This essay is on Sam Shepards' Play "True West" it demonstrates the search for a sense of meaning to life; while also depicting the struggles faced by the brothers in attaining their American Dream"
'True West' portrays the downfall of the promised American dream; Sam Shepard demonstrates the binary oppositions between the characters of Austin and Lee - the domesticated American and the feral American. 'True West' exhibits the need for something "authentic" in a world that has forgotten its true meaning. The characters yearn for a sense of meaning to their lives as they struggle to achieve their dreams.
Passage 1 introduces a key aspect of the play; the rivalry between the brothers. Lee explains to movie producer Saul Kimmer the value of a "true to life western". The juxtaposition between what is real and what is not is exposed as Lee reinforces the "real" aspects of "contemporary westerns" "you know he has died from the death of his horse". Lee consistently reinforces the idea of a "true" western, based upon real life, this explains his own search for his dreams and what he considers real.
Passage 2 explores the sibling rivalry between the characters and their true nature is exposed. Lee attempts to write the script for his upcoming western, "I can hear it in my mind but I can't get it down on paper". Unlike Austin who was educated in an Ivy League school Lee is seen as the uneducated older brother who lacks worldly knowledge. This is demonstrated in passage 3 when he does not know who Picasso is. Lee also does not realize Austin's attempts to ridicule him "those aren't characters...those are illusions of characters...fantasies of a long lost boyhood" Austin seizes the opportunity to further mock Lee, constantly criticizing his attempts to set his life straight. Lee is not a greedy character, he has not been spoilt by worldly pleasures he explains to Austin "I'd give ya half the money". Lee's character is contrasted with Austin's; who has had the pressure and responsibility of producing a film. "You gotta come up with it now; you don't come up with a winner on your first out they just cut your head off. They don't give you a second chance you know". Lee's
Passage 1 introduces a key aspect of the play; the rivalry between the brothers. Lee explains to movie producer Saul Kimmer the value of a "true to life western". The juxtaposition between what is real and what is not is exposed as Lee reinforces the "real" aspects of "contemporary westerns" "you know he has died from the death of his horse". Lee consistently reinforces the idea of a "true" western, based upon real life, this explains his own search for his dreams and what he considers real.
Passage 2 explores the sibling rivalry between the characters and their true nature is exposed. Lee attempts to write the script for his upcoming western, "I can hear it in my mind but I can't get it down on paper". Unlike Austin who was educated in an Ivy League school Lee is seen as the uneducated older brother who lacks worldly knowledge. This is demonstrated in passage 3 when he does not know who Picasso is. Lee also does not realize Austin's attempts to ridicule him "those aren't characters...those are illusions of characters...fantasies of a long lost boyhood" Austin seizes the opportunity to further mock Lee, constantly criticizing his attempts to set his life straight. Lee is not a greedy character, he has not been spoilt by worldly pleasures he explains to Austin "I'd give ya half the money". Lee's character is contrasted with Austin's; who has had the pressure and responsibility of producing a film. "You gotta come up with it now; you don't come up with a winner on your first out they just cut your head off. They don't give you a second chance you know". Lee's