There is an honest innocence in much of Monet’s work that is often both its strength and its weakness. Monet very deliberately sought subjects that were amorphous by nature, such as the cityscapes shrouded in London smog, and while this lends his painting a dreamy quality that has an irresistible appeal, one feels at times that he has excluded less obvious subjects in which to find beauty. A good deal has been made by the organizers of this exhibit of the role of industrial pollution and smog on the Impressionist style of painting by figures such as Monet and Whistler, Although there is clearly some foundation for this thesis—particularly in light of the toxic conditions produced in London of that period—it seems to trivialize somewhat the deeper influences in their
There is an honest innocence in much of Monet’s work that is often both its strength and its weakness. Monet very deliberately sought subjects that were amorphous by nature, such as the cityscapes shrouded in London smog, and while this lends his painting a dreamy quality that has an irresistible appeal, one feels at times that he has excluded less obvious subjects in which to find beauty. A good deal has been made by the organizers of this exhibit of the role of industrial pollution and smog on the Impressionist style of painting by figures such as Monet and Whistler, Although there is clearly some foundation for this thesis—particularly in light of the toxic conditions produced in London of that period—it seems to trivialize somewhat the deeper influences in their