DEFINITION OF POSTCOLONIAL CRITICISM A type of cultural criticism‚ postcolonial criticism usually involves the analysis of literary texts produced in countries and cultures that have come under the control of European colonial powers at some point in their history. Alternatively‚ it can refer to the analysis of texts written about colonized places by writers hailing from the colonizing culture. In Orientalism (1978)‚ Edward Said‚ a pioneer of postcolonial criticism and studies‚ focused on the way
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of Literary Criticisms? * New Criticism / Formalism - This type of criticism concerns itself with the parts of a text and how the parts fit together to make a whole. Because of this‚ it does not bring in any information outside of the text: biography of the author‚ historical or literary allusions‚ mythological patterns‚ or the psychoanalytical traits of the characters (except those traits specifically described in the text.) * Archetypical or Mythic – This type of criticism looks at traditional
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Douglass’s fifth of July. In J. A. Kuypers (Ed.)‚ Rhetorical criticism‚ perspectives in action (pp. 39-59). Lanham‚ MD: Lexington. F. I. Hill wrote the article The “Traditional” Perspective in 1972; later edited in 2009. This article was meant to inform readers about how to apply traditional criticism through the use of the theory of rhetoric. It was divided into two sections; the first being an overview of traditional criticism‚ and the second being the application of this in his critical essay
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the great mind‚ then‚ we may use biographical criticism as to how we may criticize such literary piece. Biographical Criticism not only determines the effect of the writer’s life on his work but also offers to help us understand both writer and his own work. Through understanding the life and influences of the author in writing‚ readers would thoroughly understand the author’s intended meaning to his work. The assumption of the biographical criticism is that the interpretation of the literary piece
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The Tempest A tragicomedy contains evil and sadness‚ but‚ in the end‚ happiness and order are victorious. A prime example of a tragicomedy is William Shakespeare’s “The Tempest”. “The Tempest” proves that comedy can conquer evil by Miranda and Ferdinand’s marriage as well as by the emotions and thoughts of two fathers. Just as in a tragicomedy‚ Miranda’s marriage to Ferdinand is bittersweet. Ferdinand declares his love for Miranda with the words‚ “O heaven‚ O earth‚ bear witness to this sound/And
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The Purpose of Criticism: Literary criticism has at least three primary purposes. (1) To help us resolve a difficulty in the reading. The historical approach‚ for instance‚ might be helpful in addressing a problem in Thomas Otway’s play Venice Preserv’d. Why are the conspirators‚ despite the horrible‚ bloody details of their obviously brutish plan‚ portrayed in a sympathetic light? If we look at the author and his time‚ we see that he was a Tory whose play was performed in the wake of the Popish
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BIOGRAPHICAL CRITICISM Biographical criticism begins with the simple but central insight that literature is written by actual people and that understanding an author’s life can help readers more thoroughly comprehend the work. Anyone who reads the biography of a writer quickly sees how much an author’s experience shapes—both directly and indirectly—what he or she creates. Reading that biography will also change (and usually deepen) our response to the work. Sometimes even knowing a single important
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February‚ 2010 Morbius’ Fatal Folly As pointed out by Merrell Knighten in his essay called The Triple Paternity of Forbidden Planet‚ the main difference between Shakespeare’s The Tempest and the 1956 science fiction adaptation Forbidden Planet (referred to as FP) is the use and control of power. In The Tempest‚ Prospero knows what power he holds through the use of his books and spells‚ and ultimately uses these powers to restore order to the island. However‚ in forbidden Planet‚ Morbius’ powers
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play‚ The Tempest‚ by William Shakespeare and the poem Paradise Lost‚ by John Milton are similarly written during the same time period of the sixteenth century. Both author’s create characters who have congruent roles‚ yet still make them different and unique. Not only do the writers use character roles that are related‚ but they also use coinciding settings‚ weather situations‚ and wording. Throughout this essay I will discuss and provide examples to support my theory. In The Tempest‚ Shakespeare
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Marxist criticism is a type of criticism in which literary works are viewed as the product of work and whose practitioners emphasize the role of class and ideology as they reflect‚ propagate‚ and even challenge the prevailing social order. Rather than viewing texts as repositories for hidden meanings‚ Marxist critics view texts as material products to be understood in broadly historical terms. In short‚ literary works are viewed as a product of work (and hence of the realm of production and consumption
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