Santiago's Husband Quotes

Prompt #2: The decorations on the wall represent the faith and patience of Santiago. After putting away the equipment in his abode, he notices the pictures of the Sacred Heart of Jesus and the Virgin of Cobre. As they are relics of his wife, whom from presumably death he was long separated, he, clearly, keeps them on display as a mark of his steadfast faith in the divine and the sea. Hemingway claims, “On the brown walls of the flattened, overlapping leaves of the sturdy fibered guano there was a picture in color of the Sacred Heart of Jesus and another of the Virgin of Cobre” (Hemingway 15-16). Without a doubt, Santiago keeps them on his wall as a symbol of faith—a virtue of patience with the sea and the divine, and the belief that his misfortune in fishing will eventually be eradicated. Full of determination, he finds himself, after a stark eighty-four days of futile fishing, in the potpourri of the belief that he will be fruitful in his efforts once again. The displacement of the photograph of the wife of Santiago signifies his persistence and perseverance. After returning his equipment to their respective places, he discerns the unoccupied location on the wall where a photograph of his wife once was. Certainly experiencing an exceptional amount of anguish from the loss
Santiago ponders about those who use buoys as floats and motorboats for vehicles. Therefore, they were more modern in their technology and spoke of the sea as their enemy. Hemingway states, “Some of the younger fishermen, those who used buoys as floats for their lines and had motorboats, bought when the shark livers had brought much money, spoke of her as el mar which is masculine” (30). Depicting of the sea as male, the younger fishermen believed contesting the sea is the way to reap rewards. Using less traditional equipment, they see the sea as a rugged competition and battle him for