Preview

Kongo Power Figure

Good Essays
Open Document
Open Document
602 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Kongo Power Figure
After hours of walking around the Metropolitan Museum of Art, I came across a very interesting sculpture. Failing to find anything to catch my attention in previous parts of the museum, I finally came across the Kongo Power Figure. This sculpture was located in the African art section of the museum. This sculpture caught my attention because it has hundreds of nails driven into its body. It also has a giant hole in its stomach. The nails caught my attention because it made me wonder if this sculpture is a depiction of an actual man being tortured. If it was, I cannot even imagine the great deal of pain he had gone through with all of those nails inserted into his body. The giant hole in this sculpture’s stomach caught my attention as well because it made me wonder if this was a depiction of someone swallowing something valuable and having it ripped out of their stomach. Overall this sculpture looks like a depiction of someone going through a great deal of pain. Looking at sculpture makes me feel sympathetic, it also made we want to learn why there are so many nails and a hole in it’s stomach. The Kongo power figure originated in the Democratic Republic of the Congo. It was …show more content…
The big hole in its stomach once held a bilongo, which is the attachment of medical ingredients. The medical ingredients gave this sculpture its supernatural abilities. The power figure was known for serving justice by seeking out people who didn’t follow the law and punishing them. According to the textbook, the power figure served an important public function as an impartial arbiter of justice. The 380 nails that was hammered into this figure represents a signature of an agreement two parties made. For example, if two parties agreed to end war, they would proceed to hammer a nail into this figure. If a party should break the agreement made, this figure would use its supernatural powers to punish the party that broke the

You May Also Find These Documents Helpful

  • Good Essays

    By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…

    • 391 Words
    • 2 Pages
    Good Essays
  • Good Essays

    alabaster - further adds to the impression of strength as well as creating a sense of…

    • 647 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Analysis Of Preston Smith

    • 1268 Words
    • 6 Pages

    The counterpoised stance adds an air of nobility to the “man” the great sculpture. Although from another viewing point, the sculpture looks like a monumental architecture, and you find them mostly in…

    • 1268 Words
    • 6 Pages
    Powerful Essays
  • Powerful Essays

    This work of art would be a prime example of 20th century sculpture expressionism as well as the one above. This sculpture shows an actual life size woman and man , the love and unity between a man and a woman as they lay there both with their bodies positioned very closes together to bring comfort and togetherness. The woman looks like she is asleep and so does the man and both of their knees are bent, the woman has her knee positioned up and the man has his knee positioned down and the and the mans head is on the woman’s shoulder, they are both comforting one another and their minds to be at ease as long as they are near each other.…

    • 2052 Words
    • 9 Pages
    Powerful Essays
  • Powerful Essays

    Pueblo Maiden Essay

    • 1076 Words
    • 5 Pages

    The body of the figure is long and oval shaped. The body of the sculpture is the largest part of the figure. The shoulders are rounded and there is a long oval indentation that resembles a neckline for a dress. Where the neckline is exposed, there is a layer that covers the figures breasts and appears to be similar to an undergarment for the dress that the sculpture is wearing. On the right side of the…

    • 1076 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    Statue of Kouros

    • 786 Words
    • 4 Pages

    The Statue of a kouros represents a Greek male. With one foot forward, the statue at the same time, represents movement and is able to stand on it own. This also gives the over life size figure, visible weight. In this early figure, geometric forms seem to predominate, and anatomical details, such as the chest muscles and pelvic arch, are presented with somewhat of exaggerated lines. Although the exaggerated lines show where these muscles belong, the detail is still missing. Looking up and down this nude body, at this miss proportioned and lacking of detail body, the hair is what grabs my attention. The hair is carved with detail not noticeable in the rest of the body. As well, although the fists are clinched and still bonded to the body, the legs and elbows are separated. The ability to move around and inspect the statue makes a big difference than if it was up against a wall, or just looking at its picture. The legs, which support the weight of the statue, have a visible strength which is seen in the knees. The head is what carried the most detail, the ears although to far back, are intricately designed. It is the ability to walk around the entire statue that allows me to see the different aspects and places where attention to detail was placed.…

