Clare Quilty and Humbert Humbert have a lot in common. Not only do they look alike, but they are also both artists and they are both nympholepts. From the beginning of the novel, …show more content…
“You have to be an artist and a madman, a creature of infinite melancholy, with a bubble of hot poison in your loins and a super-voluptuous flame permanently aglow in your subtle spine (oh, how you have to cringe and hide!), in order to discern at once, by ineffable signs… the little deadly demon among the wholesome children,” he explains (p 17). Since nymphets are not necessarily the prettiest girls, a nympholept has to be able to see what others cannot. Humbert prides himself in being able to see nymphets, but he keeps it to himself. “Ah, leave me alone in my pubescent park, in the mossy garden. Let them play around me forever” (p 21). Until Lolita, Humbert enjoyed admiring nymphets from a distance. He stays hidden. Quilty is impotent, so he too can only watch from a distance. However, he is much more public about it. That is where he and Quilty differ the …show more content…
While on a drive with Lolita, he is looking for somewhere to park his car in when he sees a Quilty’s “resplendent, rubious” convertible backing out of a spot (p 117). He “gratefully” slips into the gap left by Quilty (p 117). He then writes, “I immediately regretted my haste for I noticed that my predecessor had now taken advantage of a garage-like shelter nearby where there was ample space for another car; but I was too impatient to follow his example” (117). Humbert thinks he is getting a good spot, but Quilty has found a better one. This incident with the parking spot is a symbol for their relationship. Until the end, Humbert thinks he has won Lolita. He thinks he has it figured out, but throughout their journey, Quilty is always a step ahead. Lolita is secretly having a relationship with Quilty for most of their drive across the