Film Analysis: The Black Women Hidden Figures
During the era of US racial segregation, a handful of black female mathematicians managed to break social barriers and propel the US space agency to new heights. The heroines of the story are Dorothy Vaughan, Katherine Johnson and Mary Jackson. The US involvement in World War II in 1941 opened the door to them. The country needed engineers and scientists to come up with new technologies to help planes fly higher and faster. But segregation was still a reality. There were dozens of African-Americans, both male and female, working as mathematicians and physicists for the US space program, even as they were forced to use separate bathrooms from whites, and were barred from the same restaurants and schools frequented by whites. The black women
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It’s a story of struggle and willpower, but not of individual glory. Set in 1960s Virginia, the film centers on three pioneering African American women whose calculations for NASA were integral to several historic space missions, including John Glenn’s successful orbit of the Earth. These women—Katherine Johnson, Mary Jackson, and Dorothy Vaughan—were superlative mathematicians and engineers despite starting their careers in segregation-era America and facing discrimination at home, at school, and at work. And yet Hidden Figures pays tribute to its subjects by doing the opposite of what many biopics have done in the past—it looks closely at the remarkable person in the context of a community. Directed by Theodore Melfi (St. Vincent) and based on the nonfiction book of the same title by Margot Lee Shetterly, the film celebrates individual mettle, but also the way its characters consistently try to lift others up. They’re phenomenal at what they do, but they’re also generous with their time, their energy, and their patience in a way that feels humane, not saintly. By refracting the overlooked lives and accomplishments of Johnson, Vaughan, and Jackson through this lens, Hidden Figures manages to be more than an inspiring history lesson with wonderful
It’s a story of struggle and willpower, but not of individual glory. Set in 1960s Virginia, the film centers on three pioneering African American women whose calculations for NASA were integral to several historic space missions, including John Glenn’s successful orbit of the Earth. These women—Katherine Johnson, Mary Jackson, and Dorothy Vaughan—were superlative mathematicians and engineers despite starting their careers in segregation-era America and facing discrimination at home, at school, and at work. And yet Hidden Figures pays tribute to its subjects by doing the opposite of what many biopics have done in the past—it looks closely at the remarkable person in the context of a community. Directed by Theodore Melfi (St. Vincent) and based on the nonfiction book of the same title by Margot Lee Shetterly, the film celebrates individual mettle, but also the way its characters consistently try to lift others up. They’re phenomenal at what they do, but they’re also generous with their time, their energy, and their patience in a way that feels humane, not saintly. By refracting the overlooked lives and accomplishments of Johnson, Vaughan, and Jackson through this lens, Hidden Figures manages to be more than an inspiring history lesson with wonderful