Whilst texts may be fabricated constructs of composers’ imaginations, they also investigate and direct the societal issues and standards of their period through the individuals they portray. This is clearly the case with Mary Shelley’s novel, “Frankenstein” (1818), which draws upon the rise of Galvanism and the Romantic Movement of the 1800s, as well as Ridley Scott’s film “Blade Runner” (1992), which considers the increase in the computing industry and the prevalence of capitalism within the late 20th Century. Both composers fundamentally warn us of the ominous outcomes of our desire for supremacy and uncontrolled technological development.
Written in an era of crucial …show more content…
Tyrell’s selfish nature is embodied in his greeting of Roy which is clouded with insincere cliches: “the light that burns twice as bright burns half as long” and biblical praises “look at you, you’re the prodigal son, you’re quite a prize;” he uses a calm tone to ease Roy, however such symbols are unnervingly toppled through both the foreboding Chiaroscuro of the flickering candlelight and his brutal death at the hands of his own creation. Here, Tyrell's menacing scream as Roy ruptures his eyes, a metaphor of his blind ambition, creates an atmosphere of extreme terror as responders understand how Man’s hubristic desire to achieve supremacy results in his unavoidable destruction. Scott’s warning of the dangers of such a desire is also apparent within the expansive shots of 2019 Los Angeles, displaying a dismal and tenebrous world lit by the glow of corporate advertisements, a portrayal of a desolate future controlled by