Topics: Ignatius of Loyola, Society of Jesus, Our Lady of Guadalupe Pages: 10 (3035 words) Published: August 25, 2012
Phenomenology (architecture) From Wikipedia, the free encyclopedia
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Phenomenology is both a philosophical design current in contemporary architecture and a specific field of academic research, based on the physical experience of building materials and their sensory properties. Beginning in the 1970s, phenomenology, with a strong influence from the writings of Martin Heidegger, began to have a major impact on architectural thinking. Christian Norberg-Schulz was an important figure in this movement. A Norwegian, he graduated from the Eidgenossische Technische Hochschule ETH in Zurich in 1949 and eventually became Dean of the Oslo School of Architecture. His most important writings were Genius Loci: Towards a Phenomenology of Architecture (New York: Rizzoli, 1980) and Intentions in Architecture (1963). These books were widely read in architectural schools the 1960s and 1970s.[1] Thomas Thiis-Evensen, a follower of Norberg-Schulz, contributed to architectural phenomenology with the book Archetypes in Architecture (Oxford: Oxford University Press, 1987). Another architect associated with the phenomenology movement was Charles Willard Moore, who was Dean of the School of Architecture at Yale from 1965 to 1970. Phenomenology, generally speaking, favored an approach to design that was highly personal and inward looking. Though most phenomenologists, Norberg-Schulz, for example, were highly critical of modernism and the International Style in particular, phenomenologically-oriented architects favored the clean and the simple over the complex or the organic. The approach that was most at odds with phenomenology was that of Robert Venturi and Denise Scott Brown, who were influenced by Pop art. Though interest in phenomenology has waned in recent times, several architects, such as Steven Holl and Peter Zumthor, claim to be phenomenologists. In the 1970s, the School of Comparative Studies at the University of Essex, under the influence of Dalibor Vesely and Joseph Rykwert, was the breeding ground for a generation of architectural phenomenologists, which includes David Leatherbarrow, professor of architecture at the University of Pennsylvania and Alberto Pérez-Gómez, professor of architectural history at McGill University. Architect Daniel Libeskind also studied at Essex in the 1970s. Present-day architectural phenomenology has widened its scope to include theorists whose modes of thinking are bordering on phenomenology, such as Gilles Deleuze and Henri Bergson, and Paul Virilio (urban planner). Notable architects of this academic movement include:

* Christian Norberg-Schulz
* Peter Zumthor
* Caruso St John
* Steven Holl
* Juhani Pallasmaa
* Daniel Libeskind

Phenomenology is the study of structures of consciousness as experienced from the first-person point of view. The central structure of an experience is its intentionality, its being directed toward something, as it is an experience of or about some object. An experience is directed toward an object by virtue of its content or meaning (which represents the object) together with appropriate enabling conditions.

Phenomenology as a discipline is distinct from but related to other key disciplines in philosophy, such as ontology, epistemology, logic, and ethics. Phenomenology has been practiced in various guises for centuries, but it came into its own in the early 20th century in the works of Husserl, Heidegger, Sartre, Merleau-Ponty and others. Phenomenological issues of intentionality, consciousness, qualia, and first-person perspective have been prominent in recent philosophy of mind.


Architect Steven Holl chose "A Gathering of Different Lights" as the guiding concept for the design of the Chapel of St. Ignatius. This metaphor describes Seattle Universitys mission and it also refers to St. Ignatius...
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