Preview

Kabuki Theatre

Powerful Essays
Open Document
Open Document
3665 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Kabuki Theatre
To what extent does stage design impact, influence, and enhance a traditional Kabuki theatre performance, more specifically, in the eighteenth century play Yoshitsune Senbon Zakura (Yoshitsune and the Thousand Cherry Trees) written by Takeda Izumo II, Namiki Senryû I, and Miyoshi Shôraku?

Table of Contents
Title Page………………………………………..………………………………….....…….Page 1
Table of Contents………………………………………………………………...………….Page 2
Subject of Essay………………………………...………………………………..………Page 3-10 * Introduction……………………………………….....………………………………Page 3 * Kabuki and Kabuki History……………………………………….....……………Page 3-4 * Aspects of Stage Design………………………………………………...……...…Page 4-6 * Yoshitsune Senbon Zakura and Yoshitsune Senbon Zakura History…………..…Page 6-9 * Stage Design in Yoshitsune Senbon Zakura…………………………………..…Page 9-10
Bibliography………………………………………………………………...………….Page 11-12
Evaluation of Sources…………………………………………………………….…….Page 13-17

Introduction Yoshitsune Senbon Zakura focuses on historic Genji and Heike conflict in the twelfth century due to a civil war period in Japan. The play was first performed in 1747, as Bunraku, traditional Japanese puppet theatre, however was quickly adapted into Kabuki theatre in 1748. In the 1740’s Kabuki theatre had already taken a very specific structure and form after a history filled with changes in power, revolts, and chaos. The style of theatre was easily noticed due to distinctive and elaborate make up and costumes, as well as, a very advanced stage design for the time period. In all Kabuki plays these aspects together lead to the plays success, ultimately leading up to the question of how the stage design impacts, influences, and enhances Yoshitsune Senbon Zakura (Yoshitsune and the Thousand Cherry Trees) written by Takeda Izumo II, Namiki Senryû I, and Miyoshi Shôraku.
Kabuki and Kabuki History Kabuki, literally translating into song (歌), dance (舞), and skill (伎), is known as the art of singing and dance. It is a highly



Bibliography: 2. Cavaye, Ronald. Kabuki: A Pocket Guide. Tuttle Publishing, 1993. 184 pages. Web/Ebook. <http://books.google.com/books?id=bJNsUrraYQcC&source=gbs_navlinks_s>. Encyclopedia Britannica Inc., 2012. Web. 19 Nov. 2012 <http://www.britannica.com/EBchecked/topic/309298/Kabuki>. 5. Jones Jr., Stanleigh H. (Trans. and Ed.). Yoshitsune and the Thousand Cherry Trees. New York: Columbia University Press, 1993. <http://etext.virginia.edu/japanese/kabuki/yoshitsune/kennelly-yoshitsune.html> Online Sources 2. Cavaye, Ronald. Kabuki: A Pocket Guide. Tuttle Publishing, 1993. 184 pages. Web/Ebook. <http://books.google.com/books?id=bJNsUrraYQcC&source=gbs_navlinks_s>. Encyclopedia Britannica Inc., 2012. Web. 19 Nov. 2012 <http://www.britannica.com/EBchecked/topic/309298/Kabuki>.

You May Also Find These Documents Helpful

  • Better Essays

    Schirokauer, Conrad, et al. A Brief History of Chinese and Japanese Civilizations. New York: Wadsworth Publishing, 2005.…

    • 1658 Words
    • 7 Pages
    Better Essays
  • Better Essays

    Brown, D. 1993. The Cambridge History of Japan Volume 1: Ancient Japan. [e-book] Naoki Kōjirō, Felicia G. Bock. pp. 221-267. Available through: Cambridge Histories Online…

    • 1955 Words
    • 8 Pages
    Better Essays
  • Good Essays

    The type of theatre that was used was a picture fame stage. The stage was fairly small but perfect for the production that was being put on. It was a simple theatre with a older look to it. The stage sat directly in front of the audience seating. The play space was also a little small but worked out great for the performance. The production was perfect the way it was setup.…

    • 724 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Thtr 100

    • 370 Words
    • 2 Pages

    All plays and play productions can be usefully analyzed and evaluated on the way they use the theatrical format to the best advantage and make us rethink the nature of theatrical production.…

    • 370 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Onibaba

    • 692 Words
    • 3 Pages

    Hand commences his exploration of traditional theater’s presence in contemporary Japanese horror by first comparing the two dramatic theatrical styles: Noh (originating in the fourteenth century) and Kabuki (seventeenth century). According to Hand, Noh is “characterized by its use of masks and stylization, and is more strictly a fusion of song, dance, and music, than its status as a theatrical form implies” (19). He continues to explain that Noh plays are centered on two characters: the shite (the masked principal actor) and the waki (who is never masked and exists to call his contrast, the shite, to stage and encourage him to dance. These archetypal characters in Noh style are alluded to in Shindo Kaneto’s 1964 film Onibaba, as the old woman, in true shite form, is masked after her encounter with the samurai, in this case the waki. Hand explains that Kubuki form is “…renowned for its theatricality: elaborate costumes, remarkable stage effects, virtuoso performers” (21). He also notes that Kabuki is unrealistic and often centers around highly stylized violence, noting “…(by working on) principles of symbolism and impressionism…These aspects of the form establish a distinct quality in Kabuki that is…

