* sculpture in the round – sculptured on all sides – to be viewed from any angles. Detached from a background.…
By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…
Bibliography: 1. Ada Cohen and Steven E. Kangas, Assyrian reliefs from the palace of Ashurnasirpal II: a cultural biography, 2010, 47.…
| Barbara Hepworth “Two Figures” The sculpture similarity to the standing forms of King Menkaure and his Queen.…
the colorful feathers & symbols on the side of the tale/desk are flat. symbols on the side of table represent something that only the indigenous people could understand…
The Geometric Krater is a magnificent piece of Greek Art. In the eight century, vase painting became very popular. The vases show a great show a great variety of style and development over the centuries, beginning with the geometric and very linear style. They then continued through the oriental style which borrowed images from the eastern world, and into the classical era with mythology portrayed with as much classical accuracy as the ancient Greek potters and painters could muster. The majority of the vases were made of a ceramic material which could easily be used for everyday uses, however in this time, the artists would then paint on them in order to decorate them and make them ornate enough to be used for cultural or ceremonial uses such as grave markers. The Geometric Krater is a prime example of the vase painting movement in Greek art.…
In the Archaic period, the Greeks developed a monumental stone sculpture for the representation of life-size, nude, young men (kouroi) and life-size, clothed, young women (korai). The kouroi, which were evidently made to serve a funerary purpose at a gravesite, emulate the frontal pose of standard Egyptian statues, but, over the course of the sixth century, are carved with increasingly more realistic anatomy. Faces, however, retain the conventional "Archaic smile" which serves to illustrate that the person is alive. Korai, shown wearing contemporary fashionable clothing, evidently stood as votive offerings in temple sanctuaries. A stylistic "sister" to the Anavysos kouros is the statue of a kore wearing a peplos, a simple, long, woolen belted garment that…
When one hears the term sculpture in the round they might think of a circle or sphere. Sculpture in the round truly just means an object that can be viewed from all sides. In the margin is an example of modern day sculpture in the round that shares many attributes to Woman (Venus of Willendorf) found in Willendorf, Austria. ca. 25,000-20,000 (Sayre 5). Both statues have particularly voluptuous figures and are seemingly human. The only difference being the Venus statue is missing a head and clothing, whereas the Buddha statue is fully clothed. Although very different contexts, both figures seem to be objects of praise. The Venus figure’s praise comes more from a place of female standard of beauty, while the Buddha is from a more spiritual and religious context. To contrast, the Venus figurine is made of limestone and stands at only 4” (Sayre 5). While the Buddha figure isn’t exactly large, it is still much bigger than the Venus of Willdendorf. It is fair to say that even though there are quite a few differences between the two sculptures, their size, shape, and stature are undeniably…
Many missionaries, travelers brought Buddhist sculptures in the luggages and wanderer who carried duplicate products of famous figures from India or Asia. These items had great effective with the Chinese architecture also, which were able to help to set up shrines building in the traditional Chinese style such as the temple became a palace with grarden and gallaries (Michael Sullivan, 113). These were venerated by most of the Chinese. They made a series of temple of Buddhism and enornous figures that were be a memorial of Buddhism. They carved the roakwall to make a huge image of Buddism. Moreover, the carving was more decorated and specific design in the caves. The most suprme example of Chinese buddhism art is sakyamuni and prahhutaratna because it represent the influence on sculpture of the seeping rhythms of the painter’s brush is very precise when the air of spiriturality is continuesly enhanced by the wonderful linear elegance (Michael Sullivan, 120). Buddist architecture, sculpture, and painting were all created by China and the experssion in linear rhythm and great synthesis produced the basis of all Buddhist scupture and painting in…
This sculpture is in the round and closed. It has no back rest or support. There are no spaces in the body and the arms are very close to the sides. The pose was very formal with weight put on both legs and facing a frontal direction. The figure is stylized. His face has very large, semicircular eyes and elongated lips. Also, he has broad shoulders and a very thin waist. His fist also appears to be very large. His belt and drapery is form fitting but very rigid and does not flow freely. His body is proportional and appears to follow a grid. This might be because of the times when the king or pharaoh demanded perfection. The calf is bulky and does not show definition. The knee appears somewhat organic but is stylized at the same time. Kaipunesut is in a very rigid standing position. His hands are clenched and his arms are straight down on his sides. One of his legs is in front of the other and both knees are locked. This type of…
Ever since the beginning of time man has always had an eye for art. They have always been fascinated by what they see. For the most part art has to this day great meaning. Ranging from a person’s play toy to a sculpture opening people’s eyes to a flash back in time where Gods ruled. The art work I chose “two Statuettes of two worshipers”, from the Square Temple at Eshnunna (modern Tell Asmar), Iraq, ca. 2700 BCE. Gypsum inlaid with shell and black limestone, male figure approximately 2’6’’ high. This peace symbolizes something quite important it shows man’s transition from the wild to civilized society. These statuettes demonstrate how religion and social standings play a giant role in people’s lives and artwork.…
Many forms, including body art, painting, carved trees, rock art, bark painting and funerary poles…
6. Drawing of distorted human body such as human with animal head, animal with human head, or human without head…
Tausug carving is best exemplified by the sunduk or grave marker. Although not as stylized as those of the Samal, the Tausug sunduk are wood or stone carv-ings of geometric or floral forms. Women's grave mark-ers are flatter with carved geometric designs, those of the men are more floral. Sakayan or outriggers present yet another media for Tausug carving. Adornments are usually made on the prow and sometimes on the sambili or strips across the hull. The carvings are done either on the boat itself, or on a separate piece of wood which is then attached to the vessel. Abstract manok-manok (bird) motifs are the most common. Ajong-ajong/sula-sula are carved tips supporting the wrapped sail; the hidjuk (dark cord) on the sangpad (prow-plate) also serve as decoration. Carved saam or cross--pieces supporting the outriggers are called the mata (eyes) of the boat. Colors used on the finished carvings are yellow, red, green, white, and blue (Szanton 1973:33-47).…
Heritage- defined as anything of value from the past that provides identity to the present and inspires the future generation…