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|Course Syllabus |
|Huston-Tillotson University |
| |
|English 1315 |
|Introduction to the Arts |
|Spring 2013 |
|Instructor: | |
|Meeting Time/Day: |MTWRF 8-9:15p J-M 104 |
|Required Textbook: |Sporre, Dennis. (2002). Perceiving the Arts. 10th edition. New Jersey: Prentice Hall. |
| |Additional readings may be distributed on e-Racer |
|Other Materials: |IMAGINATION |
| |Tickets for events and parking fees at museums & events |
| |A notebook with pockets for a performance and art review journal |
| |Flash-drive for media storage |

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|COURSE CONTENT |
|Introduction to the Arts is an interdisciplinary, multi-genre course designed to introduce students to a variety of arts, including |
|architecture; painting and sculpture; cinema and photography; dance and theater; and literature and drama. We will especially |
|consider the visual arts, performance arts, and literary arts. |
|In this course, students are required to attend professional performances and gallery presentations, participate in the creation of |
|art, and develop aesthetic ways of understanding and expression. We will also discuss functions of art in society and the politics of|
|art. |
|Students will also try their hand at several forms of art, culminating in their own individual Art Sketchbook and Project Showcase. |
|COURSE GOALS |
|The purpose of arts education is not to produce more artists, though that is a byproduct. The real purpose of arts education is to |
|create complete human beings capable of leading successful and productive lives in a free society. – Dana Gioia, past Chair, National|
|Endowment for the Arts |
|Through this course, students will |
|Gain a fundamental understanding of aesthetic ways of knowing; |
|Become familiar with the characteristics of a variety of art forms; |
|Develop awareness of art as a cultural product and producer; |
|Recognize the arts as a means of human expression and communication; |
|Experience the arts through creation and participation in artistic production; |
|Experience the arts through attendance at professional productions and gallery presentations; |
|Acquire a vocabulary that facilitates the articulation of aesthetic perceptions and understandings. |
|HT CORE COMPETENCIES |
|Effective Communication: Class discussions, presentations, and written assignments in English 1315 nurture effective communication |
|skills. We will consider the arts as media of human expression, designed to communicate, persuade, and elicit a variety of responses |
|by appealing to audiences’ senses, emotions, beliefs, and ideas. Students will practice effective communication skills as they |
|collaborate with one another in and out of class and as they compose art reviews and projects in writing and other media. |
|Analysis/ Problem Solving/Critical Thinking: English 1315 assignments require students to engage critically with interpretive problems|
|raised by art, while research assignments require students to develop effective strategies for accessing and evaluating resources for |
|the study of art. Written and verbal artistic analyses in English 1303 foster critical thinking skills. Students are asked to |
|interpret and respond critically to artworks and with cultural and social issues engaged by the arts, and to make critical connections|
|between artistic media of expression and lived experience. Student artists and artists collectives also wrestle with problem solving |
|and creative thinking in the planning, organization and marketing of their projects. |
|Ethical Reasoning and Behavior: Class discussions and assignments in English 1315 ask students to analyze cultural values presented in|
|art and to reflect on their own cultural and personal values. A component of the course will be discussions of the ethics of art, |
|such as consideration of the debates regarding art deemed socially offensive and the extent of art’s influence on social and personal |
|behaviors. |
|Understanding and Applying Science: Students in ENG 1315 will consider the role of the senses in artistic perception; beauty in the |
|natural and human world; the interplay of art and the environment and, to some extent, the science of artistic production. Our study |
|will include both photography and architecture (including landscape architecture), fields where science and art converge. |
|Efficient Use of Technology: Students will use technology to create media-assisted presentations for their group chapter, artists |