    • 786 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Mongolian Octopus

    • 364 Words
    • 1 Page

    What message do you think the artist was trying to portray by putting a human head…

    • 364 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    This piece called the Funerary monument of Flavius Agricola was a large marble piece that is categorized as a piece of ancient art. This was depicted as a man being served at a party on a diner lid. This was a piece made out of white marble with scratchy black and brown lines that went in a vertical direction. Those black and brown lines also give it a visual texture of movement and realism. Since the man is lying in a half seat perspective you see the horizontal lines of his leg and his body. This is countered with the vertical lines of the man’s robe which I feel gives the piece it main detail. He has one knee bent upward where the rope become wrinkly and the other leg that is flat and cross under his upward leg. On his bottom leg you can tell the robe was stretch out because his knee and most of his thigh there are no wrinkles. He has a simple torso and a simple face that is detail but not highly detailed. The lid he is sitting on is fairly big but it is not overwhellming big where it takes away from the actual purpose of the piece. The man I not life size but it is a big sculpture that has equal scale to the background piece. The first thing that I was attracted to was the size of it I like big giant art and this was one of the bigger pieces in the ancient art sections. The other thing that attracted I was how he was described I felt this was a man that was just relaxing and enjoying life. I felt he had no worries in the world just him and whatever he had in his bowl. It was as if he was almost going to take a nap because he was at peace with himself.…

    • 1793 Words
    • 8 Pages
    Good Essays
  • Good Essays

    Norton Museum

    • 606 Words
    • 3 Pages

    When taking a trip to the Norton Museum of Art I chose a one dimensioned painting called Adam that was located on the first floor. The artist is Nicholas Carone and was painted in 1956. To the left of the painting, Adam, was another painting named Personage which was painted by Robert Mothewell in 1943. Personage is an abstract oil painting on canvas with multiple different colors. To the right of Adam was a sculpture called Sea Quarry and was created by Theodore Roszak. The sculpture was not an obvious choice that it was a sea animal at first. I had to stand there for a minute and really look at the sculpture to being to see what it was really intended for the sculpture to be. Returning to my original choice, Adam by Nicholas Carone, it is also an oil painting done on canvas. Carone first started with a plane black picture and continued to manipulate it with white paint color and other lines using different thick and thin brushes. The picture was made to represent and recreate light and shadow but is opaque. It uses several different elements of art including color, value, line, shape, and space. “Adam”s composition is curved lines and is known as an Abstract Expressionism type of art.…

    • 606 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Congo Power Figures

    • 985 Words
    • 4 Pages

    According to Annenberg Learner, a nkisi “begins with a wooden sculpture, often anthropomorphic or zoomorphic in shape.” However, some nkisi can be made from pottery or vessels (Harris).These power figures are made by the Kongo people or Yombe who live in the area that has began to be known as the Democratic Republic of Congo (“Power Figure”). While there no certain beginning of construction date has ever been set, Europeans have “encountered” these power figures “during expeditions to the Congo as early as the 15th century” (Harris). These figures have continued to be constructed through time even to the late 19th century. During the 19th century, Christian missionaries seized and destroyed some of these figures, calling them objects of “sorcery”…

