haute couture
Consider the historical development of Haute Couture, Ready to wear and the high Street in order to answer: Is Haute Couture still relevant to fashion today?
Couture has long stood as the modern composure between the garments as worthy collectives and the growing ideas of fashion as a procedure. For more than a century, couture has been symbolic of the celebration of costume fashion even today. It represents the mixture of fashion- the modern object that combines innovation with personal and social needs- and costume- the arts of dressmaking, tailoring, and crafts basic to clothing and accessories. In this essay, It will be discussed about how haute couture is still relevant to the fashion even today considering the historical development of Haute Couture, ready to wear and the high street. This will include when, who and how they started. This topic is educates interest in fashion because some believe that the trace of haute couture seems to be fading away since the high street has overtaken fashion. However there are designers who still apply couture in their garments. It also reveals how the history of fashion and industry has changed since it has started. I will consider the history of Haute Couture, what made it relevant in the first place, the evolution (consumers) considering ready-to-wear and the high street fashion in my argument proving that haute couture is still relevant to fashion industry even today.
Haute couture, French for "high sewing" or "high dressmaking", originally referred to the work produced in Paris in the mid-nineteenth century by Englishman Charles Frederick Worth (October 13, 1826–March 10, 1895), widely considered often either as the founder or father of haute couture as it is known today. With this tag and the talent that he possessed, Worth made his mark in the French fashion industry and he had the foresight to recognize the value of creating a “brand name” by signing his garments with the worth label. The result of this
Couture has long stood as the modern composure between the garments as worthy collectives and the growing ideas of fashion as a procedure. For more than a century, couture has been symbolic of the celebration of costume fashion even today. It represents the mixture of fashion- the modern object that combines innovation with personal and social needs- and costume- the arts of dressmaking, tailoring, and crafts basic to clothing and accessories. In this essay, It will be discussed about how haute couture is still relevant to the fashion even today considering the historical development of Haute Couture, ready to wear and the high street. This will include when, who and how they started. This topic is educates interest in fashion because some believe that the trace of haute couture seems to be fading away since the high street has overtaken fashion. However there are designers who still apply couture in their garments. It also reveals how the history of fashion and industry has changed since it has started. I will consider the history of Haute Couture, what made it relevant in the first place, the evolution (consumers) considering ready-to-wear and the high street fashion in my argument proving that haute couture is still relevant to fashion industry even today.
Haute couture, French for "high sewing" or "high dressmaking", originally referred to the work produced in Paris in the mid-nineteenth century by Englishman Charles Frederick Worth (October 13, 1826–March 10, 1895), widely considered often either as the founder or father of haute couture as it is known today. With this tag and the talent that he possessed, Worth made his mark in the French fashion industry and he had the foresight to recognize the value of creating a “brand name” by signing his garments with the worth label. The result of this
Bibliography: Pauline Weston Thomas, (2001) Haute couture, Its Meaning and Role in Fashion Today – Fashion-Era, [Online], Available: http://fashion-era.com/haute_couture.htm Ruth, L MacColl, G. and Wallace, Carol McD, (1989) In To Marry an English Lord: Or How Anglomania Really Got Started, p.68-71, Workman publishing, New York. Jessa Krick, (Oct