|collective presentation, and course portfolio. They will research the arts online, accessing museums, arts organizations, art history|
|and other appropriate research sites. Photography will be included in our study, and we will consider uses of media in art |
|installations, performance and online presentations. |
|Appreciation of Diversity in a Context of Global and Historical Awareness: English 1315 presents students with artworks from many |
|regions of the world in a social historical context, thus enriching historical and global awareness. This course will consider |
|cultural exchange and social forces that produce new art forms. Our study will include the art of diverse members of world societies,|
|including the art of women and non-dominant races, ethnicities, and social classes. This course focuses attention especially on the |
|contributions of African American and Chicano/a artists. We will consider folk art as well as “high” art forms. |
|Citizenship and Social Behavior: English 1315 is a student-centered learning environment. The classroom discussions require students |
|to interact with respect for different perspectives, to give audience to the thoughts of others, and to share personal ideas. The |
|study of art as media of expression and rhetorical power enhances students’ awareness of the rights and responsibilities of citizens |
|in society. |
|Aesthetics: English 1315 is a course in aesthetic appreciation and aesthetic ways of understanding. Our study will include a rich |
|array of artworks in their aesthetic contexts, and we will consider aesthetic values as culturally contingent. Our study will focus |
|on developing a vocabulary for understanding and discussing a variety of symbolic forms of human expression. |
|Wellness: An enhanced appreciation of the arts, comfort viewing and participating in arts events, and recognition of the |
|accessibility and necessity of art in human lives contribute to an overall sense of well being and help students develop strategies |
|for self-therapy and coping with stress. Our study will consider the role of the arts in emotional and physical healing. We will |
|also cover dance and acting, i.e., embodied, physical art. |
|COURSE REQUIREMENTS |
|Assignments: A detailed assignment sheet will be provided for each graded assignment. |
|Over the course of the semester, you will collect evidence of your work in this course and arts’ experiences in other aspects of your |
|life. |
|At the end of the semester, you will present a course portfolio that organizes and focuses your work for the semester. Your portfolio|
|may be material or digital. Your portfolio will include a reflective essay on your work in the course and how it demonstrates the ways|
|you obtained the course objectives and core competencies—in other words, what you have learned; |
|You will write at least three (3) three-page reviews (typed, double-spaced with 1”margins) of performance they attend or art they |
|observe this semester. The reviews will include information about the date, time, and venue of the event and will analyze the artwork|
|using terms and concepts learned from our study and the text Perceiving the Arts. One review will be on Austin visual arts (painting,|
|sculpture, architecture), one on Austin music or dance, and one on Austin theater or poetry); |
|You will keep a journal with notes on class and out-of-class activities that includes supporting documents like programs and ticket |
|stubs to provide evidence of your participation in the field trips, class projects, in-class attendance, and in at least one ENGAGE! |
|artistic activity; |
|You will participate in a individual/group presentation on a chapter from Perceiving the Arts. Your presentation should demonstrate |
|your knowledge and ability to apply key terms and concepts from the chapter, but should also include other examples of the art. |
|Presentations must occur on the date scheduled on the course calendar; |
|You will present, or perform in, your own Art Project Showcase. Throughout the class, there will be opportunities for you to create |
|your own art. |
|You will take chapter quizzes on each chapter we study in Perceiving the Arts. The quizzes will primarily cover vocabulary (especially|
|the terms you need to analyze and describe art) and may include material from class discussions or other resources, as indicated in |
|class. |
|Each student will participate in various arts activities and must participate in at least one ENGAGE! artistic activity. You will |
|document your participation in your portfolio. |
|Students requiring accommodations or special assistance with course requirements should contact the instructor as soon as possible. |
