Like Water For Chocolate Magical Realism Analysis

An oppressed soul finds means to escape through the preparation of food in the novel, Like Water for Chocolate, "A Novel in Monthly Installments with Recipes, Romances, and Home Remedies," published in 1989, written by Laura Esquivel. The story is set in revolutionary Mexico at the turn of the century. Tita, the young heroine, is living on her family's ranch with her two older sisters, her overbearing mother, and Nacha, the family cook. At a very tender age, Tita is instilled with a deep love for food "for Tita, the joy of living was wrapped up in the delights of food" (7, Esquivel). The sudden death of Tita's father, left Tita's mother's unable to nurse the infant Tita due to shock and grief. Therefore Nacha, "who [knows] everything about
The fluid had turned to salt and had to be swept up off the floor. This type of thing happening in the real world is not going to happen. The fluid turning into the salt was definitely a magical realism element. The mysteries of cooking are treated in Like Water for Chocolate. The magical realism has the definition of being magical and unreal. The love that Tita had for her sister's husband upon their marriage and throughout the time of their marriage lives. Tita's love never changed. It was the magical way Tita felt in her heart about the man she loved and the way she kept quiet to keep her mother happy, and not to hurt her sister's feelings about the love she had for Pedro. Love is magical any way one looks at it. Tita turned all of her feelings into cooking. The magical way of love that Tita felt went into the cake batter. As she mixed it she cried and the tears dropped into the bowl. The cake was baked, and people who ate it reflected each one's feelings toward each other. The cooking had a mystical power that seemed to have some magical realism involved because of all the strange happenings due to the
The threshold of the inner feelings of this girl was exploding. During her shower, the inner feelings of passion exploded, and flames from the passion that she was feeling caused the shower to catch on fire. In the excitement of the burning shower house, the girl ran out of the shower without any clothes, not even a towel. The magical realism was all the passion the girl had inside her that just erupted like a volcano. Tita's sister ran out of the shower while it was burning. At this time, a man riding a horse bareback came riding up and picked Tita's sister up kidnapping her. The fact that she had no clothes on was unreal itself. However, a person has to wonder where this man came from, all at once, at the right time to pick her up. It's as if the passion that the girl felt seemed to call out to this man to come and get her at this point and time. The magical realism was here in the fact that it was magical, yet it seemed so