Clothes appear to have significant meaning in The Awakening, enough so that they are mentioned at almost every description of the characters. Edna Pontellier starts the novel fully dressed and appropriately dressed for a woman of her responsibilities, however, at her final moment, she is naked on the beach. Other women in the story also represent their ‘position’ and the way they feel in the way they dress. For example, Madmoiselle Reisz never changes her clothes. This could possibly symbolize her physical detachment from anything around her, including nature and any suppressed feelings. In contrast, Edna’s clothes represent her physical attachment to society. She sheds her clothes the way a snake sheds its skin when it is time for a new one and it does not fit into the old one any longer. Edna doesn’t feel like she can fit into society any longer. Madmoiselle Reisz, on the other hand, does not seem to have any desire to be more than what she has been given in the society in which she lives. Therefore, she does not change her clothes, because she does not feel the need for change in her life. Other characters, such as Madame Leburn always have new clothes to cover their bodies. This could, perhaps, represent the constant need to cover their sexuality as women in suppressed roles as wives and mothers. Ednas’ nakedness at the end of the novel symbolizes her freedom from any claims her children may have on her and shows how her lack of clothes is equal to her lack of ‘responsibility’, of her family and the 1890s’ society.…
The six dancers move in unison working together to again prove that this work requires everyone’s help, Duato choreographs the dancers to move into a canon working in a linear pattern across the stage to reinforce the work that needs to be done in the fields and how it takes ‘all hands’ to complete this arduous task. The group then pairs up and begins to work in male/female duos. Each duo represents different ages of the group. Starting with the older, more respected elders of the community, their movement is very tender, supportive and loving towards each other. The man lifts the woman tenderly and shows what would be a lifetime of love and support. Their costumes are similar in colour and simplistic in nature to show they are a paired couple and to…
In this piece, the colours black and red seem to represent love, passion, anger and aggressiveness. With these costumes, the women have red in their dresses so they have no way of getting rid of it. They are all dressed identically because it represents the way men used to see women; all the same as if they were only objects. The men are all dressed in different colours to show that they are all unique in some way, making them superior to the females.…
Choreographers always have an intention for their dance works, but can a dance work be complete without the aural setting to communicate the dance intention?…
It reflects to how women being described pure like gold. In the show, all the women wear…
1. He described their outfits because their pictures were posted in a lot of newspapers. In the pictures they didn’t look too bad, what the author was mostly concerned is that they both threw the ball “like a girl”. I think the author would expect them to dress different for a big ceremony like that so it may also be one of the reasons why he described their outfits.…
Hustvedt used her experience in wearing a corset as part of her wardrobe as an extra in a movie she was part of, to elaborate on the factors that fashion plays in society. Fashion is used to distinguish feminine and masculine, define social status and express one’s desired image.…
The second section is performed by the male dancers who travel across the space from side to side. This creates a linear floor pattern that conveys their daily duties of “stomping” the earth and cutting the crops.…
The spectacle begins. The opening stages present itself as a fairy tale, the first thing we see is the red drape and “Strictly Ballroom” written like it was taken straight from a Children’s classic. This technique is used to let people know they are watching a fair tale, a spectacle. The first we see of the characters is them awaiting the competition, exuberant for the coming contest. The composer shows them in the old black and white style presentation, again an idealised spectacle, a collection of image. Scot, Liz and the other couple take to floor. The composer changes the colour from a back and white fairy tale presentation to a more harsh light. This technique makes the dancers look less attractive in conjunction with over done make up and costumes. The ugliness of the spectacle manifests itself here, though the spectators (dancers included) are unable to spot this because they are taken in by the end goal, the ‘need’.…
At the beginning of the ballet, there was a large, stone fireplace on the left which provided an escape route and added to the appearance of a home. On the right was a winding, wood staircase the introduces characters and provides an exit. In the center of the stage, stood a large window with a pointed top and intricate framework. In the ballet, it opened up like a set of doors, and allowed a grand entrance for the sylph. In front of the fireplace, was the arm chair that James fell asleep in and was what started the story. Then, once the setting changed to a forest, the set changed to trees looming over the dancers. The set with the trees was darker and set a more ominous tone for the rest of the…
This is a very elegant looking gown. It consists of mainly different shades of purples. The bodice of the gown consists of a layer of tightly attached silk, covered in jewels and rhinestones. The top of the bodice has a bow shaped pattern attached. This draws your eyes to the top of the bodice. By having the bow on the top of the bodice the same material as the bottom of the gown, it shows how the designer has reused used materials in an effective way. The bottom of the gown is made of a purple shade of silk. Alex Perry has designed the bottom of this dress so that the layers are given with a multiple layering effect; make the gown look ‘fuller’. This photo has been taken with the layers…
Although the physical garments are apart in style, silhouette, fabric and other design aspects the purpose and intention behind what the clothing designs tell about the nineteenth century to present day share the same result, of the female body being…
is just a piece of cloth wrapped around their heads) and long skirts. One women is also wearing…
clothing in the play, however, is that the quality of the clothing worn by the characters does…
The issues pertaining to gender should not matter in art. Men and women are free to express thoughts and ideas through paintings, and therefore both should be equally free to express themselves through dancing. In Negotiating the Gay Male Stereotype, Katherine M. Polasek believes cultures construct “gender, the body, and movement, restricting both males and females from using and exploring their bodies in ways not deemed gender-appropriate” (Page # and fix how the quote flows with sentence). Some people ridicule males in ballet for wearing tights because it is too “feminine”. On the other hand, when comparing ballet to wrestling, swimming, or football the use of tight pants or Speedos are considered as an attire requirement. Tights enable one to possess ease of movement and less drag…