"The Botany of Desire" Essays and Research Papers

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    A postmodern cultural perspective in Lolita and A Streetcar Named Desire Postmodernism has emerged as a reaction to modernism thoughts and "well-established modernist systems". (Wikipedia‚ 2005) Specific to Nabokov’s Lolita and Williams’ Streetcar Named Desire is the idea that both of the novels are written under the view of postmodernism as a cultural movement and that they are broadly defined as the condition of Western society especially after World War II (period in which the novel were written;

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    Desire. It burns like an uncontainable fire‚ engulfing those in its path. Society bows down to desire for the individuals in society are driven by the desire to succeed‚ driven by the hope that they can be better than whom they were made to be. In a society in which men are merely pawns in a larger game of war‚ it is the desire to be special that keeps them going. But when desire takes over the brain‚ it provides the illusion of perfection. It turns a person against the world‚ for they believe they

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    Michelle Hong EBS-021-701 July 8‚ 2013 Professor Haji Desire There are two readings that are similar to each other. One is called‚ “Shame‚” by Dick Gregory‚ and the other is called‚ “Salvation‚” by Langston Hughes. The major similarities found in the two readings are lying to fit in and longing for something/ someone. The two readings also have a similar introduction like the setting which takes place in Missouri‚ both authors are young‚ and are memoirs. The two readings have so much in common

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    A Street Car Named Desire

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    Hope Gerald Mr. Kelly 12 IB HL English II: Period 2 April 10‚ 2014 Study Guide: A Streetcar Named Desire Background: Streetcar hit theaters in 1946. The play cemented William’s reputation as one of the greatest American playwrights‚ winning him a New York’s Critics Circle Award and a Pulitzer Prize. Among the play’s greatest achievements is the depiction of the psychology of working class characters. In the plays of the period‚ depictions of working-class life tended to be didactic‚ with

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    A STREETCAR NAMED DESIRE: THE WOMEN The play‚ “A Streetcar Named Desire‚” is set in a time where gender roles were severe. Compared to men‚ women were very restricted when it came to exercising their empowerment. Perhaps it is due to this reason that Blanche Dubois‚ Stella Kowalski‚ and Eunice Hubbell‚ all exhibit low self esteem‚ depending on male companions for happiness. Blanche Dubois wanted to be perceived as a woman of elegance. In addition to frequently bathing‚ she wore the finest

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    A Street Car Named Desire

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    Reality Versus Fantasy In Tennessee Williams’ “A Streetcar Named Desire‚” the obsessive need to escape from reality defines the protagonist Blanche DuBois. Haunted by the fact that she incited the suicide of her young husband‚ Blanche is unable to cope with what has since become of her life. She relies on fables and illusions to reconstruct a more socially acceptable self. However‚ the antagonistic relationship between Blanche and Stanley Kowalski threatens her fantasy‚ as he continuously confronts

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    Life is often dictated by a desire from deep within a person’s soul. People will usually act on whatever desire this is for their own personal gain. Be it greed for lust/love as represented by Abigail Williams‚ greed for power/authority as represented by Reverend Parris‚ or greed for land/wealth/power as represented by Thomas Putnam. Arthur Miller points out all of these in his play “The Crucible.” He shows how it leads to the corruption of a once good community. The greed and quest for power blurs

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    A Street Car Named Desire

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    Anosha Ashfaq Nov 2011 paper A Streetcar named Desire Q)Explore the dramatic techniques through which Williams creates the atmosphere of the play. A) Tennessee Williams’ A Streetcar Named Desire is a play that is spilling with dramatic scenes throughout. He uses a wide variety of techniques which help heighten and emphasize the drama in the scenes. These techniques include the use of music such as the “Blue Piano” and “The Varsouviana Polka”‚ Animalistic Images that appear throughout the play

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    A streetcar named desire Our identity is shaped by our relationships As we grow up it’s not only our age and experiences that make us who we are‚ relationships also shape our identity. All relationships will change our identity no matter who they are or what kind of relationship they have with us. Our friends shape our identity just as much as our family‚ if not more. This statement is very well depicted in the play “A street car named Desire by Tennessee Williams”. Throughout the play you see

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    SYMBOLIC DEVICES IN TENNESSEE WILLIAMS‚ A STREETCAR NAMED DESIRE 1.     Introduction Written in 1947‚ A Streetcar Named Desire has always been considered one of Tennessee Williams’s most successful plays. One reason for this may be found in the way Williams makes extensive use of symbols as a dramatic technique. This happens in all of his plays‚ but in this instance Williams integrates symbols very effectively with ideas and thematic content. He once explained that symbolism is a way to “say a

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