Although the chapters are placed in chronological order, the audience is continuously taken back in time through flashbacks. For example, “Chapter 3: The Origin of O-Ren" occurs near the climax of the film, however, it is the story of Ishii’s childhood and why she has become this rampant assassin. This collection of scenes essentially takes place in an earlier time period, and also happens to be the only portion of the movie that is depicted in anime. Flashbacks are also commonly utilized when “The Bride” first sets eyes on any individual involved in the attack of her wedding party, or whenever she experiences anything triggering that memory. This trigger typically leads to the ultra violence seen in the Tarantino films mentioned earlier. The presence of violence and crime as social criticism is another thematic device used in his films. Savagery, cruelty, and manslaughter are extensive elements that are established from the start of Kill Bill. Power is placed in the hands of leading assassin, Bill, as he stands over the whimpering “Bride” and asks her if she believes he is “sadistic” in the opening scene. Bill’s character is never revealed in Volume 1, however, he is clearly accredited as the man in charge; he holds the final spot on the hit list and is “The Bride’s” ultimate
Although the chapters are placed in chronological order, the audience is continuously taken back in time through flashbacks. For example, “Chapter 3: The Origin of O-Ren" occurs near the climax of the film, however, it is the story of Ishii’s childhood and why she has become this rampant assassin. This collection of scenes essentially takes place in an earlier time period, and also happens to be the only portion of the movie that is depicted in anime. Flashbacks are also commonly utilized when “The Bride” first sets eyes on any individual involved in the attack of her wedding party, or whenever she experiences anything triggering that memory. This trigger typically leads to the ultra violence seen in the Tarantino films mentioned earlier. The presence of violence and crime as social criticism is another thematic device used in his films. Savagery, cruelty, and manslaughter are extensive elements that are established from the start of Kill Bill. Power is placed in the hands of leading assassin, Bill, as he stands over the whimpering “Bride” and asks her if she believes he is “sadistic” in the opening scene. Bill’s character is never revealed in Volume 1, however, he is clearly accredited as the man in charge; he holds the final spot on the hit list and is “The Bride’s” ultimate