"The misfit and arnold friend" Essays and Research Papers

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    ” Montresor’s meticulous planning of Fortunato’s murder is eerily similar to the strategy behind Connie’s rape by Arnold Friend in “Where Are You Going‚ Where Have You Been?” by Joyce Carol Oates. Both predators lure their victims in by pretending to be their friend‚ using their weaknesses to their advantage and seizing the opportune moment for attack. Montresor and Arnold Friend conceal their true motives under the guise of friendship. Montresor says: “[N]either by word nor deed had (I) given

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    is home alone when a mysterious man‚ Arnold Friend‚ pulls in her driveway and tries to manipulate her into going away with him. Although it is never stated explicitly‚ it can be seen that Arnold Friend is merely a piece of Connie’s imagination. More specifically‚ we see Arnold as a symbol for the Devil‚ whose purpose is to change the way Connie and the audience of Oates’ story views life. This is symbolic from the minor details‚ such as the appearance of Arnold‚ to more subtle details such as the

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    quickly enough to bring them into words. “Alright‚ Connie baby‚” Arnold Friend said‚ leaning over and invading Connie’s space‚ “I know I said we would just be out for a ride‚ but I know how much you love your music and crowds and stuff. And since I treat my girls right‚ I’m going to take you to the haven of music and people. That sound alright with you?” Waiting a few moments. Arnold Friend watched as Connie rigidly

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    In Joyce Carol Oates’ “Where Are You Going‚ Where Have You Been?” many critics argue whether the character of Arnold Friend‚ clearly the story’s antagonist‚ represents biblical Satan himself or a psychopathic stalker. Indeed‚ Arnold Friend could be an allegorical devil figure‚ the protagonist who lures Connie into riding off with him in his car‚ or‚ in the contrary‚ far more a grotesque portrait of a psychopathic killer masquerading as a teenager. However‚ he has all the traditional‚ sinister traits

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    Have You Been” by Joyce Carol Oates‚ Connie’s impulsive behavior along with the symbolism behind Arnold Friend in order to express how her uncontrollable id eventually caused her downfall. The Freudian id is the part of the mind that makes impulsive decisions without any reasoning. It is usually used less than the other parts of the mind‚ the ego and superego. The id is the instinctual

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    which footstep she need to take for her safety. She also get ignores her by her mother . This characterization makes her seem new. When Arnold Friend gets to see her‚ her ignorance and immaturity gives Arnold the perfect opening to kidnap her. She’s a charming girl‚ into her own attractiveness that eventually gets her ino trouble with this guy call Arnold Friend. In the beginning of the story ‚ Oates says‚” she had a habit

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    English 21011 James Friend Spells ‘Sociopath’ The persona of a sociopath appears to be much like any human. In many cases‚ one would not be able to "pick him out of a crowd." Their minds‚ however‚ differ greatly from the average mind. A sociopath is extremely smart and methodical and most often is very meticulous in the way in which he acts. While many people are not thinking beyond the norm‚ a psychopath thinks about his every breath‚ step‚ and word. In the short story "Where are you

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    You Been?" critics argue whether the character of Arnold Friend‚ clearly the story ’s antagonist‚ represents Satan in the story. Indeed‚ Arnold Friend is an allegorical devil figure for the main reason that he tempts Connie‚ the protagonist‚ into riding off with him in his car. Oates characterizes Arnold Friend at first glance as "a boy with shaggy‚ black hair‚ in a convertible jalopy painted gold"(581). She lets the reader know that Arnold is not a teenager when Connie begins to notice the

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    in favor of scoping out boys at the local restaurant‚ does everything she can to appear older and wiser than she is‚ and has a mind filled with daydreams and popular music that feed her unrealistic ideas of love and romance. When the stranger‚ Arnold Friend‚ arrives at Connie’s house‚ she must confront the harsh realities of adulthood‚ which bear little resemblance to her fantasies.

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    where she was. Her wet back felt like it was touching something like leather‚ maybe a car seat she thought. The sound of the blasting V8 engine reassured her that she was. Arnold Friend was driving while listening to a Bobby King program but his metallic shades couldn’t give a hint whether he liked it or not. Just then Arnold turned his head and saw who just woke up. “Mornin’ honey” he said in his usual deep tone. She had to turn away because the glasses reflected the sunset right into her eyes and

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