Nelson’s 2000 movie production of “O” shows differences as well as similarities to the original. The themes of jealousy, racial bias, and deceit function as structure for both. In both versions, the Michael Cassio character is goaded into a drunken state, and a brawl ensues which damages his reputation. The scarf came from Othello’s mother, and serves to bait the jealousy of O. The scarf is taken from Desi who is unaware of the fact until Othello/Oden wants her to show the scarf to him. In both narratives, the scarf passes from a female friend of Desdemona to her lover in a bedroom scene. In both stories, Iago/Hugo has no particular respect for women in general. Bianca is a courtesan; Brandi is a slut. Other name similarities include Brandon for Brabant, in both cases the father of Desdemona/Desi. Another includes Oden for Othello. The coach in “O” is called by his nickname Duke, with the Duke in Shakespeare’s version being the character who must bestow the judgment of laws and the appointment of the commander his campaign, be it the military or the basketball court. Redheaded Roger looks out-of-place among the brunette boy preppies in attendance at the Twentieth Century School, and is ridiculed by his peers. Rodrigo’s character, in Shakespeare’s version, is an overdramatic simple-minded sort, who dearly loves Desdemona, as if only he could be her puppy. Though Rodrigo’s affections seem adolescent, Shakespeare’s version includes a jealousy that Nelson’s version does not allow. The movie’s character Roger is chided as a “faggot” while Shakespeare’s Rodrigo acts like an adolescent in love, speaking of suicide at the loss of the Desdemona he never had the chance to love. The similarities between the movie “O” and Shakespeare’s “Othello” leave no question as to the heritage of this updated production.…
Othello, a tragic play where a man named Othello meets his downfall when he allows another man to play mind games with him. Since this plays tragic ending is quite famous, a movie called "Othello" was created in 1995. The director of this play wanted to not only keep the movie as close to the play as possible, but also have a unique way of getting the plays message across to the audience. The difference we see between the play and the movie is how they interpreted the character Iago and Othello by the way the director uses movie tools and Othello's ethnicity.…
OTHELLO IS ONE OF SHAKESPEARE 'S GREATEST TRAGEDIES AND CONSEQUENTLY A PILLAR OF WHAT MOST CRITICS TAKE TO BE THE PINNACLE OF SHAKESPEARE 'S DRAMATIC ART. IN RECENT YEARS, FILMMAKERS HAVE RE-CONTEXTUALIZED HIS WORKS, INTO A NUMBER OF MORE MODERN SETTINGS, IN AN ATTEMPT TO MAKE HIS WORK MORE UNDERSTANDABLE TO CONTEMPORARY AUDIENCES. ONE SUCH ADAPTATION IS GEOFFREY SAX 'S 'OTHELLO '. SET IN LONDON, IT DETAILS AN ENGLISH-BORN BLACK POLICE OFFICER, JOHN OTHELLO, A RISING STAR IN LONDON 'S POLICE DEPARTMENT, KNOWN FOR HIS INTEGRITY, MORAL PRINCIPLES AND COMPETENCE ON THE JOB. AFTER A CASE OF FALSE ARREST AND DEATH OF A BLACK MAN IN CUSTODY, HE FINDS HIMSELF PROMOTED TO THE POSITION OF COMMISSIONER OF THE DIVISION, IN ORDER TO PLEASE THE PUBLIC BECAUSE HE IS SEEN AS A STRONG LINK BETWEEN THE POOR AND REBELLIOUS PARTS OF THE COMMUNITY, WHO ARE SICK OF ALL THE POLICE BRUTALITY AND RACISM, AND THE POLICE DEPARTMENT.…
Shakespeare's is one of the most read writers ever and his writing was so successful that not just one group of people liked it. He did this by relating to his audience using universal truths. . Human emotions are not something that change over time and they are also known as universal truths; love, hate, revenge, and envy are all examples of universal truths. This play was so successful that many other movies have copied the plot but changed the scenery. Over the past 400 years since this play was written the world has changed drastically, but the emotions and feelings in this play have withstood the test of time. This is why the movies, Romeo and Juliet (1996) and West Side Story (1961) were so successful. Shakespeare's play and the two movies modeled after it have many similarities and many differences, but one thing remains constant in all of them, They all use universal truths to relate to their audiences.…
Films are made with the directors different personal opinions based on the original source. In the movie version of Romeo and Juliet (1996, Leonardo DiCaprio), the above illustrates this perfectly. For this essay, I will discuss some of the contrasts between the original play, and the film. I hope you find this essay informative.…
There are several obvious differences between Oliver Parker's motion picture version of Othello and the original work of William Shakespeare, the first of which is the amount of editing that was done by Parker for his film. As a result of Parker's revised material several differences emerge which vary from the adding of material to the diminished presence of certain characters. Symbols such as masks and chess pieces were added while the role of Emilia was greatly diminished. The clown was entirely excluded from Parker's film. More importantly however, are the broader changes in themes that this more concise version produces.…
