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Gender and Theatrical Naturalism

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Gender and Theatrical Naturalism
‘The challenge to gender stereotypes, as well as provocative statements on women’s rights, and attacks on sexual inequality are a fundamental basis of theatrical Naturalism.’
Critically analyse your chosen text with specific reference to this statement.

Naturalism and Realism are frequently interpreted in the broadest sense as synonyms, referring to an objective portrayal of daily life that appears true to the spectator or readers actual experience. (Innes,C. 2000,p2)) More attentively the terms ‘Naturalism’ and ‘Realism’ refer to a fixed theatrical movement. In 1902, the founder of the social-realism, Maxim Gorky wrote his first published play 'The Lower Depths’ in which was rewarded with colossal success by the Moscow Art Theatre. The public didn’t only get drawn to the play as a political play of misfortune and freedom but it was a way of opening the eyes of the theatre and society to show that it was capable of presenting illustration of a social conscience. This essay will demonstrate the fundamental basis of theatrical naturalism by critically analysing The Lower depths, By Maxim Gorkii, with specific reference to the challenge to gender stereotypes, provocative statements on women’s rights and attacks on sexual inequality.
The lower depth is set in Russia in nineteenth century, where women were controlled by their father or husbands on every aspect of their own lives. They were not able to vote, attend high schools or universities and were not able to hold their own passports. Higher education was unavailable right up until the 1870’s. The main career goal for a Russian woman was to marry to a wealthy man and become a housewife. The 1836 code of Russian Law stated, “The women must obey her husband, reside with him in love, respect and unlimited obedience, and offer him every pleasantness and affection as the ruler of the household.” (http://www.pbs.org/wgbh/masterpiece/anna/ei_women.html) As you can see from this ruling Russian women were truly oppressed

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