|Make-up exams and late papers: Reviews are due at the beginning of the class period of the day indicated on the course calendar. One |
|full letter grade will be deducted for each class day a review is late. Papers will not be accepted one calendar week after their due|
|dates. |
|The textbook in this class is REQUIRED. You must have your textbook by the second week of classes. You must bring your textbook to |
|class. |
|Presentations must be made on the scheduled date. Only documented excused absences will be accepted for missed presentations, and, if|
|you are absent on the date you have scheduled your presentation, you will have to change topics and do new research: no exceptions. |
|The final portfolio with reflective essay is due at the time scheduled for the final exam. Portfolios may be turned in on the last |
|class day, but they will not be accepted after the final exam date. |
|Quizzes are made up at the instructor’s discretion and only when there is documented extenuating circumstances that make your presence|
|in class on a quiz day impossible. |
|Incomplete grades: No incomplete grades will be given. You must complete the course requirements within the semester’s parameters to|
|pass the course. |
|The Learning Environment |
|We, students and instructor, share the responsibility for creating a viable learning environment. As the course instructor responsible|
|for facilitating student learning, I commit |
|to design and prepare for this course in accordance with my professional academic training, experience, knowledge, and research; |
|to communicate high expectations for student achievement; |
|to articulate clear course goals, requirements and criteria for grades; |
|to employ a variety of teaching strategies in recognition of diverse talents and ways of learning; |
|to respect students as individuals who are ultimately responsible for their college education and as adult learners who have entrusted|
|me to facilitate their development of knowledge and skills; |
|To be accessible to students through scheduled office hours, by email, and by special appointment outside of class time; |
|to hold class time as a priority, providing a valid alternative if circumstances prevent me from attending class; |
|to provide timely feedback on student work and assessments; |
|to facilitate collaborative learning and communities of learners. |
|Students share in the responsibility for creating a viable learning environment for themselves and their peers. Because adult |
|students are ultimately responsible for their learning, I expect students to commit |
|to be present and prepared for all scheduled classes; |
|to ask questions and seek understanding; |
|to have and use all textbooks and required course materials; |
|to stay informed about course policies, assignments, and due dates; |
|to participate in all on-line activities and other class assignments according to the assigned due dates; |
|to treat classmates and instructor with respect and sensitivity; |
|to be socially responsible: attending and participating in class discussions and other learning activities, engaging in collaborative |
|learning responsibly, e.g., doing an appropriate share of group work; |
|to manage study, reading and writing time wisely; |
|to uphold the ethics of academic integrity; |
|to take responsibility for personal choices that affect participation in this course. |
|Attendance is essential to your success. In this community we depend on one another to create the learning environment. Just as I |
|commit to attend class, I expect you to commit to attend class so that you can receive instruction and help one another to learn. The|
|vitality of class discussions, presentations and activities depends on your presence, preparedness and participation. Participation, |
|which includes prepared presence, figures significantly into your course grade. |
|If circumstances necessitate absence, this policy will prevail. In accordance with the HT attendance policy, after six absences, you |
|will receive a failing grade or you may choose to drop the course. After the third absence, your grade will be affected. These |
|absences include absences for any reason. If you know that you have extracurricular activities, such as sports or other university |
|activities, that will prevent you from attending class, you must count those absences among those allowed. Do not schedule |
|appointments during class. If you have extraordinary circumstances, you may have some hard decisions to make, including dropping the |
