This idea about skeletons, or the hauntings and the remnants of tradition, and the bones absent of flesh, but animate and manifest, is metonymic of the larger ideas and questions Alexie grapples with in this work: that is, how can a member or a performer of a tradition negotiate the …show more content…
How can a participant in a tradition walk with the skeletons and traditions, but walk and innovate at a pace that avoids being trapped by their embrace?
My discussion of Alexie's work challenges the dogmatic and conservative insistence that, while a written, authored work can be considered a folklore text, it is not and cannot be called folklore. This essay is directed toward both scholars entrenched in the study of literary texts and to academic folklorists who insist on conventional and conservative parameters for what constitutes folklore. My aim is to articulate an approach to this particular authored text which would prevent the incorrect and casual identification of folklore in literature, as well as any preemptive