Preview

Cristobal Balenciaga, the Spanish Couturier

Best Essays
Open Document
Open Document
3527 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Cristobal Balenciaga, the Spanish Couturier
Cristobal Balenciaga
Biography
Balenciaga was born on January 21st, 1895 in Getaria a small fishing village located in the Basque region of Spain. During his early years he spent most of his time being an apprentice of his own mother who was a seamstress. During his teens the noblest woman of the region, the Marquesa of Casa Torres became his patron and his first client. Balenciaga was send by the noble woman to Madrid to receive formal training in tailoring; she proudly wore and showed off the results.
This opportunity gave a young Balenciaga success in his native country and made him one of the few couturiers in History who was able to design, cut and sew his creations. As Balenciaga once noted “A couturier must be an architect for design, a sculptor for shape, a painter for colors, a musician for harmony and a philosopher for temperance.” Balenciaga open branches of his boutique Eisa in Madrid, Barcelona and the fashionable seaside resort of San Sebastian. His designs were favored by the aristocracy of Spain including the Spanish royal family. The eruption of the Spanish Civil War forced him to close down his boutiques and moved to Paris. Once in Paris he opened his couture house on 10 George Avenue V; where he immediately became an instant success among the elite and joined the ranks of Chanel and Schiaparelli.
By 1939 Balenciaga was becoming a revolutionizing force in fashion with customers fighting to gain access to his collections, even during World War II his clientele risked travel to Europe to obtain his designs. His designs were very popular because the clothes he created were different than the popular, curvy hourglass shape that Dior was promoting. Balenciaga liked working with fluid lines that allowed him to alter the way clothing related to a woman’s body. He became known for his exact standards and insistence on using absolute black for his designs; it wasn’t unusual for him to attend 100 fittings a day.
Balenciaga did not use a framework of



Cited: "Balenciaga, Cristobal." Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages. Encyclopedia.com. Encyclopedia, 2004. Web. 2 June 2012. “Cristobal Balenciaga.” Angelasancartier.net. Clothing and Fashion Encyclopedia, 22 Feb. 2010. Web. 3 June 2012. Charleston, Beth Duncuff. "Cristobal Balenciaga (1895–1972).” Metmuseum.org. Metropolitan Museum of Art, October 2004. Web. 2 June 2012 Friedman, Nancy Hill, Tamara. “Cristobal Balenciaga: Fashion as Refined Art.” Ornamentmagazine.com. Ornament Magazine, Issue 34.4. 2012. Web. 3 June 2012. Hulse, Jenny. “Balenciaga: Haute Couture and Inspiration.” faculty.smu.edu. La Discreta Enamorada, 2009. Web. 3 June 2012. Mongo, Carol. “Cristobal Balenciaga… Master of Style.” Parisvoice.com. Paris Voice: The Webzine for English Speaking Parisians, 2010. Web. 3 June 2012.

You May Also Find These Documents Helpful

  • Powerful Essays

    n.p.: London, England ; New York, N.Y., USA : Penguin Books, 1991., 1991. UNIVERSITY OF MELBOURNE's Catalogue, EBSCOhost (accessed April 23, 2015). 9. Bayard, Emile. The ABC of styles.…

    • 1281 Words
    • 6 Pages
    Powerful Essays
  • Best Essays

    Miuccia Prada was born in Milan on May 10, 1949 into a family of luxury leather goods manufacturers (Craven, 2008). Throughout the 1970s she was a champion for women’s rights and infamously part of the Italian Communist Party (Craven, 2008). In 1977, she met her husband and now business partner Patrizio Bertelli, who is now the driving force behind her business (Galloni, 2010). It was not until after she finished her PhD in Political Science, and a five-year stint studying mime at the Teatro Picco, that she took over her family’s business in 1978 (Craven, 2008). By 1985 Miuccia Prada had already created her first breakthrough line: black, unlabeled, finely woven, nylon handbags that…

    • 1637 Words
    • 7 Pages
    Best Essays
  • Better Essays

    Koda, Harold. "The Chiton, Peplos, and Himation in Modern Dress". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000…

    • 1595 Words
    • 7 Pages
    Better Essays
  • Powerful Essays

    Object Analysis - Corsets

    • 2747 Words
    • 11 Pages

    I have chosen to analyse the corset. No other garment in Western history has assumed such political, social, and sexual significance. In this essay I will look at the history of the corset and how it transformed each century. I will also explore other sides of the corset; the fetishism that is associated with it, the medical implications, and its place in contemporary fashion.…

    • 2747 Words
    • 11 Pages
    Powerful Essays
  • Good Essays

    Civil War Fashion

    • 804 Words
    • 4 Pages

    Most of the designers were french and lived in France. Also thanks to the french designers during this era fashion magazines became a thing. The one lady establish Rococo fashions was Louis XV’s mistress Madame Pompadour. She had a passion for her pastel colors and the light. The happy style is how it came to be known as Rococo, and was how light stripes and floral patterns became a trend. Towards the end of the period, Marie Antoinette was one who became the leader of French fashion, as did her seamstress Rose Bertin. Extreme embellishment was her trademark, which ended up majorly fanning the flames of the French Revolution ( "Baroque/Rococo 1650-1800 | History of…

