities used by Diego Velasquez; it also portrays reflections of images outside the view. The artist used three primary focal-points including reflected mirrored images, half-length, and self-portrait. However, the depth and dimensions of the painting has been block; this has been achieved through the use of tones, color, layers and shapes to overlap the…
The design in the corner is a piece of the full design that includes many small floral designs and geometric patterns throughout. There are also floral designs included throughout. The signature Safavid blue on the tile is used throughout the piece. The Safavid style for tile making was developed in Iran from the 1500’s. It depicted human being and floral scrollwork, but human figures only became important after the empire was established. When the court moved from Isfahan, style changed because of Riza-i-Abbasi. Slim, standing figures were replaced with short, sitting figures. Floral work was most common in their time though because of the simplicity and beauty it could bring. I also included some red, yellow, and green in the art in the corner because throughout the empire, they added other colors that were influenced by their neighboring empires. Some of the flowers have actual petals and others are outlines of flowers because they weren’t as important in the design. Although the Safavids evolved their tile making, tiles in Persian architecture remained closer to traditional designs of flowers and floral patterns with geometric shapes. The persians had an infinite pattern which was a major element in tile making. It is thought to give an expression of profound belief in the eternity of all true being. They then used whole tiles as a faster method of decorating large public and religious buildings. Tile making was a very important art in Safavid culture and provided much…
The pattern scheme in this painting is very unusal and unique. The term that would be best used to describe the pattern scheme of this painting would have to be chaotic. Although the people in the painting do have humanoid features, such as ten fingers and ten toes. The facial and body parts of villagers’ are very cartoonish giving them an unreal…
|In addition, you must demonstrate your ability to interpret a simple design schema and distinguish between: Order categories |…
Cited: Cordoba, Nicolas E., and Kara Sarkis. The surveyor 's Theodolite formula. Orlando: Orange County Press, 2012. Print…
Cited: Cordoba, Nicolas E. and Kara A. Sarkis. The Surveyor 's Theodolite Formula. Orlando: Orange County Press, 2012.…
From swooping lines, to minute triangles, it never ceases to amaze me how the same tools can be used to create such different looking things. In Monet’s The Artist's Garden at Vétheuil, the artist used…