|course and taking it at another time when you can fully participate. As adult learners, you must determine your priorities and manage |
|your time. You are responsible for the decisions you make. |
|Tardiness is disruptive and discourteous. If you must enter the class late, come in silently, take a seat and explain later. You may|
|be counted tardy if you arrive after attendance has been taken or you leave the room at any time during the class period. Four times|
|counted tardy equals one absence. |
|Please attend to personal needs before you come to class. Traffic coming and going from the classroom disrupts the class environment. |
|If you urgently must leave the classroom, do so silently and return silently. |
|Cell phones are not allowed in class. If you have a cell phone on your person, turn it off or put it on silent and put it out of |
|sight. Do not text message during class. If you are concerned about an emergency situation that may necessitate receiving a call, |
|make arrangements with the instructor outside of class. Give yourself this time. |
|Learning is social. Good class discussions can be lively. You are encouraged to participate in class discussions by being prepared |
|and showing respect for perspectives that differ from your own. Likewise, you are expected to take part in group projects, to do |
|your share of the work and to encourage the best work of your classmates. It is especially important for you to be in class on days |
|your classmates are making presentations. |
|Be present, polite, prepared, and participating. |
|The Unacceptable Dress Policy prohibits the following attire: |
|Undershirts worn as outer clothing |
|Sagging pants |
|Visible undergarments |
|Revealing clothing |
|Bare midriffs |
|Too tight or too short tops and/or bottoms |
|Sleepwear |
|House shoes |
|Active wear/workout clothing in classrooms* |
|Holes, tears, cuts in clothing |
|Advertising for alcohol or tobacco |
|Clothing with offensive language, pictures, or emblems |
|Hats, caps, do-rags, or combs in buildings |
|Academic Integrity |
|Academic dishonesty is improper and is not tolerated. Academic dishonesty includes any form of cheating, plagiarism, falsification of |
|records, collusion, or giving false information to any College official. See the Honor System section of the Huston-Tillotson Bulletin|
|for complete details. |
|You must write your own papers for this class. You are encouraged, however, to seek feedback on your writing from the Writers’ Studio|
|before submitting your papers for a grade. |
|This course uses the MLA (Modern Language Association) style of documentation. If you are unfamiliar with standard documentation |
|styles (with what, whom, or how to cite) you are responsible for seeking the information from your professor or accredited sources, |
|such as a writer’s handbook or the current MLA Guide for Writers of Research Papers. |
|If you summarize or paraphrase (put information you have gained from another source into your own words), you still must document the |
|source. If you copy someone else’s words (even short phrases or single sentences), you must document your source and indicate what is|
|quoted material with quotation marks or block format (for three lines or more of quoted material.) |
|EVALUATION METHODS |
|Computation of Grades: |
|Portfolio with reflective essay..........................................................................................15% |
|Participation: journal, discussions, ENGAGE! activities, etc..………….…………...15% |
|Presentation…………………………………………………………………………….. 10% |
|Three Reviews, each 10%.…... ……….………………………………………………..30% |
|5 Quizzes……………………… ………………………………………………………...15% |
|Art Project Showcase...………………………………………………………………….15% |
|Grading Scale: |
| |A = |100-90 |
| |B = |89-80 |
| |C = |79-70 |
| |D = |69-60 |
| |F = |59 and below |

|Introduction to the Arts |
|Summer 2013 |
|Course Calendar |
|Class discussion topics are subject to change at the instructor’s discretion. Changes will be announced in class and posted on e-Racer. |
|You are required to write three review papers. There are several opportunities on the calendar to write review papers: choose three |
|different topics from the calendar (One review will be on Austin visual arts (painting, sculpture, architecture), one on Austin music or |
|dance, and one on Austin theater or poetry) for your required review papers. You may write an additional review for extra credit. |
|There are many ENGAGE! opportunities listed on the calendar. You are required to participate in at least one ENGAGE! activity (in addition |
