Preview

Analysis Of Bengali Qawwali

Good Essays
Open Document
Open Document
1331 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Analysis Of Bengali Qawwali
Poets, compositions and performance
A Bengali qawwali team generally comprise of three to five persons. The lead singer plays the harmonium. Since the Bengali qawwali groups have less number of artists, clapping is replaced by tambourine or a small pair of cymbal. The other instruments used in Bengali qawwali are mainly Tabla, Dholak and sometimes Bulbul Tarang. The separate sitting arrangement for men and women corresponds to the traditional environment of any Islamic gathering including qawwali.
Naser has been performing Bengali qawwali for last thirty-five years. He is a quiet popular singer among the listeners of Bangla qawwali. A number of his Bengali qawwali albums, namely ‘Pir Na Khoda’, ’Belayeter Badshah Maola Ali’ and ‘Zinda
…show more content…
They are called ‘aam’ and 'khas’. The ‘aam’ concerts begin with with 'hamd’ composed in Urdu or Hindi, whereas khas concerts start with 'naat’ followed by ‘qaul’ or ‘Maula Ali’r Shaan’ mainly composed in Bengali. In his opinion, a cheap and popular form of romantic duet Qawwali is performed in aam concerts, while in Khas concerts, Qawwali is performed in its ‘pure’ form in front of the true admirers of music at the Sufi Dargahs. Khokon Qawwal explained:
“Actually, there are many types of songs popularly known as qawwali. For an example, Chhed (the popular romantic duet songs), songs used in cinemas and the songs performed in the Dargahs, all of them are called qawwali. There are audience for all types of songs.”
In a khas concert, where I was also present, Naser Jhankar began his performance with a hamd composed in Bengali. Although, the melody of the song was a cheap imitation of ‘Allah Hu’, a qawwali popularized by legendary Pakistani qawwal late Nusrat Fateh Ali Khan, the lyric is not directly translated from the original. The song is as
…show more content…
Apart from these popular tunes, the Bengali qawwals also incorporate traditional Bengali themes and tunes of Baul and Bhatiyali music. I was invited in a qawwali gathering on the celebration of urs in the Dargah of Mastan Shah Baba. The qawwals performed mostly Urdu songs. Only song in Bengali was performed by Khokon Qawwal. The song starts with a nagma (musical prelude in qawwali) followed by a short verse without rhythm. The theme of the song is very common in Indo-Persian as well as Bengali devotional

You May Also Find These Documents Helpful

  • Good Essays

    Mus 358 Indian Music

    • 975 Words
    • 4 Pages

    The piece “Devi Niye Tunai” is in kriti genre. The kriti genre is made of three major parts: Pallavi, Anupallavi, and Charanam. There are usually sections that are played before and after these three parts that make a piece that is in kriti genre sound complete, so we can say the kriti section of the piece is in the kriti genre (the whole piece). There is a section that is played before these three sections, and it is called alapana. Alapana does not have rhythm; in other words, it has free rhythm. In the alapana section of Devi Niye Tunai the singer is improvising in the Keeravani raga. She does so in order to warm up, become familiar and explore the notes in the the raga, and make herself ready for the main section of the piece which is the kriti. The alapana section can go on for even half an hour, but in the piece “Dive Niye Tunai” the singer improvises just for a few seconds.…

    • 975 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Developed by Parveen Majeed ------------------------------------------------- June, 22 2011 ------------------------------------------------- ------------------------------------------------- ------------------------------------------------- ------------------------------------------------- -------------------------------------------------…

    • 2020 Words
    • 9 Pages
    Satisfactory Essays
  • Good Essays

    The first piece composed by Muhammad ‘Abd al-Wahhab and contains instruments like the piccolo, three large tiran which are frame drums, quanun, six violins, cell, bass, piano, and the Cairo Opera choir. This piece is an example of an Egyptian strophic song with refrains called the ughniyah. It combines traditional instruments from Arab and Western parts of the world. The beginning of the piece starts with an instrumental introduction and the texture is homophonic for its very similar or exact rhythm but slightly different melodies. We first hear the frame drums, which are accenting beat 1,3,5, and 7 in an…

    • 1042 Words
    • 5 Pages
    Good Essays
  • Satisfactory Essays

    Review 2

    • 379 Words
    • 2 Pages

    After presenting to the audience their first piece the choir moved on to sing “Hakuna Mungu Kama Wewe”. This is a sacred east African worship song that is written to be sung Acapella with SAB parts. The non-syncopated piece in the major mode gave a joyful feeling to the audience with its quick pace. Unlike their first piece the choirs voice seemed like one big sound without any breaks, they were in complete unison.…

    • 379 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Serenades Film Analysis

    • 1107 Words
    • 5 Pages

    Lahore Ahmadiyya Movement for the Propagation of Islam, n.d. The Five Daily Prayers:, Ahmadiyya Anjuman Isha 'at-e-Islam, Lahore-- A.A.I.I.L, Netherlands, accessed 18 March 2014, .…

    • 1107 Words
    • 5 Pages
    Good Essays
  • Good Essays

    What are the Hurrian

    • 461 Words
    • 2 Pages

    The Natya Shastra is a written discourse on the performing arts. It is important because this document might represent the foundation of music and other fine arts…

