The most obvious target is Estella, the (then) little girl that, unbeknownst to Pip, never had any intention of giving Pip any attention. But Pip only saw what he believed to be a treasure that can be attained. She was “dressed in non materials, satins, and lace, and silks - all of white”(7,5,1), contrasting the darkness that Pip saw in his sister, “with [her] black hair and eyes”(3,2,1). Because the way Pip feels about his abusive sister contrasts so much with what he believes Estella to be, Dickens colors them opposites as well. He wants you to be in a pseudo-dark mood when you hear about Mrs. Joe, and you to feel hope, but with the inevitability of sadness when you hear of Estella. Dickens again uses the same feeling of darkness in Pip’s childhood when Pip stalks off into the night with the file and food for Magwitch. As he makes his way back to where the convict is hiding, he notices that his view is obscured by dark mists and fog that “[were] so thick, that the wooden finger on the post directing people to our village was invisible to me”(3,1,5). This lack of perception gives to unease to the tone, and shows that Pip is unsettled about both the stealing and the
The most obvious target is Estella, the (then) little girl that, unbeknownst to Pip, never had any intention of giving Pip any attention. But Pip only saw what he believed to be a treasure that can be attained. She was “dressed in non materials, satins, and lace, and silks - all of white”(7,5,1), contrasting the darkness that Pip saw in his sister, “with [her] black hair and eyes”(3,2,1). Because the way Pip feels about his abusive sister contrasts so much with what he believes Estella to be, Dickens colors them opposites as well. He wants you to be in a pseudo-dark mood when you hear about Mrs. Joe, and you to feel hope, but with the inevitability of sadness when you hear of Estella. Dickens again uses the same feeling of darkness in Pip’s childhood when Pip stalks off into the night with the file and food for Magwitch. As he makes his way back to where the convict is hiding, he notices that his view is obscured by dark mists and fog that “[were] so thick, that the wooden finger on the post directing people to our village was invisible to me”(3,1,5). This lack of perception gives to unease to the tone, and shows that Pip is unsettled about both the stealing and the