|to the class field trips). You may participate in as many ENGAGE! activities as you like for extra credit. Document your experience in your|
|portfolio. |
|Day |Date |Topic |Assignment |
|T |6/4 |Introduction to our study of the arts; course policies and |Heads up about the required visit to the Blanton |
| | |overview |Museum of Art |
| | | |Bring your notebook and a pencil (no pens) to take |
| | | |notes. $3 per person. Parking is $3 per car. |
| | | |Note: Review Paper Due: The Visual Arts (Umlauf or |
| | | |Blanton) |
| | | |will be due Wednesday, 6/12. |
|W |6/5 |What is art? What are the arts and how do we respond to them|Read: Perceiving the Arts Chapter 1: “What are the |
| | |and evaluate them? How do the arts work in society? |arts and how do we respond to them?” |
| | |Josh Ronsen with his Mail Art. |ENGAGE! Check out the George Washington Carver |
| | | |Museum and Culture Center |
| | | |http://www.ci.austin.tx.us/carver/default.htm |
|R |6/6 |Quiz: Chapter 1 – What are the arts… |Read: First half of Perceiving the Arts Chapter 2: |
| | |Art and Race Discussion: |Drawing, Printing, Printmaking, and Photography: |
| | |Langston Hughes’s “The Negro Artist and the Racial Mountain” |Pictures (pp 19 – 30) - take notes as you read, |
| | |and Thelma Golden’s ideas on “Post-Black” art. |especially on vocabulary. |
|F |6/7 |The Visual Arts – What are they? How do we interpret them? |ENGAGE! Austin Civic Orchestra Pops Concerts |
| | |Responding to images, preview of the Blanton collection, how |Fri.-Sat., June 7-8, 8pm. [Free]. BEVERLY S. |
| | |to visit a museum |SHEFFIELD ZILKER HILLSIDE THEATER, 2206 William |
| | | |Barton Dr., 512/397-1463 www.austincivicorchestra.org|
| | | |Read: Perceiving the Arts the rest of Chapter 2: |
| | | |Drawing, Printing, Printmaking, and Photography – |
| | | |take notes on your reading, especially vocabulary |
| | | |words. |
| | | |Study for the quiz. |
|M |6/10 |Quiz: Chapter 2 – Pictures |ENGAGE! Visit MexicArte Museum, 419 Congress Avenue |
| | |Discussion on writing the Review Papers |[free]. |
| | |Art Outing – Bring paper, pencil, art supplies that you might| |
| | |like to use, camera, etc. Or, HT Art Tour. | |
|T |6/11 |Film: Radiant Child |ENGAGE! Visit Flatbed Press 2830 E MLK Blvd 78702 |
| | |Take notes in your journal for your portfolio. |Bring notes from your Blanton Visit to class |
| | | |tomorrow! |
|W |6/12 |Share notes on the Blanton |ENGAGE! Visit the Austin Museum of Art, 823 Congress |
| | |What did you discover on your survey? |at 9th St [$4 with student ID] |
| | |Film: Radiant Child cont… |ENGAGE! Discover Austin Film Society: |
| | |Take notes in your journal for your portfolio. |http://www.austinfilm.org/page.aspx?pid=183 |
|R |6/13 |Sculpture – What is it? How do we perceive it? How does it|Visit: Umlauf Sculpture Garden by June 20th. |
| | |function in society? |Students $1.00 with ID, free parking. Bring your |
| | |“How sculpture has shaped history” talk |notebook and your vocabulary to apply. |
| | | |Read: Perceiving the Arts Chapter 3, Sculpture- take|
| | | |notes as you read, especially on vocabulary |
|F |6/14 |Quiz: Chapter 3 – Sculptures |ENGAGE! Visit the Mexican American Cultural Center |
| | |Art Outing – Bring paper, pencil, art supplies that you might|http://www.ci.austin.tx.us/macc/ |
| | |like to use, camera, etc. Or, HT Art Tour. | |
|M |6/17 |Presentation: Sculpture | |
| | |Review/Check-in | |
|T |6/18 |Overview of Music |For extra credit: Read Chapter 4 Music and include in|
| | | |your portfolio an analysis of a music piece using the|
| | | |terms you learned. |
|W |6/19 |Emancipation Day: No school |WRITE YOUR REVIEW PAPER! |
| | | |Bring notes from your Umlauf Visit to class tomorrow!|
|R |6/20 |Review Paper Due: The Visual Arts (Umlauf or Blanton) |Read: Perceiving the Arts Chapter 9: Architecture- |
| | |What did you discover on your survey of Umlauf? |take notes as you read, especially on vocabulary |
| | |Architecture – What is it? How do we interpret it? How does|ENGAGE! Paramount Summer Movie Series |
| | |it function? |May 23-Aug. 29. $10 ($8, advance). |
| | | |PARAMOUNT THEATRE, 713 Congress, 512/472-5470 |
| | | |www.austintheatre.org |
|F |6/21 |Quiz Chapters 9: Architecture |Complete HT Architecture Survey |
| | |HT Architecture Survey |Assignment: Sometime over the next two days, go out |
| | | |an explore Austin (outside of the HT campus) and take|
| | | |pictures or sketch some of its beautiful |
| | | |architecture. Pieces you create should be included in|
| | | |your Art Collection, and will be shared on Tuesday, |
| | | |June 25th. |