    • 804 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Who Is Coco Chanel A Hero

    • 1432 Words
    • 6 Pages

    No less than an icon in women's fashion, Coco Chanel has become one of the most widely recognized and copied designer in the business. Her clothing, made to be comfortable, elegant, and practical, stood out out among the popular and frivolous trends in the 1920’s and 1950’s. Chanel created beloved fashion line while she was alive and went down as a legend after her death. Because of the mastery of her craft she has, “become a symbol of grace, dignity, and femininity,” (Ruffat 2007). Through her turbulent upbringing as an orphan, Coco Chanel created a fashion revolution while also inspiring women.…

    • 1432 Words
    • 6 Pages
    Good Essays
  • Good Essays

    "The History of Fashion: 1900 - 1910." RSS. N.p., 8 Apr. 2008. Web. 30 Jan. 2013.…

    • 552 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Essay On Baby Booming

    • 1762 Words
    • 8 Pages

    As the economy bounced back, Paris once again took the stage as the world’s center of fashion. Haute couture was in, and it was one of the defining fashion movements of the 50s (Mendes…

    • 1762 Words
    • 8 Pages
    Good Essays
  • Good Essays

    Coco Chanel

    • 665 Words
    • 3 Pages

    Thesis Statement: The designs created by Gabrielle “Coco” Chanel inspired an entirely new concept to women’s fashion by simplifying women’s clothing while still making it fashionable.…

    • 665 Words
    • 3 Pages
    Good Essays
  • Good Essays

    paper

    • 632 Words
    • 3 Pages

    Throughout the history of women’s fashion it is known that each decade creates its own symbolic fashion statement within that time frame. The change in women’s fashion advertising is hard to go un-noticed once looked upon. In the 1940’s women’s fashion seemed to be relatively tolerable and not very difficult to strive for when it came to a women’s perspective. As opposed to today’s fashion advertisement for women; the image that “defines” beauty is what some would describe as unreachable without drastic sacrifice. The women in the image of a 1940s women’s advertisement compared to women in an image of today’s fashion could almost be described as a women that failed to make the cut in strive of todays “beauty”. If you ask me, women’s fashion advertisement has snowballed downhill since the 1940s.…

    • 632 Words
    • 3 Pages
    Good Essays
  • Good Essays

    American Leisure Class

    • 852 Words
    • 4 Pages

    The code of reputability in matters of dress decides what shapes, colours, materials and general effects in human apparel are for the time to be accepted as suitable: and departures from the code are offensive to our taste, supposedly as being departures from aesthetic truth. The approval with which we look upon fashionable attire is by no means to be accounted pure make-believe. We readily, and for the most part with utter sincerity, find those things pleasing that are in vogue. Shaggy dress-stuffs and pronounced colour effects, for instance, offend us at times when the vogue is goods of a high, glossy finish and neutral colours. A fancy bonnet of this year’s model unquestionably appeals to our sensibilities today much more forcibly than an equally fancy bonnet of the model of least year: although when viewed in the perspective of a quarter of a century, it would, I apprehend, be a matter of the utmost difficulty to award the palm for intrinsic beauty to the one rather that to the other of these…

    • 852 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    THE DEVIL WEARS PRADA

    • 2898 Words
    • 8 Pages

    When we hear the name of the movie, "The Devil Wears Prada", it may triggers you to imagine about the glory of the fashion industry. The story takes place in an urban city, New York where the heterogeneity and the trend of fashion is always created. The main characters in this movie, Andrea Sachs is a journalist who had just graduated from university and started working as the second assistant of the authoritative CEO of “Runway Fashion Magazine”, Miranda Priestly. The story mainly happens in between the two protagonists in the company with the theme of consumerism in the field of fashion and identity.…

    • 2898 Words
    • 8 Pages
    Powerful Essays
  • Best Essays

    “Art” has no innate meaning or value. What is “art” and who is an “artist” are defined by those in the art world - gallery owners, curators and academics. Discuss with reference to specific artists, artworks and/or institutions.…

    • 3246 Words
    • 13 Pages
    Best Essays
  • Powerful Essays

    Steele, Valerie. (1997) Fifty Years of Fashion: New Look to Now. New Haven, CT: Yale University.…

    • 2054 Words
    • 9 Pages
    Powerful Essays
  • Better Essays

    By originality in fashion, I'm not talking about the originality of everyday people and their fashion style, what they wear and how they wear it. I'm talking about the difficulty top fashion designers face every 6 months when they make a great effort to create a contemporary and original collection for the fashion catwalk to please brutally honest fashion critics, of magazines and of the public. The struggle of designers to create collections that must be appeal to a wide range of evaluators, and what are considered to be the toughest judges in any industry, can sometimes be enough to put principal designers such as Viktor & Rolf on strike from creating a collection every six months in Paris, 1996. However, fashion seems to have a way of repeating itself, usually, I think, every five years, yet still manage to be able to be original but with the essence of fashion already accomplished.…

    • 1708 Words
    • 7 Pages
    Better Essays

Related Topics