The two sculptures I chose were The Statue of the Goddess Sakhmet and Monumental Figure. The Sakhmet statue is from the New Kingdom era, 18th Dynasty. Dated all the way back to ca. 1390-1352 B.C. in Egypt. It is made out of granodiorite. There are two identical at the museum in New York. The Monumental Figure is from the 9th century. It was found in Mexico, it is from the Mayan culture. The statue is classified as a stone-sculpture. You can find the Monumental figure in gallery 358 and the Goddess Sakhmet you can find in gallery 135 at the Metropolitan Museum of Modern Art.…
In my artwork, I created a batik landscape of Ireland, with the house on the cliff supposed to be a house similar to one on my way to church. When creating this piece, I used a piece of silk, and then dyed it with various colors, ranging from brown to green. I believe this shows the theme, as I have been to Ireland, and I have multiple connections to it, as many ancestors of mine were Irish. Also, the house in the artwork was one that I see every time I go to church. I felt the house had an older and more traditional look to it, as it was covered with dead plants, and slightly broken in. I combined both memories, and created this piece. I believe this item connects with the artist Faith Ringold, as we both used mixed media to represent something…
Works not by “Christian” artists, but evocative of Christian beliefs, should be viewed in full context. The title of “Christian art”…
ART 1/PREHISTORIC THROUGH GOTHIC ART Chapter 1: The Birth of Art 1-5 Nude Woman (The Venus of Willendorf), 28,000-25,000 B.C. 1-6 Woman Holding a Bison Horn, from Laussel 25,000-20,000 B.C. 1-7 Two Bison, 15,000-10,000 B.C. 1-9 Bison, detail of cave at Altamira, 12,000-1,000 B.C. 1-10 Spotted Horses and Negative Hand Prints, cave at Pech-Merle, 22,000 B.C. 1-11 Hall of Bulls, Left wall, 15,000-13,000 B.C. 1-14 Stone Tower, Jericho, 8,000-7,000 B.C. 1-15 Human Figure from Ain Ghazal, Jordan, ca. 6750-6250 1-16 Catal Huyuk, ca.6,000 B.C. 1-18 Landscape, Catal Huyuk, ca.6150 B.C. 1-20 Stonehenge, ca. 2250-1600 B.C. Chapter 2: The Art of Ancient Near East 2-1 Hammurabi and Shamash, detail Stele of Hammurabi, Susa, Iran, ca. 1780 B.C. 2-2…
It wasn’t until 1962, that Indiana first painted something that would one day become a world-known symbol. It began as a painting, which evolved into a different painting, which eventually evolved into various sculptures, and has now evolved into a national symbol. The original painting entitled Love was just a small work of art. The theme of the artwork, love, still meant a great deal to Indiana though. Soon, various private organizations were asking Indiana to paint various versions of Love for their own personal use. One, entitled Love is God was painted three years after the original artwork was simply stenciled words on a fading, gradient canvas. However, Indiana’s vision of what this art could turn into continued to grow, “the subject in general had been in his mind…
The specific sculpture I chose was the Venus of Willendorf. It was found in 1908 by a man named Johann Veran during an excavation at a Paleolithic site near Willendorf, a city in Austria. It is estimated that it was made between 24,000 and 22,000 BCE. The Venus of Willendorf is 11.1-centimetre high and carved out of oolithic limestone…
I chose these two drawings of Leonardo da Vinci the Head of Leda and The Vitruvian Man (http://www.drawingsofleonardo.org/) Michelangelo’s Andrea Quaratesi and The Libyan Sybil (http://www.metmuseum.org) .…
You could look at a style of art such as graffiti or performance art and see when and where it began…
How much time passed before Michelangelo was given the job to complete the abandoned block of marble?…
I choose these artworks, because they were both found in catacombs so they represent the need to hide Christianity and eventually the acceptance of Christianity. Jesus Healing the Bleeding Woman is a painting that lacks extreme detail, and indicates being rushed/not having tools (Early Christian Art and Architecture). This painting is significant because it represents how early Christians effectively told the stories of their faith and tells the story of Mark 5:25-34. The sculpture, Jesus the Good Shepherd, originally made in the Roman catacombs, became popular when Christianity was accepted and has been replicated hundreds of times since then and reminds people of Early Christian Art’s origin. This sculpture presents Christ as the good shepherd which is spoken of often in the Bible, and specifically in John 10:11. I chose these two works of art for the Early Christian Art room because I wanted to show the difference in art from when Christians were hiding and…
A significant difference between the Archaic Greek sculptures and the Classical Greek sculptures is the poses held by the statues. The Archaic sculptures poses were strictly frontal; their one leg was usually advanced whilst the other leg was drawn behind. Both sides of the body were symmetrical. They also wore the Archaic smile which, one may assume was used as a way of making the statuses appear far more humanlike Contrary, the Classical sculptures also had a four square shape yet their standing figures balance position had been altered. The axis of the body was now a long double curve and the head was positioned subtly to the one side.…
Historians feel that the first glimpses of art are not pagan, but rather ornamentation. There also seems to be no real pattern of items that can be considered Christian other than a noticeable recurrence of vines. Symbolism is seen more in the second century in public cemeteries. These works of art were rather different than the pagan art during this same time. Two examples of this would be the dove and the fish. Both of these symbols could be recognized by normal people, but were not used in pagan decoration, thus having to be brought about by some type of Christian influence. After the triumph of Constantine in around 313 A.D, came the main birth of Christian art. Examples would include art seen on the walls of Roman catacombs, also the believed figure of Christ changed from a beardless good shepherd to a bearded man. Christ also was depicted as standing or sitting with an attitude of…
As I walked into the first gallery, I saw a wood sculpture that stood in the center of the room. This carving depicted "the crucified Christ, flanked by the Virgin Mary and St. John the Evangelist with Angels holding instruments of the Passion". It was painted oak and very appealing to the eye. It stood approximately 15 feet in the air. The origin of this sculpture is unknown, but it was found in a Belgium church. This kind of sculpture usually stood at the entrance or at the center of the alter in the church facing the congregation. This image of the suffering Christ relates to the Christian ideas of suffering and Christ's salvation of all mankind.…
In this painting God is depicted as an elderly white-bread man wrapped in a swirling cloak while Adam, is in the lower left and is completely nude while sitting on a large boulder. God’s right arm is extended to impact the spark of life from his own finger into Adam whose left arm is extended in pose mirroring God. Adam appears to be completely nude sitting on what seems to be a rocky hill God and Adam’s finger are not touching which gives the impression that God is reaching out to Adam and Adam is receiving. God is surrounded by many females; they are wrapped around his whole body.…
The Protestant Reformation was one of the first times in history that the power and authority of the Pope was challenged. With the Protestant Reformation came a switch from public to private artwork. One major innovation that facilitated this change was the printing press. The printing press was responsible for the distribution of the 95 theses which is what first led to the questioning of the Popes authority. The printing press also allowed art to be reproduced, a quality that was very important to Protestants and their ability to keep artwork private within their homes.…