Stereotypes In Hidden Figures

Hidden Figures a box office success exemplifying the socio-political climate of modern cinematic developments in the West. With the Hollywood stamp of approval, “so to speak” this unprecedented portrayal of a not so long ago time is gaining momentum to these current matters, non-discriminatory ideas, the enduring black history month, and a social media boom of enthusiasm for LGBTQ and female empowerment. Any, who are susceptible to an enticing film predicated on social and civil movements, along side a heartwarming ending, should watch! This film facilitates hope in a time of political confusion, i.e. the construction of a wall to illustrate Donald Trump’s xenophobic approach “to making America great again!” Hidden Figures’ captivating narratives
Katherine’s contributions (and countless others) did not silence an assembly of separatists’. Their primary goal was to solidify an implicit figurative and literal border of African American citizens for white supremacists. Katherine vehemently humbles Harrison of his disapproval for her frequent absences when Katharine speaks to the distance she travels each and every time she needs to relieve herself. She expresses the burden of these prejudices, which inhibit her work, her livelihood, and her responsibility as a single mother to provide for her daughters. Notably, the scene following is a touching representation of the breaking down of racial boundaries. Harrison is spotted forcefully breaking the sign that denotes coloured and white only bathrooms and asserts, “Here at NASA we all pee the same
This film speaks to a type of liminal space occupied by African American citizens. Hidden Figures demonstrates the implicit hierarchal structure of NASA. For example, the coffee scene illustrates this enduring discrimination of those who were often restricted to coloured bathrooms, coloured wings of an institution and, absurdly, the colouring of coffee pots from white only. Hidden Figures subverts universal binaries, black vs. white, man vs. woman, etc. for example, Kevin Costner, a distinguished American actor, plays Al Harrison, the supervisor of (FIND OUT EXACT TITLE). Harrison is a Caucasian male who holds tremendous influence within NASA. However his character transcends archetypes of the patriarchal, chauvinistic white man. Harrison’s multidimensionality exposes stereotypes to the many facets of society. He represents a dichotomy, he who is both at times aloof, a hard ass and correspondingly displays moments of understanding and love for his wife and children, as well as his NASA