|M |6/24 |Share HT Architecture Survey |ENGAGE! Discover Aztlan Dance –you can walk from |
| | |Presentation: Architecture |campus: it’s across the street! |
|T |6/25 |Austin Architecture Survey Due! |ENGAGE! Discover the Puerto Rican Culture Center |
| | |Cinema – What is it? How does it function in culture and |http://prfdance.org/perform.htm |
| | |society? |Read: Perceiving the Arts Chapter 6: Cinema- take |
| | |Film: Usual Suspects |notes as you read, especially on vocabulary |
| | |Take notes in your journal for your portfolio. | |
|W |6/26 |Film: Usual Suspects Cont… |Read director Steven Soderbergh‘s keynote at the 56th|
| | |Take notes in your journal for your portfolio. |San Francisco International Film Festival. Bring two |
| | | |discussion questions to the next class. |
| | | |http://www.deadline.com/2013/04/steven-soderbergh-sta|
| | | |te-of-cinema-address/ |
|R |6/27 |Quiz Chapters 6: Cinema |ENGAGE! Austin Symphony Hartman Foundation Concerts |
| | |Discuss Steven Soderbergh’s keynote speech. |in the Park |
| | | |June 2-Aug. 25, 7:30pm. [Free]. THE LONG CENTER, 701 |
| | |Tyler Perry… |W. Riverside Dr. |
| | | |www.austinsymphony.org |
|F |6/28 |Presentation: Cinema | |
|M |7/1 |Dance – What is it? How does it function in culture and |Read: Perceiving the Arts Chapter 7, Dance- take |
| | |society? |notes as you read, especially on vocabulary |
|T |7/2 | Quiz Chapter 3: Dance |Consider Art Project Showcase plans, submit |
| | |Dance Workshop/Dance Clips |ideas/plan. |
| | |How top evaluate/observe dance | |
|W |7/3 |Presentation: Dance |WRITE YOUR REVIEW PAPER! |
| | | |ENGAGE! Discover Tapestry Dance Company |
| | | |https://www.tapestry.org/index.php?pid=108 |
|R |7/4 |INDEPENDENCE DAY: NO SCHOOL |ENGAGE! BookWoman is a legendary bookstore in Austin.|
| | | |Check out their upcoming events at |
| | | |http://www.ebookwoman.com/ |
|F |7/5 |Review Paper Due: a live music or dance performance |If you haven’t already done so, start thinking about |
| | |Literature – What is it? How does it function in culture and|and working on your Art Project! |
| | |society? |READ: Perceiving the Arts Chapter 10 Literature |
| | |Free Write | |
|M |7/8 |Poetry in Performance |Read: Perceiving the Arts Chapter 5: Theater – take |
| | |Free Write |notes and pay special attention to vocabulary |
| | | |Finalize: Art Project Showcases, prepare for |
| | | |presentation |
|T |7/9 |Theater: what it is, how it functions in society & where |Prepare Art Project Showcases! |
| | |theater and poetry meet |ENGAGE! Check out the Austin Chronicle’s calendar of |
| | |Free Write |Arts events for ideas: |
| | | |http://www.austinchronicle.com/calendar/arts/ |
| | | |Study for the quiz over chap. 5 & 10! |
|W |7/10 |Quiz: Chapters 6 & 7, Literature & Theater |ENGAGE! Discover Ballet Austin |
| | |Presentation: Poetry & Theater |http://www.balletaustin.org/atb/index1112.php |
|R |7/11 |Presentations: Art Project Showcases |Read the article titled “Why Do Black Men Glamorize |
| | | |Rap Music,” published by Urban Belle |
| | | |(http://urbanbellemag.com/2010/10/why-do-black-men-gl|
| | | |amorize-rap-music.html) |
| | | |Work on Review Paper |
| | | |Work on digital portfolios and reflective essays. |
|F |7/12 |Art’s role in society discussion |Work on Review Paper |
| | |Film: 3rd Ward Houston |Work on digital portfolios and reflective essays. |
| | |Take notes in your journal for your portfolio. |ENGAGE! Little Shop of Horrors Musical in Zilker |
| | | |Park, July 12 - August 17, Thursday - Sunday evenings|
| | | |at approx. 8:30pm (free). Get more info at: |
| | | |http://www.zilker.org/ |
|M |7/15 |Review Paper Due: a live Austin poetry or theater performance|Work on digital portfolios and reflective essays. |
| | |Film: 3rd Ward Houston | |
| | |Take notes in your journal for your portfolio. | |
|T or W |7/16 or 7/17 |Final portfolio with reflective essay due |ENGAGE! Look for art all around you. |

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    1. formal and iconographic characteristics are seen in high renaissanace, venetian and mannerist paintings. to begin with, in high renaissance michaelangelos Moses is shown holding the 10 commandments. You can clearly see the anger that is dipicted through the facial expression on moses. Michaelangelo wonderfully portrays the psychological states in moses, through the iconographic characteristics of his puffed lower lip, arched toes and the bulging of his veins. the formal characteristics are seen through michealangeols mastery of lines, which help create the anger that is being felt by moses. The formal characteristic of the lining of his