    • 985 Words
    • 4 Pages
    Better Essays
  • Good Essays

    Goddess Wadjet

    • 969 Words
    • 4 Pages

    I visited the Los Angeles County Museum of Art and although there were countless art pieces that I enjoyed viewing. The one that really stood out to me and caught my attention was an interesting piece that was the Figurine of the Goddess Wadjet. She was created sometime between 664-525 BCE during the twenty-sixth dynasty. The Goddess Wadjet was known to be the protectress and what is also considered a tutelary deity of Egypt. The Wadjet figurine is a small statue that could easily be carried standing at a mere 13 inches tall, the figure stands with one foot slightly ahead than the other perhaps representing such importance and power. She displays a posture of dominance. With her lioness head and sun disk headdress which represents the sun god, Ra and in front of her disk lies a cobra. Which sometimes she is referred to as the cobra goddess. In my opinion this piece was more of devotional work. The reason why I say that is because the symbolism behind the Goddess Wadjet is that she was a goddess of protection. The way that I feel this piece affects me being in the twentieth century is that I have always been extremely impressed by the gods and goddesses that were a large portion of Egypt’s beliefs and I associate them with the saints that I was raised to believe in as a child. For example St. Michael is a saint of protection. It is known to protect others from harm and evil. This sounds very familiar to what Goddess Wadjet stands for. The goddess demonstrates a lioness head and displays a position of protection and on guard.…

    • 969 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The subjects featured in the artwork are Pharaoh Menkaure and Queen Khamerernebty. At first glance, the part of the sculpture that seems to stand out the most are the heads of the pharaoh and the queen. The faces and headdress appear more detailed than the rest of their bodies and have a sharper quality to them than the smoothness of the bodies. Of course, seeing the image at a different angle or under a different light could potentially make other areas of the sculpture stand out more.…

    • 777 Words
    • 4 Pages
    Good Essays
  • Good Essays

    When looking at Kara’s artistic work one piece stuck out to me and it is Testimony #3 2005(kennethafriedman.com). This piece shows a struggle between races the devilish man on the horse is what I believe to be a white man. It looks as though he has a gun pointing to the air and the man in front of the horse is what I believe to be a slave. The slave looks to be chained and shackled and depressed or sad. When looking at this piece of art I can only think that this is sad and what slave owners looked like to the slaves. The white slave owner seems to be in the shape of a devil and that’s really what he may have looked like on the inside.…

    • 1020 Words
    • 5 Pages
    Good Essays
  • Better Essays

    Art Of Benin City

    • 1714 Words
    • 7 Pages

    There is a feeling that proper sense of African history awaits a new generation which is to say, shifting away from primitivism. Stereotypical accounts of savagery are less likely to be foremost in minds of institutions and it is hoped that vivid sense of the true culture behind the making the artwork prevails. How the society lived is now sourced from research to Benin itself as in the Horniman museum in London. Its research gives oral and visual evidence a role in reflecting the plaques from Benin and properly interpreting them. In 1897 Steve and Dalton had very little true insight into what they were looking at. Statements like ‘A God, or king considered a God’ (Read and Dalton 1897 in Brown, 2008) is juxtaposed with more detailed descriptions of soldiers interacting with the Oba in the descriptive description on Plaques in the Horniman museum. How the society lived is now sourced from research to Benin itself and it uses oral and visual evidence to its role in reflecting the plaques and properly interpreting them. Reinterpretation of the art was possible due to accurate research which Steve and Dalton believed impossible due to their affinity with the accepted norms of conventional thought. Present day exhibitions now run the risk of over aestheticizing the Benin sculptures. Many feel it is a risk worth taking, if by aestheticizing it you can win the…

    • 1714 Words
    • 7 Pages
    Better Essays
  • Good Essays

    Pamela McClusky's chapter, The Fetish of the Imagination of Europe: Sacred Medicines of the Kongo from Art from Africa was a very enlightening review about African Art and its connection to the country's beliefs and medical traditions. McClusky takes us into to her day in the life as a curator for African art. She explains how she runs into at least one phone call every other month about a "fetish" from Africa. A fetish includes a wide range of objects from Africa including necklaces, bowls, bracelets and even sculptures. A fetish is not necessarily the definition as most of the western world knows it as. A fetish from Africa is an object that possesses magical powers or in fact inhabits a spirit. In this, African’s truly believe these certain objects to contain this spirituality and it is very different than what more Western people traditionally believe.…

    • 418 Words
    • 2 Pages
    Good Essays