Jess is from a strict Indian silkh family who expectations are high for both jess and her sister pinky. The director of bend it like Becham explores the experiences of coming of age by showing challenges with her culture. Jess wants to play football professional but her family and culture disapproves of this idea and has to go by her parent’s values. The point of view shoot from babaji’s perspective and the quotation “ you can become a fine doctor and solicitor now “ this show the expectations and values of the family and culture.…
Aparna is a traditional Bengali housewife that had been transplanted to the United States. When the story begins, the reader can’t help but to feel sorry for the loneliness that Aparna must be feeling. She is in a country which thrives on a culture that is very different from the one which she is familiar with. Her husband is engulfed by his work and Aparna is left to entertain herself daily. She has few friends in the United States and nothing to occupy her time. Lahiri writes “…I would return from school and find my mother with her purse in her lap and her trench coat on, desperate to escape the apartment where she had spent the day alone.” As the plot continues, the reader is given hope…
She fights against her father and Gerald’s views and stays firm in her own which is something a woman in the 1920s would not do, highlighting her representation of socialism and equal rights to everyone. She shows great maturity in Act 2 after the Inspector interrogates her. She is compliant to talk to him showing both her guilt and naivety, and after this she advises her parents and Gerald to do the same as she has realised that the Inspector has another agenda. “…can’t you see […] you’re making it worse?” She also shows extreme remorse and understanding of her actions unlike her mother, which shows she is more than a shadow of her mother and is becoming her own person. She becomes more serious and no longer jokes around with her family, but acts hysterical, understanding the seriousness of the situation and in how much danger she could potentially be. Through this she is a voice of guilt and rationality, guiding the others, including the Inspector during the interrogation. “Go on, Mother. You might as well admit…
Similarly, the main conflict Jess faces is her love for soccer versus her family’s expectations. Soccer is everything to Jess and she does anything to play, even if it means lying to her family, which she does begrudgingly. Once she is given the chance to play competitively she realizes that she has what it takes to be a professional soccer player, and she wants to secure her chance. The conflict is her family’s expectations. Her family doesn’t want her to play the sport she loves because she is a woman. In her family’s culture, women are confined to the home. Her family believes that her only duty is to find a suitable husband, not play a silly sport. Due to this, Jess is torn between rebelling against her family’s decisions, but she also doesn’t want to miss her once in a lifetime opportunity to do what she loves.…
Some of the Lady Jessica’s life changes seem natural to the human experience. The lady Jessica naturally changes the way she interacts with her son Paul. She slowly allows her son to make decisions on his own and holds her tongue more as he matures. Although the way her son is changing is unnatural in the normal world, the way she reacts lets the reader connect with her as a mother letting her son make decisions on his…
embarrassing, shocking and sad. In this book, her parents and their lifestyle were the prime…
Jessica is a farm girl who has a big family and tons of responsibility. Jessica works hard every day to acquire friends and to manage her time, which helped her participate in school actives and functions. One thing Jessica dreamed for was to try and be as normal and similar as other kids. Jessica believed she wasn't normal, because of how different her day to day routines were compared to other kids her age. So she pushed so hard to fall into the status of what she thinks is normal.…
By examining the beginning it’s evident that the Indian’s rely heavily on trying to carry out their traditions. The story begins with a very sick mother in the hospital and her daughter Lucie…
With Tea Cake, Janie realizes that he loves her for who she is including her values: adventure, love, and a yearning for happiness. She discovers that she “done lived Grandma’s way” and now “means tuh live” her own life (114). Janie realizes that her “own mind had tuh be squeezed and crowded out tuh make room” for Joe’s when he dictated her every move (86). Janie learns not to let others decide what is significant to her. Only she can decide that.. Tea Cake tells Janie to “have duh nerve tuh say what you mean” (109). He loves Janie and respects her, but above all else, he is the first person to accept Janie and not impose his own values on her. She and Tea Cake “joked and went on” (98), and he let her do so without degrading her in the way Nanny, Logan, or Joe may have. Instead, Tea Cake accepts her for all her strengths and despite her flaws, does not want Janie to change anything about herself especially her resolve to follow what her heart tells her is important. Tea Cake wants Janie to show who she truly is by letting thoughts and emotions be known instead of hiding herself away from others. After Tea Cake’s death, Janie becomes aware of the reason to why she loved Tea Cake. No one treated her as Tea Cake had. Through Tea Cake’s acceptance and encouragement of Janie to be her…
