Philippine Music

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Philippine Music
Kulintang refers to a racked gong chime instrument played in the southern islands of the Philippines, along with its varied accompanying ensembles. Percussive bossed gong ensembles without a melodical gong rack, known as Agung, are played throughout most of the islands by indigenous groups (such as the Mangyan, Lumad, Batak, Tagbanwa and Aeta) as well as historically by low-land groups such as the Bisaya, Bicol and Tagalog, yet the kulintang ensembles themselves are only played by groups which were Islamized and engaged in international trade with its neighbors in Southeast Asia. The kulintang instrument itself could be traced to either the introduction of gongs to Southeast Asia from China from before the 10th century CE, or more likely, to the introduction of bossed gong chimes from Java in the 15th century. Nevertheless the kulintang ensemble is the most advanced form of music from before the late 16th century and the legacy of Hispanization in the Philippine archipelago. Harana and Kundiman

The Harana or Kundiman is a lyrical song made popular in the Philippine Islands, which dates back to the Spanish period. Composed in the Mexican-Spanish tradition, the music is characterized by a minor key at the beginning and shifts to a major key in the second half. Its lyrics depict a romantic theme, usually portraying love, passion, or sadness. In other styles of the Harana or Kundiman tradition, the music is based on a love story. Almost all traditional Philippine love songs in this genre are portrayed with poetic emotion. In the 1920s Harana or Kundiman became a much more mainstream musical style, with many popular performers including Diomedes Maturan, and Ruben Tagalog singing in Harana or Kundiman style. In this period Nicanor Abelardo popularized the kundiman by composing lovely and harmonic songs Cariñosa

The Cariñosa (meaning loving or affectionate one), is a Philippine national dance from the María Clara suite of Philippine folk dances, where the fan, and handkerchief plays an instrument role as it places the couple in romance scenario. The dance is similar to the Jarabe Tapatío. The Cariñosa is accompanied with Hispanic music, and language. Tinikling

The Tinikling is a Philippine dance which involves two individual performers hitting bamboo poles, using them to beat, tap, and slide on the ground, and against each other in co-ordination with one or more dancers who steps over, and in between poles. Rondalla

The Rondalla is performed on ensembles comprising mandolin instruments of various sizes called bandurria composed on the Iberian tradition. Other instruments including guitars, is also performed.

OPM (Original Pilipino Music)
Original Pilipino Music, now more commonly termed Original Pinoy Music or Original Philippine Music, (frequently abbreviated to OPM) originally referred only to Philippine pop songs, especially those in the ballad form, such as songs popularized in the 1970s through the present by major commercial Philippine pop music artists like Pilita Corrales,Nora Aunor, VST & Co., Ryan Cayabyab, Basil Valdez, Eraserheads, Freddie Aguilar, Rey Valera,Jose Mari Chan and APO Hiking Society. In the passage of time as well as the development of many diverse and alternative musical styles in the Philippines, however, the term OPM now refers to any type of Original Philippine Music created in the Philippines or composed by individuals of Philippine extraction, regardless of location at the time when composed. The lyrics may be in any Philippine languages or dialect. However, certain exceptions do exist, wherein foreign songs by foreign composers created specifically to be performed by Filipino singers are treated as OPMs as well. Multiculturalism advocates, and federalists often connect this to the Tagalog cultural hegemony of the capital city of Manila. Despite the growing clamor for non-Tagalog, and non-English music, and greater representations of other Philippine languages;...
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