    • 461 Words
    • 2 Pages
    Good Essays
  • Best Essays

    Christian Music Essay

    • 1388 Words
    • 6 Pages

    The musical tradition of Northern Indian Hindustani music is built on different conceptions of musical components than our traditional Western music. Notation of this music is a relatively new endeavor, starting in the 1900’s. Previously the music culture was a tradition passed down orally from a guru or a shishya. The notation of the music today is known a relatively non-standardized process with more emphasis on interval relations than on actual pitches. For example there is no concept of a “440 A” within traditional Hindustani music, rather, they rely on thaats.…

    • 1388 Words
    • 6 Pages
    Best Essays
  • Satisfactory Essays

    The music of Sudan is a much characterized genre; from traditional folk music to hip hop, but the Southern Sudanese is a style of its own. The instruments used range from keyboards, bongos, brass instruments (trumpets and trombones), shakers, cowbells, and sometimes strings and guitars. Likewise, the Cubans use the same instruments to create similar sounds created in the music of the Southern Sudanese. They create unique sounds which can compare in more ways than contrast.…

    • 455 Words
    • 2 Pages
    Satisfactory Essays
  • Best Essays

    Islamic Art: Music & Sufism

    • 2819 Words
    • 12 Pages

    The renowned scholar, Seyyed Hossein Nasr quotes a man he deeply admires, Yehudi Menuhin, who said, “Sufi music is like ladder that connects the soul to Allah.” This ultimately shows the importance that music has on Sufism. In addition, Nasr also states that there must be conditions set for each particular Sufi order to participate in the spiritual concert, or sama’. This word serves as the paramount idea relating to Sufi ideals such as love and longing for Allah and is accredited to the famous Sufi poet, Jalāl ad-Dīn Muḥammad Rūmī. Spiritual music is universal; it plays a huge role…

    • 2819 Words
    • 12 Pages
    Best Essays
  • Satisfactory Essays

    Music Thesis

    • 514 Words
    • 3 Pages

    He would not only perform Hindustani classical music but also on bhajans and folk songs. His concerts would often depend on the responses of the audience. He would wind up early if he found out that audience was dis-interested.…

    • 514 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    The male dancers wear large feathers as part of their headgear, hold an ornate and long shield in their hand with chains, beads and a loincloth called the ‘cawat’. The female dancers have an elaborate headdress, chains, beads and a ‘dress’ that reaches to below their knees with intricate weaving. Traditionally this dance was only performed by male dancers but not anymore.The dance is arranged straight lines and in a circle and does involve dramatic leaps and jumps performed by the male dancers. If the real tradition, the music if we dance ngajat we use the life music which have someone o group who play the music such as gong,…

    • 671 Words
    • 3 Pages
    Good Essays
  • Good Essays

    In his days of religious resilience, Akbar was so very much loved by Hindus that his gestures of recognition are sung in tunes.…

    • 891 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    The people of Punjab speak Punjabi language. The food of the state include roti, rice, dals and vegitables. "Sarso ka saag" and "Maki ki roti" are special food items of Punjab. The popular dress worn by the women of Punjab is salwar kameez and bright colored duppattas. The traditional dress of the men of Punjab comprises a kurta pyjama, loongi, turban and punjabi Jutti. Bhangra is the main dance of men. "Gidha" is women's dance. The main festivals of Punjab are: Dewali, Holi, Lohri, Basant Panchami, Hola Mohalla, Baisakhi and Guru Purb.…

    • 1125 Words
    • 5 Pages
    Satisfactory Essays
  • Good Essays

    Review of Khayal Darpan

    • 1491 Words
    • 6 Pages

    Khayal Darpan is well documented because it trace grounds and consequences of collapse of classical music what is named, “ ILEM-E-MOUSIQI” in movie, to it ends in very optimistic observations. Khayal Darpan raised many vital questions about culture, nationalism and legitimacy of music in Islam. Yusuf documented some of the surviving practitioners and patrons of Classical music and observed the teaching of music in several institutions. Movie starts with very grounds of “_Biathaks”_ and “_Takias__”_ in Lahore where musicians from all over undivided India performed for perfection in “ILEM-E-MOUSIQI”, with great names such as Amer Ali, Ashiq Ali, Amnat Ali, Roshanara Begum and Bade Ghulam Ali.Yusuf journey takes him to Talwandi Gharana master practitioners of Dhrupad art of music. Things however gradually changed following partition with political identities slaughtering the art, anything with names of Hindu deities were banned on radio, names of Ragas were changed and some new Ragas were also introduced in classical music. Yusuf followed the first part of documentary with…

    • 1491 Words
    • 6 Pages
    Good Essays
  • Powerful Essays

    Anchoring Script

    • 1826 Words
    • 8 Pages

    Jaisa ki Doston Hamare culture me jab koi subh kariye karte hain to hamare vighan harta ganpati Ganesh ko pratham nimatran dete hai to kyun na aaj ke fest ka aagaj ganpati ganesh ke vandna ke saath Karen.…

    • 1826 Words
    • 8 Pages
    Powerful Essays