"The Maltese Falcon" Essays and Research Papers

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    The Maltese Falcon Essay Assignment One rule that was used particularly well in The Maltese Falcon would be rule number six; this rule states that a detective novel must contain a detective‚ also making them actually detect clues to solve the mystery. Sam Spade was this detective. One example of Dashiell Hammett using this rule would be by making the investigators in this book search for clues. Like when “Ms. Wonderly” came in and asked Spade and Archer for help. Archer went to shadow Ms. Wonderly

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    Existentialism: Dashiell Hammett’s The Maltese Falcon Dashiell Hammett‚ father of the American hard-boiled genre‚ is widely known for producing a suffocating world of realism in his works (“Hard-boiled fiction”). According to Paul Abraham’s “On re-reading The Maltese Falcon‚” the realistic atmosphere of Hammett’s third novel is reactionary to the post-war turmoil in which the work was born (97). This provides the ideal foundation for subtle philosophical concepts of existentialism such as‚ quests

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    Solon Bowden 2/9/08 - Paul K. The Maltese Falcon Comparison Samuel Spade of The Maltese Falcon novel by Dashiell Hammett is quite different from Samuel Spade of “The Maltese Falcon” motion picture. The book was written a good decade before that version of the movie was produced and in a much more casual time period. The novel focuses on making Sam out to be a more complex character than the movie does. He is not just “the good guy” as he is portrayed more so in the movie. The time period may

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    In the 1941 film The Maltese Falcon the character Brigid O’Shaughnessy functions as a typical Femme Fatale. She possesses qualities of the classic Femme Fatale such as the ability to manipulate the males around her for self-gain. Brigid O’Shaughnessy is a very attractive woman and she knows it‚ she uses her beauty and sexuality to get men to do what she wants treating them like puppets on a string. In the film‚ Brigid plays the innocent damsel in distress card to mask her true intentions which usually

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    3270‚ BMWA Prof. Taylor The Maltese Falcon is the classic hardboiled private-eyed movie that is a great example of prototypical film noir. The main character Sam Spade is undeniably a tough and smart guy whose actions are provoked by a stunning femme fatale Brigid O’Shaughnessy. While everyone in the story eagers to find a priceless artifact‚ the black statuette of a Maltese Falcon‚ and is driven by their greed‚ Spade acts as he is to fulfill his own personal

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    Maltese Falcon

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    and development of characters. More specifically‚ the role of women within the novels can be scrutinized to better understand the power they hold over the other characters‚ their own lives and the direction of the story. Dashiell Hammett’s The Maltese Falcon exemplifies the varying ways in which female characters attempt to obtain and utilize power in hopes of influencing‚ manipulating and succeeding. The most prominent female character in the novel‚ Brigid O’Shaughnessy‚ employs her sexuality‚

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    Maltese Falcon Symbolism

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    symbols in literature. We will be looking at a symbol from both The Maltese Falcon and the Murder on the Orient Express‚ by Dashiell Hammett and Agatha Christie‚ respectively. The two symbols we will

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    Sam Spade the Anti-Hero We often look back upon Sam Spade‚ the protagonist in The Maltese Falcon‚ as the first example of the modern day detective. This modern day detective is the gruff Man who keeps his wits about him‚ always gets the ladies‚ and cracks the case in the end. Sam Spade does fit into this category and it is for that reason that Sam Spade can be properly categorized as an anti-hero. While Sam Spade is indeed the protagonist of the novel‚ he is by no means a hero in the traditional

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    Poe vs. Hammett

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    It is my belief that although Poe’s Dupin‚ in The Purloined Letter‚ and Hammet’s Spade‚ in The Maltese Falcon both have very unique qualities‚ they both share very similar moral codes. These codes of morality‚ they would like to believe‚ have no bearing on the world or society around them. They both follow their own moral standards and do not follow what is expected of them. As Spade repeatedly suggests that honesty and loyalty are not what he is concerned about. As it occurs in both cases‚ Dupin

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    Mid Term Film to Fiction

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    1. A static character is a character which does not change during the course of a story. Sam Spade is a static character because by the end of the book The Maltese Falcon‚ Spade still seeks his own type of justice and he still retains within him a detachment to the world as seen when he has the police take Brigid away at the end. Another character that can be viewed as static is Stevens from Remains of the Day. Although towards the middle and end of the book‚ Stevens appears to start regretting

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