Both sisters, who were born in India, moved to the United States to receive a college education. While in America, Mira kept her Indian culture by marrying an Indian man and staying a legal immigrant to the US to stay true to her culture. Bharati decided to become an American citizen and even marry a Canadian-American man. The decision to choose which culture to adapt to impacted the girls lives in two different ways. Bharati had to deal with what her family would think because she was marrying a white man, but she was able to transform her identity and experience another culture. “America spoke to me—I married it—I embraced the demotion from expatriate aristocrat to immigrant nobody, surrendering those thousands of years of ‘pure culture,’ the saris, the delightfully accented English. She retained them all” (Mukherjee, 71). Bharati let everything she grew up learning, be pushed to the side so she could adapt and try to be part of the American culture and she was fine with that. However, her sister, Mira, symbolized the people who stayed “rooted in one job, one city, one house, one ancestral culture, one cuisine, for the entirety of their productive years” (Mukherjee, 71), meaning that she stayed true to her Indian roots and did not experience and adapt to the American culture, even though she was living in the United States. Even though they both experienced the hardships of being immigrants, the two sister’s views on life are much different because one had adopted another country's culture, while the other one had stayed true to her original…
Jess at this point had emotions of fear, confusion, and sadness that distraught his thoughts. He also felt guilty because he cannot tell his mother that he called out to her in the church, instead of Stump. Jess fears to tell his mother the truth about seeing Stump, because he knew not to be spying on…
During the movie there were few solutions for these conflicts. By the end of the movie a solution was finally reached. Jess's and Jules's problem were both solved at the same time when their parents met at Jess's sister's wedding. The conflicts was all brought affront of a crowd forcing them to face them. Jess's dad and mom then understand they were not protecting their daughter but holding her back from a promising future by not allowing her to play soccer. At the end Jules finally found out why her mom was acting so weird, and then she…
After a meeting with her father, he agreed to hire more people for the farm and allow his kids to experience life by their own choices. Jessica established a manageable routine to allow herself to go to school, work and still complete her farm duties. Jessica’s future carried her to college but after she realized she was attempting so hard to fit in with her peers to have a social life, that she would always be different. Jessica’s peers lacked the potential she carried with her and her farm girl days.…
Jay remarks that, “[He] was born in Uganda. Uganda has been [his] home, [his] country. To which [he] had the utmost loyalty and love.” While, the audience hears and sees Jay saying this the camera pans from looking down at the letter he is currently writing, up to the window. Outside is the parking lot of the motel—it is not a glamorous sight, it is just a parking lot. The camera cuts back to Jay and the audience sees him still staring out the window, commenting on how much he loves Uganda. The image cuts to a shot of (what the audience can assume to be) a field in Uganda. As the camera pans, we the audience can feel Jay’s longing for his home country, he wants to return home. In Jigna Desai’s book Beyond Bollywood, she argues, “Many south Asian diasporic films depict yearnings for the homeland, it is rarely the protagonist that is depicted as longing nostalgically. These narratives encode diasporic affiliations primarily through the difference of generation, associating nostalgia with middle-age first generation migrants,” (70). This is depicted the situation within Mississippi Masala perfectly. Jay is the middle-age migrant longing for his family and him to return to Uganda. While, Meena is happy in America and adapting her Indian, African culture within the Western…
As the film continues Josie mistakably meets her father for the first time. The composer uses a mid-shot to change our perspective on the situation. The shot is taken where Josie stares into the mirror touching her face.…