    • 692 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    The theatre design was an extraordinary design which revolutionized today's live theatre. There was a balcony, floor seating, trap doors on the ceiling and floor, and there was Elizabethan architecture. The crowd had a 180 degrees view of the play depending on where they were sitting. The actors had a hard time making their voices heard because of the huge theatre, the theatre sat 3,000 people. Unlike today's live theatres back then there were no stagehands or special effects like lighting. The theatre had many built in a likeness to it, in Italy, Czech Republic, Japan, Germany, and…

    • 658 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    Annotated Biblography

    • 1034 Words
    • 5 Pages

    Brown, John Russel. “Staging Shakespeare’s Plays: A Choice of Theatres.” Omni in Full Text Mega. N.p., May 2010. Web. 14 Dec. 2012. A winner of the Best Speculative Fiction novel and a visiting professor of the University of London, John Brown informs the general public of the theatre and its audience during William Shakespeare’s life. Brown says that the theatre was low to ground and it was constructed to be a three sided stage that would allow the audience to really be involved and pay special attention to the play. Brown reinforces this statement by detailing how this theatre permitted the audience to gather clues that would enhance their understanding of the play. The article offers a valid description of how the construction of the theatre really helped the audiences understand the performance.…

    • 1034 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Bernarda Alba Analysis

    • 983 Words
    • 4 Pages

    The blocking of the actors on stage was excellent, there were no mishaps or awkward movements. The transitions were handled good because scenes did not really change out that much, the only set prop that moved around were the chairs in the room that consistently stayed in the room only moving to fulfill new a purpose. The hand props they used included quilts that they were making which the then were able to use in transitioning into dance. The Choreography of the play was beautiful. The actors’ movements and singing helped to support the characters attitudes. For example, Martirio was groggy and rough in her dancing to symbolize her ugliness and how she hated her life. The music to which they sang and danced matched the time and it made sense in dramatic scenes. The happier scenes reflected a happier upbeat mood and reinforced the actions of the performers. Each character sang well and were well cast in their…

    • 983 Words
    • 4 Pages
    Good Essays
  • Good Essays

    List the performance elements and understand their role in both ritual and theatre: time, place, participants (players, audience), scenario (agenda/goal/text/rules), clothing (uniform, costume, mask, makeup), sound (speech, music), movement (gesture, pantomime, dance), and function or purpose. Can be clock or fictional time, places vary (designed to meet needs), rituals might take place in one space or they might involve a procession with portions of the ritual being performed at various places along the way, elements can be combined, ritual and theatre employ the same basic elements as other human activities do but have diff purposes in mind and choose the particular form needed 4 each element and then organize them to achieve their purpose. Rituals reflect society’s understanding of its relationships to the powers that govern its well-being and its own interrelationships (include elements that entertain and give pleasure). Much that is found in ritual, also in theatre (must be actors/directors, both use performing and viewing areas, may use same elements but the distinction between them ultimately depends on their functions).…

    • 5412 Words
    • 14 Pages
    Good Essays
  • Good Essays

    Essay On Hawaiian Culture

    • 507 Words
    • 3 Pages

    huila dancing is a complex art form, and there are many hand motions used to represent the words in a song or…

    • 507 Words
    • 3 Pages
    Good Essays
  • Good Essays

    rapidly, it may not be indicated by the script that it has changed, and was most…

    • 1033 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Our Town

    • 1272 Words
    • 6 Pages

    The stage setting is very simple. There are very few props, little scenery, and no special lighting or special effects. This is in keeping with one of the central themes, which is that the simple everyday things in life should be appreciated. It also forces the audience to focus on the characters, the dialogue and the themes of the play.…

    • 1272 Words
    • 6 Pages
    Good Essays
  • Satisfactory Essays

    I would ask the same question to you again and share your thoughts on Asian American Theatre and those issues you feel are important now based on our reading this week, your research of Asian American Theatre and the conversion with David Henry Hwang.…

    • 373 Words
    • 2 Pages
    Satisfactory Essays
  • Best Essays

    [ 14 ]. James L. McClain, Japan: A Modern History, New York: W.W. Norton and Company, 2002.…

    • 2414 Words
    • 10 Pages
    Best Essays
  • Powerful Essays

    The setting of a drama presented on stage must be adapted to the limitations of…

    • 4592 Words
    • 19 Pages
    Powerful Essays