beard and clothing show his inner turmoil. In the venetian painting of the virgin of the rocks by Leonardo Da Vinci, the artist magnificantly uses the chiaroscuro method of light and dark to model the expression and emotional states of the figures being portrayed. The lines, soft and subtle give the painting a more intimate feeling. The figures are all shown interacting with one another, praying, pointing, and blessing. He also presents the figures in a pyramidal group and sharing the same environment. The figures emerge through the use of light and shading from the half-light of the cavernous visionary landscape. For mannerism, formal characteristics are clearly seen in Parmigianino's Madonna with the long neck. Although nothing is shown in proportion the painting still apears soft and smooth, through the lines and colors used. The madonnas long neck, the delicacy of her hands and swaying elongation of her frames are all signs of mannerism. On the left stands the angelic creatures melting with emotions as soft and smooth as their limbs. on the right the artist includes a line of columns without capitals and an enigmatic figure with a scroll whose distance from the foreground is immeasureable and imbiguous.…

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    Art History 1

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    Travelers among Mountains and Streams is comprised of several design elements. Form, leading lines, and shape. These design elements move the eye throughout the painting in a continuous interaction between the elements. Each section is well balanced and rich in content. The large mountain in the foreground sets the foundation for the painting by serving as a barrier, keeping the viewers eyes from leaving the page. The area showing the travelers moving in the stream sets a sense of motion, engaging the eye to travel through the painting. The grand scale of all the elements inspire the viewer to be transported into the realm of fantasy promoted by Northern Song painters. The painting takes on a naturalistic feel that is derived from the combination of paint, ink, and silk. The people and mules moving through the stream bring a sense of scale to the painting. They are an important element in that they are in direct comparison to the large Mountain. The helps promote the idea that there is something bigger than all of of us and that humans are somehow spiritually connected to the earth. An important idea that Northern Song Artist aspired to communicate through ere work. The painting is done in a realistic approach yet is not set in a specific place further enhancing the dream like quality meant to promote spiritual communication and enlightenment. This interpretation is about the balance between the countryside and mans attempt to conquer it brought to life in the form of a painting by Fan Kuan. In the painting the small humans are engulfed by the enormous mountains giving the effect of unattainability, yet the human spirit to conquering the elements arises out of the need explore. The human and animals traveling through the stream give the…

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    In this particular artwork by Sir Joshua Reynolds “The Lady Delme and her children” Sir Joshua Reynolds conducted his successful career during the height of the English Rococo. The Rococo style caught on in England as the country had a huge rise in middle class and wealthy merchant businessmen due to its advances and control over new colonies in the West, South and East. Reynolds was able to serve the needs of this growing middle class with his flattering elegant portraiture style.…

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    References: Sayre, H. M. (2010). A World of Art (6th ed.). Upper Saddle River, NJ: Prentice Hall.…

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    CIMABUE: Virgin and Child in Glory surrounded by six angels, c. 1280, wood, Musee de Louvre…

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    Sporre, D. J (2009). Perceiving the arts: An introduction to the humanities (9th ed.). Upper Saddle River, NJ: Pearson/Prentice Hall.…

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    The two year diploma in Business Administration will prepare you for an entry level management position. Courses provide basic business skills, a solid grounding in economics, and a foundation in calculus appropriate for advanced studies in economics and operations research. It offers a business diploma with a solid exposure to the liberal arts.…

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