The play Othello was written in 1603 by William Shakespeare . This book is about a jealous husband who is deceived by his close friend and kills his wife in the end. The movie the dark knight was directed by Christopher Nolan . the movie the dark knight is about a man named Batman who fights against evil to protect Gotham city. In the play Othello the character Iago has a lot in common with the Joker from the movie the Dark Knight . A famous poet W. H Auden has a definition for a villain , a motiveless malignant , and a joker. The Joker and Iago have Auden's characteristics. Iago and the Joker have many traits in common . They both have Auden's characteristics of villain , motiveless malignant, and joker…
The film begins by showing the secrecy of the marriage between othello and desdemona. They marry at night and when all are sleeping. Also scenes of them kissing as othello tells of his feelings for her to the senators. This scene helps build upon the passionate love felt between othello and desdemona. It also allows us to see his arrogance in his status and deserving of desdemona. You see how his confidence and pride are what he identifies himself with. But the expression of Iagos feelings toward othello in the film are very similar as the book version expression of it. “ I hate the moor” is clear enough, but iago is alone when he says it, so he…
Iago is presented as the villain in the tragedy, much like Richard in Richard III as Shakespeare carries out his explorations of manipulation, dramatic function and the conventional view of order, through the use of language and structure in Othello.…
Jealousy, love, hate, deception and treachery lie at the heart of William Shakespeare’s Othello, and the National Theatre’s rendition brings these themes to life in a vibrant and gripping way. This production is fast-paced, provocative, and coherent. With an ensemble that encompasses various ethnicities, Othello’s race is largely irrelevant here. Instead, the tragedy of Lester’s dignified general is that he is a military man – he loves his vivacious young wife Desdemona (Olivia Vinall), but he really doesn’t understand her, or much about life outside of tight army power structures. His insecurities make him an almost easy target for Kinnear’s dubious Iago – an edgy, chain-smoking manipulator, intent on revenge.…
‘O! Beware, my lord, of jealousy; it is the green-eyed monster which doth mock the meat it feeds on’…
My interest in Othello is drawn to the way that race and colour is presented. Shakespeare was revolutionary in his casting of a black man to be the tragic hero and a white man to be the villain. In Jacobean society and even in many societies tody, the audience would of expected to see a black man as the felon. The setting in Cyprus is dramatically significant as it is isolated in the wild frontiers of war. Away from the structured society of Venice social norms and hierarchy are not relevant allowing Shakespeare to place a Moor in a position of authority. This daring theme of a black man in power has remained controversial ever since and it wasn’t until 1833 that a black man actually played the part. The issue of mixed race relationships was especially an issue in segregated America up until the twentieth century with Othello being played with blackface till 1940. The unnatural war setting also enables Iago’s passion to be unmasked,…
Amongst life’s decisions, the most common example of poor judgment is acting on the possible rather than the probable, which was what mainly caused Othello’s tragedy in William Shakespeare’s Othello The Moor of Venice. Othello’s feelings of jealousy, Iago’s manipulation and his inferiority complex are all contributors of the plays tragedy. His decision to trust the wrong people instead of the people that were most loyal to him results into his dreadful demise.…
William Shakespeare's play Othello and Tim Blake Nelson's contemporary appropriation O both portray universal themes that are relevant to their contexts. Both composers used a variety of techniques to effectively explore various themes and values in their text. Although the values of each composer's time have changed as time progressed, many themes are still evident in both texts. These include jealousy, racism and appearance versus reality, however the techniques used by both composers that differ greatly. The themes which are common in texts - jealousy, racism and appearance versus reality - are conveyed through the use of different techniques. Shakespeare used literary devices such as imagery, soliloquies and asides to suit his contemporary Elizabethan audience. Tim Blake Nelson on the other hand, utilized a variety of film techniques such as different camera work, sound effects and editing to suit his 21st century adolescent audience. However what can be clearly seen in both texts are the values which were considered important in their owner's time period.…
1. To analyze the structural development of Othello, consider Othello’s autobiographical speeches in act 1, scene 3. Explain how Othello’s portrait of himself and his cultural background might have contributed to his manipulation of Iago.…