Compare And Contrast Brecht And Stanislavski
Comparing Stanislavski and Brecht’s acting techniques
Early life
Bertolt Brecht was born in Augsburg, Bavaria. On the 10th February 1898 Brecht's home life was comfortably middle class, despite his occasional attempt to claim peasant origins. Thanks to his mother's influence, Brecht knew the Bible, a familiarity that would impact on his writing throughout his life. From her, too, came the "dangerous image of the self-denying woman" that recurs in his drama. When he was 16, the First World War broke out. Fearing persecution, Brecht left Germany in February 1933, when Hitler later took power.
Stanislavski was born in Moscow on the 17th on januray 1863. Stanislavski had a privileged youth, growing up in one of the richest families in Russia, the Alekseyevs. He was born Constantin Sergeyevich Alexeyev – "Stanislavski" was a stage name that he adopted in 1884 in order to keep his …show more content…
Emotion memory-Stanislavski's 'system' focused on the development of artistic truth onstage by teaching actors to "experience the part" during performance. Stanislavski hoped that the 'system' could be applied to all forms of drama, including melodrama, vaudeville, and opera. He organised a series of theatre studios in which young actors were trained in his 'system.' At the First Studio, actors were instructed to use their own memories in order to express emotion.
Stanislavski soon observed that some of the actors using or abusing this technique were given to hysteria. He began to search for more reliable means to access emotion, eventually emphasizing the actor's use of imagination and belief in the given circumstances of the text rather than her/his private and often painful
Early life
Bertolt Brecht was born in Augsburg, Bavaria. On the 10th February 1898 Brecht's home life was comfortably middle class, despite his occasional attempt to claim peasant origins. Thanks to his mother's influence, Brecht knew the Bible, a familiarity that would impact on his writing throughout his life. From her, too, came the "dangerous image of the self-denying woman" that recurs in his drama. When he was 16, the First World War broke out. Fearing persecution, Brecht left Germany in February 1933, when Hitler later took power.
Stanislavski was born in Moscow on the 17th on januray 1863. Stanislavski had a privileged youth, growing up in one of the richest families in Russia, the Alekseyevs. He was born Constantin Sergeyevich Alexeyev – "Stanislavski" was a stage name that he adopted in 1884 in order to keep his …show more content…
Emotion memory-Stanislavski's 'system' focused on the development of artistic truth onstage by teaching actors to "experience the part" during performance. Stanislavski hoped that the 'system' could be applied to all forms of drama, including melodrama, vaudeville, and opera. He organised a series of theatre studios in which young actors were trained in his 'system.' At the First Studio, actors were instructed to use their own memories in order to express emotion.
Stanislavski soon observed that some of the actors using or abusing this technique were given to hysteria. He began to search for more reliable means to access emotion, eventually emphasizing the actor's use of imagination and belief in the given circumstances of the text rather than her/his private and often painful